Darke Reviews | Aquaman (2018)

In what seems to be one of the strangest holiday seasons yet, there is yet another early access showing; this time in conjunction with Amazon Prime membership. So far in what is one of the most packed Decembers I can recall where we have Bumblebee, Mortal Engines, Aquaman, Spider-Man, and Mary Poppins all coming within two weeks of each other; all of them have had early showings except Poppins. I think this is combination confidence and ego on the party of Disney knowing the name alone will carry a lot of weight. Steven Spielberg of all people went “I’m out” and moved Alita: Battle Angel to an uncontested Valentines day slot. The others all are all competing for early release positive buzz and need it desperately in the cases of Aquaman, Bumblebee, and Spider-Man as the brand they are representing (DCEU, Transformers, and Spider-Man) don’t have the best track records in the cinema. Spider-Man proved not only to be worthy, but the best animated movie of the year and possibly one of the best Spider-Man movies ever put to screen.

Is Aquaman worthy?

The movie violates my Three Writer Rule out of the gate, with Will Beall (Gangster Squad, Training Day TV series), director James Wan (the Saw, Conjuring, and Insidious series) , and Geoff John’s (DC’s version of Kevin Fiege ie the head of the “movie studio”) having story credit; then Beall and David Leslie Johnson-McGoldrick (Red Riding Hood, Wrath of the Titans) on screenplay. By their powers combined they have created a hot mess. To be fair to them, the work of Snyder before and the Justice League movie didn’t give them as much room as a team coming in fresh and thats where some of the narrative choices come from and were not handled deftly. From a purely cinematic universe standpoint the average movie goer won’t know half of whats going on or missing so I can’t and won’t call them to task. Comparing to the comic is like comparing to a book. Changes need to be made, so be it. What I can call them to task for is trying to do too much and not doing all of it well as a result; with plot threads left dangling, characters who feel like they were supposed to be more important and vanish; and most critically a lack of consequence along the way that really shouldn’t be ignored as the meta narrative of the movie put such an intense focus on rules and ancient laws.

The story itself, isn’t so much an issue. Arthur Curry’s, aka Aquaman, mother was the Queen of Atlantis, made a child with a Lighthouse keeper. Then had to return home or they die. She has a son with the King. This son, Orm, later in life wants to wage war on the surface for indistinct reasons and conspires to do so. Meanwhile Mera, someone loyal to the Queen seeks out Arthur in an attempt to have him usurp the throne and prevent all out war between the surface and Atlantis. A McGuffin must be found to give Arthur legitimacy as he is a half breed and the clock is ticking as Orm advances his plan to become the Ocean Master.

The plot itself isn’t the issue. It really isn’t. It’s the beats and how they were architected, its those hanging moments and characters that vanish and other points that just take away from the whole. Logical fallacies within the world that continually don’t add up. I am not talking the suspension of disbelief that you have to take a heaping dose of for the movie to work, I am talking violating that suspension. The movie does it time and time again; and I am not sure why. Wan is a competent director and writer and has shown to be better than this. I wonder if this is a curse of bigger budget with talented directors ruins them somewhat. There are some truly inspired shots and action sequences in this movie. I’ve been beating up on it thus far and it’s not all bad. There are some really good moments, but not enough of them. There’s some great camera work, but not enough of it.

From an acting perspective, sorry folks, I know Momoa is pretty to look at. He is eye candy for those who enjoy that aesthetic and I appreciate that is the reason many people will go see it. I know he wants to maintain and showcase the ties to the Maori and he does so through the movie more than once; and the Haka at the premier was beautiful. He doesn’t have the charisma to pull this off, or someone told him not to use it. He *should* work as Aquaman, but doesn’t. He comes across as a “Biker Bro” who has powers. He would have been a great Lobo with this performance, but I don’t buy him ever becoming the King of the Sea with it. Amber Heard (Drive Angry, The Danish Girl)  is far more compelling as Mera and is the Mera I know from the material I’ve come across who doesn’t take anything from anyone. Between the two of them there was absolutely no chemistry and I can’t be certain if it was her recent life events in dealing with toxic masculinity and abuse or just it not being there at all. Willem Dafoe phones it in, but its still better than most of the cast. Patrick Wilson (Insidious, Watchmen) is engaging as King Orm and tries, with the script doing him no favours.  Nicole Kidman was allowed to be bad ass as Queen Atlanna, but also seemed vaguely exasperated or confused that she was there.  Also what a waste of a Julie Andrews voice. Black Manta was treated well overall and handled about as well as one can expect.

The production design. This is as about a mixed bag as the rest of the movie is. Bill Brzeski had the unenviable task of creating Atlantis and the other kingdoms of the seven seas. Overall it was beautiful, but at times it was muddled by the motion and camera choices. More wide shots were needed, like the scene in the trailer with the flare and the boat. More awe was needed to show the power, expanse, and majesty of Atlantis – and sadly it wasn’t all there. Costuming, a category I don’t often bring up, fell to Kym Barrett, who was nominated for over a dozen awards for her work on Cloud Atlas. She also worked on the Matrix and Speed Racer. She did create original designs or was able to successfully translate comic designs to film in almost every case. Mera’s costume during one scene was literally the most inspired I’ve seen for an aquatic movie. Mera’s costume the rest of the movie left me confused. The clothing was theoretically designed to be form fitting, but quite regularly there were gaps between clothing and skin that were really glaring to me; almost as glaring as the High Heels.

The woman who lives underwater is wearing high heels.

Just let that sink in for a moment.

Don’t even get me started on the red wig they had her in. In a rare moment, let me say Justice League treated her better than the movie she was the main player in. Don’t believe me? Look. Also please note the superior costume for Justice League – which takes place before this movie.

Justice League Promo

Justice League

Aquaman. Look at that Natural Red

I want to  rant about the music being odd and switching between the current trend of 80’s Synthwave, standard scoring, and weird Pop songs in the movie I haven’t seen outside of a YA movie or Evanescence in Daredevil back in the day; but this review is already getting too long.

TL;DR

Surprisingly, despite its laundry list of flaws the movie still manages to be somewhat entertaining. It isn’t as patently offensive as Man of Steel has become to me, or BVS, its production values exceed that of Justice League; even if the story beats and acting are rougher. It isn’t as good as Suicide Squad (to me) and definitely not in the league with Wonder Woman. There is a movie here begging to be made to be made well, another pass on the script, another wave of clean edits, a second look at the costuming and music all could have elevated this uncontested into the #2 slot of the DCEU.

Instead we get something just above mediocre through raw effort on everyone’s part that is not more than the sum of its parts, but isn’t falling apart either. A series of baffling decisions both in and out of narrative leave me wondering about the motivations of the characters and why I should care at all. Just a few lines of dialogue here or there really could have solved more than a few of this movies problems so it’s other issues wouldn’t have been as glaring.

Should I see it?

I can tell you no. Most people are going to ignore me and go “But Momoa is pretty.” So I won’t even bother. When this comes out next week it will be competing with a Mary Poppins sequel and Transformers movie, both of which will be reviewed when I see them before this ones release.

Currently the verdict is:  If you were going to see it regardless of this review I hope you enjoy it. I truly truly do. There’s more than a few moments to enjoy and I did have a good time, but I might have had that same good time watching it home later.

So not seeing it again then?

No. I’ll be seeing Spider-Man and Anna and the Apocalypse at a minimum before seeing this again.

Buying it?

*deep sigh* Maybe. Probably. Again its deeply flawed, I have trouble giving it a firm recommendation, but it’s not dumpster fire. Wow….my bar for the DCEU is low.

Anything else to add?

It’s a solid filmmaking effort, and I can see that effort was put in. They tried. Tried and failed on a lot of points, but they tried and I have to give them credit for that. No one in the crew phoned it in and the director did all he could saddled with five prior films of baggage that I wouldn’t wish on anyone. The mistakes in the film shine like spotlights to me but may not to most audiences so there’s that in the movies favour.

Aquaman was the most joked about member of the Justice League for decades. His movie could have been far worse so I will take it for what it is.

 

 

 

Darke Reviews | Spider-Man: Into the Spider-Verse (2018)

Greetings True Believers. So a theatre chain did a screening of the new animated Spider-Man movie tonight, needless to say I had my butt in a seat for it. While the trailer left me wondering a bit on the animation style as it wasn’t anything I had quite seen before I knew this movie would be important as it was the first time we got to see Miles Morales on screen. Now those who are not familiar with comics, and truth be told I’ve been out of them for awhile, may not know that in 2011 a new Spider was introduced; and this one happened to be a young Afro-Latino boy.   Needless to say in an age where in post after post I have to say #RepresentationMatters this movie is important. Until this year we have not yet had a person of colour lead a major comic book movie in this Renaissance of the comic movie. Yes, Black Panther was this year – how wild is that? Now obviously we can all name T’challa, Falcon, and even Nick Fury as black Heroes on screen. Now name the number of Latinx ones you’ve seen on screen.

Miles Morales is important.

This movie is important.

But is it good?

Let me cut to the chase and avoid the TL;DR cut – Yes. Yes it is.

First, let’s talk writing, this was written by Phil Lord of the Lego Movie fame (and kicked off of Solo: a Star Wars story fame) with his writing partner Christopher Miller as a producer. The story is an origin story, but damn if it isn’t solid. Not only do we get the origin for Miles to become Spider-Man, they introduce five other Spider’s from alternate universes. So the movie is able to juggle a total of six Spider’s and still keep Miles as our central character, with character conflict, growth, and identity being underlying themes through the movie and it works. Miles remains center stage, but you still get enough time with the other major characters through the story to get it. The movie also retains a beautiful sense of humor through out and is as far from Grimdark and Depressing as you can get.

It’s rare I get to talk about three directors for one movie, but here we go with Rodney Rothman (a Lord & Miller partner and writer on their projects), and two artists. The first is Bob Perischetti, who worked on Mulan, Tarzan, Shrek 2, and Monsters vs Aliens; as well as the acclaimed The Little Prince.  Peter Ramsey is an artist turned director, who worked as a storyboard and illustrator for Bram Stokers Dracula, Tank Girl, and was the director on the painfully underrated Rise of the Guardians.  These men know how to get great voice acting that has the subtle intonations that elevate the performance and also bring a strong visual style to the art team who had their work cut out for them combining cell shaded animation, traditional four colour dot art, CG characters, traditionally animated characters, and more into a single picture.

This movie is absolutely gorgeous. Colour theorists will have a field day with this one and they should with every colour being intentional and also amazingly vibrant. Even in the “dark” scenes in the movie, the contrast of colours against the true blacks just pop off the screen to the point I almost wondered how this would look with 3-D glasses. There is such amazing kineticism to the film as well where your eyes are always watching something and when the fights, chases, and other major beats happen there is a fluidity of motion you just cannot do in live action film making and the movie takes full advantage of it. It is raw, it is dynamic, and the camera always follows the action and keeps pulling you into those action beats so well. The animation also knows when to be still as well. The right moments are held like freeze frames with only minimal motion, but maximum emotion. Even the character designs, while so bloody disparate work when they really shouldn’t.

Credit must be given to Shameik Moore (Dope, The Get Down) is our Miles Morales, and for a 23 year old knocks it out of the park playing a very young teenager. Because of the complexity of the voice acting Moore brings we have a truly three dimensional portrayal of this character with a fantastic message for our viewers. Jake Johnson (the computer geek guy from Jurassic World) is our Peter Parker and while I wasn’t sure on him at the opening he also brought layers to what otherwise would have been a lesser character. The same can be said for Hailee Steinfield (Ender’s Game, True Grit, and the upcoming Bumblebee) as Spider-Woman/Gwen or Ghost Spider. This movie did her right too and I can think of hundreds and thousands of girls who will see a female hero who isn’t treated sexually in any way shape or form and is absolutely someone who kicks butt, has her own arc, and just is well done. Brian Tyree Henry (Atlanta, This is Us) and Mahershala Ali (Luke Cage, Moonlight) have some emotional burden to carry too and do it admirably.

Even the music in this movie just rocks from beginning to end and …and ..

TL;DR

This movie I could go on and on about. I can tell you the hype for it is real. The positive reviews may not go far enough. I saw yesterday that this movie was nominated for a Golden Globe for best animated feature and I have no argument that it should win. You haven’t seen a movie animated like this before, and maybe won’t again, but it’s original. It’s vibrant. The characters are good. The story is good. The movie works on every possible level and holds it’s own against some of the best Marvel and Disney have put out.

Not only is it good, but it also reminds us how much Representation DOES Matter and gives us the heroes we really do need right now, and a message we need as well.

So I am taking it I should…

Yes. Yes you should. In theatres. IMAX if you can for the full immersion of colour.

Would you see it aga….

Yes. Next?

Buying it?

This movie is why 4K TV’s exist.

Ok Vampire lady calm down aren’t you a bit too hyped?

Maybe. My best friend and I were talking about this movie the entire ride home and just how GOOD it is. Like capital “G”. It has a positive message for the kiddos, tons of nostalgia for those old enough, is beautiful, and honestly pure. I almost feel bad for Peter Jackson next week when this comes out as Mortal Engines is going to get destroyed by this.

I really do like this movie and I hope you see it and like it too.

 

Darke Reviews | Ant-Man and The Wasp

I was not a fan of the first Ant-Man film when it came out almost 3 years ago to the day. Largely this comes from the epic battle between comedy and my sensibilities. Many co-workers and friends still ply me with things they think I believe will be funny. Few succeed. It’s a tragic tale of woe, but yet some do succeed. There’s a narrow margin where it can just work. Not everything will be The Cornetto Trilogy, early Mel Brooks, or Twilight. Sorry. I have just been informed Twilight was not intentionally funny. Also cheap shot its an easy target I plan to look at later critically. In the meanwhile we’re here for the update on what I thought about Ant-Man and Wasp.

Does it work better than Ant-Man did?

Well… short answer is yes. I know I am not waiting for the TL;DR, but I’ve been breaking the habit on that where appropriate. As my partner tonight noted during our credits conversation she saw me laughing quite a bit. She was very correct in her perception. I did laugh quite a bit and while all the jokes didn’t land perfectly, enough of them did. More than a few went too long, but they more often than not did work and I was really able to enjoy the film. After the too much comedy of Ragnarok, the sociopolitical weight of Black Panther, and whatever Avengers left me feeling (it wasn’t much but even I admit it was a dark film) – this is cotton candy a summers fair. It’s light. It’s fluffy. It’s sweet. It reminds you of simpler times.

That isn’t bad. Movies can be escapism as much as anything else in their art form. Ant-Man and The Wasp threads a difficult needle in storytelling where the movie has weight, but isn’t too heavy for audiences who need a brain break from a world that really could use some balance right now.

This isn’t to say there isn’t good plot here. Oh no. There is. Set two years and change after the events of Civil War (and two years and change after the movie release so there’s that) it picks up with Scott Lang under house arrest for his ‘crimes’ in Germany. He has completely reconnected with his daughter (played adorably by Abby Ryder Fortson) who despite her age really seems to get it with her Dad and loves him unequivocally. He and his ex and her new husband have found their middle ground and feel more like a functional family than anyone else shown in the MCU to date. He’s trying to put what he can of his life back together with his friends who are trying to start up a security system business when he gets a flash of the Quantum Realm; which gives him visions of a long since lost Janet Van Dyne, the original Wasp. This causes Hank and Hope to seek him out to help find their missing family member, while trying to stay a few steps ahead of black marketeers who want Hanks tech, a mysterious new villain appropriately named “Ghost” for her ability to walk through solid objects at will, and the FBI who want to arrest Hank and Hope and will throw Scott in Jail for 20 years if he’s caught outside his house.

Wow. There’s a lot going on in this movie. It works. Despite violating my three writer rule by having five on the written by credit, it doesn’t feel like it was written by that many people. The stories, tone, and everything else carries through the movie nearly seamlessly. Peyton Reed back in the directors chair really does have a grasp now of what to do, how to frame, and how to get the right performances out of his actors. This doesn’t feel like the same director, yet it is. What also works is the aforementioned weight in the movie. Germany (Civil War) had consequences that carry over through the entirety of the movie. Consequences. In a comic book movie. I never thought I’d see it (in a way that logically makes sense) and it works. On top of that the primary villain Ghost (played expertly by Hannah John-Kamen (Ready Player One, Kill Joys) was masterful.  I never thought I would say this but Ant-Man and The Wasp gave us our first female POC villain in a modern comic movie. On top of that, its a GOOD Villain too. I won’t go into details because spoilers, but I really liked her character and its motivations. The movie also provided stakes if our heroes lost. Lots of them and truth be told I wasn’t sure what they were going to do with those stakes until the final credits rolled. That is very rare. Please give me some more

I could talk about the effects, but overall they are superior to the first film and its just a better movie. Also the effects team and director like Tardigrades, which is kinda awesome.  The fight sequences are really good. easy to follow and come in both large and small scales, but work within the movie so well.

I should probably talk about Evangeline Lilly here. She’s awesome. Thank you. She is bad ass. She has her own agency and goals. While the movie doesn’t pass the Bechdel Test, I think it passes the Mako Mori one.

TL:DR

This is a well paced, light, enjoyable superhero film. It has a lot going on so you don’t feel its two hour run time in the least. I had a good time and I think you will too. Also cheating here, but copying from above for more of the TL:DR

As my partner tonight noted during our credits conversation she saw me laughing quite a bit. She was very correct in her perception. I did laugh quite a bit and while all the jokes didn’t land perfectly, enough of them did. More than a few went too long, but they more often than not did work and I was really able to enjoy the film. After the too much comedy of Ragnarok, the sociopolitical weight of Black Panther, and whatever Avengers left me feeling (it wasn’t much but even I admit it was a dark film) – this is cotton candy a summers fair. It’s light. It’s fluffy. It’s sweet. It reminds you of simpler times.

Should I see it?

I think so. If you were remotely interested it is going to be a good time. If you weren’t you won’t miss much, but I gotta tell you the rest of July isn’t looking like a major movie going month for most folks.

Would you see it again?

Yeah. The D-Box seats I bought for my partner and I tonight really did add something, but standard or XD is good for this one.

Going to buy it?

The odds are in its favour.

So what about Avengers Infinity War and this one’s continuity?

They line up without flaw. Thats all I will say.

Alright, so what’s wrong with the rest of July?

I have zero interest in Hotel Transylvannia 3. I refuse to give Adam Sandler money. I don’t care if it has Vampires in it. I have a line I draw.

Skyscraper is still on my maybe pile.

Equalizer 2 I’ll see, but the first had a small audience and I don’t think this one will fare better. I haven’t seen a lot of marketing for it.

At the end of the month we get Mission Impossible: Fallout, which based on conversations I’ve had; I am the only one excited for.

 

Final Note: Special thanks to my movie going partner. It’s nice to chat with someone immediately after the movie.

 

Darke Reviews | Deadpool 2 (2018)

Trying a new format, see how it works.

First things first, if you liked Deadpool you will like Deadpool 2. Period. Let’s put the TL;DR upfront. It’s a solid film that at the minimum meets the expectations set by both trailers and the prior film. Ryan Reynolds is still charming. T.J Miller is still a waste of digital media. This is the year of Josh Brolin, good for him. Zazie Beetz is the best and we should praise the ground she walks on as Domino. There was not nearly enough of Yukio and Negasonic Teeenage Warhead, but hey at least we have a Superhero movie who acknowledges not everyone is straight.

Honestly, that’s one of the best things about Deadpool it does and continues to do the things no other comic book movie would dare. It pokes at every facet of the other films and its supporting industry and goes “Here I am”. Seriously, think about the last time you saw an overweight hero who isn’t The Blob. Now an overweight person of colour hero, who is also a kid? You won’t find one anywhere in movies or TV. You won’t find a modern comic book movie as effectively lampshade some of the ridiculous aspects to the comic book origin stories.

The movies biggest flaw is its pacing. It really feels it’s two hour run time; which could have been saved by cutting some of the joke scenes that go on a bit too long. The Rehash that just doesn’t work. Cutting TJ Miller entirely. No seriously, the movie would be better without him. Characters people really enjoyed could have gotten a few more minutes and that might have been worth it.

That said, have I praised Domino enough? Zazie is poetry on screen and we are all better for her and the portrayal of Domino. Admittedly I have a soft spot for the character, but it was just good to see a fun, good, bad ass lady on screen where there is zero romantic or emotional B.S with any of the other characters. She has her own agency and it works.

I am not going to try to force word count here, (or anymore) , but Deadpool 2 is worth your money. It’s a fun little romp that doesn’t fall prey to the pitfalls many sequels do. It *could* have been better, but it’s a far cry better than many sequels out there.

 

Darke Reviews | Avengers – Infinity War (2018)

SPOILER FREE – DUH

Let’s face it folks. This is the most useless movie review in history. You already know you are going to see it regardless of what I say.

Avengers Infinity War is *the* movie of the year that everyone wants to see. Few expected Black Panther to be the hit that it was (we really should have though), Solo is getting a mediocre response, do not get me started on Jurassic World, and literally everything else is sequels which while there are some fans don’t have over a decade of build up leading to their release. This is something no one has tried before at this scale and with good reason. It seems a Herculean effort, the impossible task to try to take multiple group and single character stories that largely operate on their own and put them into a single picture against a single threat.

Yet here we are Marvel has tried it. They wisely put Joe and Anthony Russo in the directors chair after the both critical and audience success of Winter Soldier and Civil War. The writers, Christopher Markus, and Stephen McFeely were also behind those two stories as well, plus The First Avenger. Winter Soldier, still easily in my top five Marvel films is an excellent story that just happens to have super heroes in it. Civil War, also is a strong story with a bigger hero presence – even if I personally have significant issues with some of the characters – the story cannot be denied and it’s solid film making. This was a good play on Marvels part and yes, this too is a well made film; but…

It has flaws for me.

Lots of them; but because I want my readers to enjoy the movie for its merits let me answer some questions that as always contain no spoilers.

Do they successfully merge multiple franchises?

Actually yes. This is a very very busy movie with a ridiculous number of locations, characters, and beats to it. It never quite feels too rushed or too slow , even if it gets close a few times.

Do they do justice to each of the characters as we’ve grown to understand them?

Honestly yes. Everyone gets a good moment of their own that sticks to the core of who and what they have been established to be. Everyone you can imagine gets an appearance and it did make me smile to see a few of them too; yet at the same time I think they spend time with all the wrong characters. The ones who get the most focus are the ones I care about least.

How is Thanos?

Josh Brolin absolutely brings it and anything else verges into spoiler territory so you’ll have to chat with me in the comments section on him. He Looks Great! He is a SOLID Villain. I am happy to see him.

Is there anything else you can share that doesn’t even hint at a spoiler?

There’s not a lot I *can* say about it. The money sunk into this movie is on screen with absolutely nothing wasted. The visuals are surprisingly solid with the raw amount of CG on screen at any given time; and show just how far they are pushing the technology.  The fights left me something to be desired as they are very busy which detracts from most of them unfortunately as I couldn’t really see who was who and there were too many cuts to other places.

TL;DR

I hope you truly enjoy this movie. I really didn’t. It is in the solid middle for me on the Marvel films. I don’t actually *hate* it in any way – which is an important distinction from things like Age of Ultron or Iron Man 3. I just don’t have any emotional connection to it whatsoever and that is why it fails for me.

The ultimate telling thing to me is that the audience in my showing was stone quiet even after the credits rolled. Not a gasp, not a tear, not an applause. Just quiet. So maybe I am not the only one? There *are* good things to it, I covered some above. There are others that are cool too, but they are moments in a whole cloth that just doesn’t do it for me. They aren’t enough to save it even if in those moments it engaged me like nothing else in the film did.

I hope you enjoy The Infinity War and it lives up to every expectation you have.

 

 

Darke Reviews | Black Panther (2018)

SPOILER FREE AS ALWAYS

Talking to my best friend before the movie I said this would either be the shortest review of the year or the longest. Lets see what it turns out to be. Now before we get into the meat of things, lets go through the usual intro. Over the past nearly 30 years I have watched almost every single comic book movie in theatres. Big deal right? So have a lot of other fan boys and fan girls; but none, not one has had so many people of colour present. Not a single one.

You cannot discuss this movie without discussing the cultural impact that has been building like a train going full steam down a mountain rail. Like a few other of my peers in the review industry I am not going to dig too deep into that – because it is not my place as a white woman to talk about how important this movie is to the people who are getting real representation on screen in such a massive way, unless I am specifically asked to do so. What I am going to say is that there was a young woman next to me, a student at ASU. When the movie ended her hands were flat to her cheeks, her jaw open with tears of joy in her eyes. She turned to me and told me how she has watched every Marvel movie since she was in high school. She watched them all again in preparation for this. She apologized for geeking out a few times, but I encouraged her to share what she was feeling.

“This is the most beautiful movie I have ever seen.” When we were all leaving, she turned to another movie goer and told them this was the best day of her life and she was going to see this three more times with her friends. My friend and I were discussing the movie in the parking lot of the theatre, something we haven’t done in awhile, and about ten minutes later she comes out and she’s so excited. She has so much joy and is sharing it with a friend on the phone. She waves to us with the biggest, brightest, and most honest smile I have seen in a long time.

This is important. This movie is important. Her story and how she feels seeing this is important.

If you want an actual review I will give it of course.

The movie was written by Joe Robert Cole (American Crime Story) and Ryan Coogler (Creed, Fruitvale Station). Coogler also directs. The choice of Oakland for an opening scene doesn’t go over my head from the writer and director of AFI’s movie of the year for 2014 Fruitvale Station, a movie that the Grand Jury of sundance deemed winner of the Dramatic category for  “For its skillful realization, its devastating emotional impact and its moral and social urgency.” This wasn’t just a one off for him. He showed that on a small tight story he could deliver this impact, now with a big budget Marvel movie he does it again. He doesn’t bother with too much subtext and makes it text. I’m ok with that. If there’s any weakness to the script its some of the dialogue for Michael B. Jordan is a little too on the nose and a little too broadstroke, but in the hands of both Jordan and our director they make it work and still hit home in more ways that one. There’s a magnificent bridge between Act II and III that should not work as well as it does, but is beautiful.

I will simply say every actor is perfect. No one under delivers. No one feels weaker than they should. No one is stupid. No one should be cut. There’s not a wasted or phoned in performance. All of them need mention so here we go:

  • Chadwick Boseman – T’Challa / Black Panther
  • Michael B. Jordan – Erik Killmonger
  • Lupita Nyong’o – Nakia
  • Danai Gurira – Okoye
  • Daniel Kaluuya – W’Kabi
  • Letitia Wright – Shuri
  • Winston Duke – M’Baku
  • Angela freakin Bassett – Ramonda

All of them were amazing, however, Danai Gurira (All Eyez On Me, The Walking Dead) and Letitia Wright (Humans, and the upcoming Ready Player One) steal every single scene they are in without question. Bassett is regal as ever and reminding me how much the first X-men movie screwed up not casting her as Storm. Winston Duke is a physical presence in the movie that exuded both his own sense of nobility, power, and even humor. I would talk about our three principle actors, but again – there’s not much more to say other than how impressive they were.

At two hours and fourteen minutes, I cannot for the life of me think what they could cut without some measure of sacrifice. Not a plotline, beat, or moment felt out of place. The downside of this of course is the movie is packed to the gills and from time to time the scene cuts and changes were a bit abrupt. Some of the CG and compositing were a touch on the weak side for me, but at the same time no corners were cut here. The money was thrown at this movie, deservedly so, and every dollar is on screen. The colours, the vibrancy, the music, the sound are all beyond compare.

TL;DR

Wakanda Forever

This movie is up to its hype. It is beautiful, powerful, and meaningful. Everyone should see it. I am buying it. I will see it again without hesitation. You should see it on the big screen with a sound system that shakes you.

This is now in my top 5 Marvel movies, I am debating where still, but it deserves that place. If this doesn’t make my top 5 of 2018 I will be surprised.

Now stop reading and go watch it!

 

Darke Reviews | Justice League (2017)

This is probably one of the most anticipated or dreaded reviews this year.

*sigh*

*heavy sigh*

Can I just re-watch Justice League (the animated series) and review that instead? I suppose not; since that would just repeatedly talk about how even it’s weakest attempt is greater than many TV shows and movies best attempts. Justice League Unlimited – I mean it had some weaker episodes, but even then most of their episodes are still better than most TV we get – and their greatest episodes just down right heart breaking and or epic. If you look at my reviews for the prior DCEU films, you will see I raved on Man of Steel at the time – I blame the initial hype; but I still believe we need a world where we can look up in the sky and see a Superman. We need that sort of hope these days, it is in short supply. Batman vs Superman Dawn of Justice. Even the extended cut, which I have watched the add-ons from don’t help enough. I still will defend Suicide Squad, even if its editing is nothing short of a train wrecking into a train wreck with a cruise ship. Wonder Woman is near perfect (for the DCEU). Don’t you speak ill of her or it – I will fight you.

So where does that leave us? Justice League. Right right.

Is Justice League the final nail in the coffin for the DC Extended Universe?

I am going to structure the review from here on out a bit different than usual so bear with me while I try this out.

Screenplay: Zack Snyder, Chris Terrio (Justice League, Argo), Joss Whedon.

Whedon ends up getting a credit due to the reshoots, with him as a director. I will absolutely not allow anyone to bash Snyder for stepping away from the project when he did and for the reasons he did. I will absolutely bash Snyder for the work he did leading up to it. The script is a mess. The story is convoluted and ultimately as hollow as the rest with of course earth shattering stakes that will have no lasting impact, no risk, and no one you actually care about. The add on scenes for Themiscyra are just short of offal; which is to say it shouldn’t have been used, but if it had been done by a better cook it wouldn’t have been awful. It does bother to slow down and give a few character moments but they seem so out of place against the others that if they were part of the original script and shooting it makes the movie worse. If they weren’t it adds a redeeming quality, but they don’t fit tonally or even in how they were shot and coloured. Snyders vision still sucks and there were small overtures to move from that in how the story played out, but not enough to salvage this.

Actors: All of them I think. Breaking it down by main characters shall we?

Affleck is still a good Batman and Bruce Wayne and while they lift some scenes from Justice League the animated he works. He is also given some ridiculous dialogue to have to work through and some repeats that make him look like the worlds greatest idiot than detective but I don’t blame Affleck as much as the aforementioned script. I honestly hope he comes around on the stand alone film he can do it.

Gal Gadot is perfect. She also plays Wonder Woman really well. The problems with this Wonder Woman vs. the standalone come down to cinematography. Could you not put her in skin tight pants and stiletto heels? In one scene I thought it was Catwoman or her character from the 5th Fast and Furious movie not Wonder Woman. She is an (beyond) attractive woman, yes, but we don’t need almost every single intro and outro for her being a butt or legs shot. She has a face – focus the camera there ok? Thanks.

Henry Cavill. This isn’t a spoiler folks – he’s in the bloody trailers as Clark. *sigh* There’s going to be a day where you get to have fun. I saw part of it here. Part, and it’s enough for me to want to see you finally get to play Superman. Well done sir for trying to rise above the limitations and be charming.

Ezra Miller as the Flash. He isn’t Grant Gustin, which we covered why not in the BvS review. The idea that Gustin wouldn’t fit is odd with what they did give us for him. I *think* they were trying to get him to play someone who wasn’t neurotypical, on the spectrum somewhere, but I can’t be 100% sure. He is very ok as a young, just starting out Flash. They use him for the comedic beats well enough, but I am a harsher judge there. I didn’t hate his performance by a long shot, but it didn’t blow my skirt up. I don’t think they knew how to use him as a character well, which isn’t on Miller at all it just didn’t give him enough to work with beyond the comedic expression.

Jason Mamoa as Arthur Curry/Aquaman. Yes ladies, he is very pretty. The character I saw was Jason Mamoa playing Aquaman, not Aquaman. He came across as a half drunk biker with aquatic capabilities. Even the one scene with Mera (Amber Heard) shows him more as a rogue than a ruler. I am pretty sure I know what they were going for by the very bad dialogue they gave Heard, but its so rushed its hard to tell. This was more similar to his performance in the really bad werewolf movie “Wolves” than it was an Aquaman. Is it him or is it the script and directing. I am not sure, but I wouldn’t hold out hope for a great Aquaman stand alone film based on this.

Ray Fisher as Cyborg is literally a deus ex machina. Again he tries but the script and directing here is like a black hole swallowing anything greater than itself; and I feel bad for Fisher. He is just fine, but the overly computer look for the costume just looks wrong. I want to shake Weta Digital who actually seems to be regressing and point them at Robocop, which came out almost 30 years ago and looked better as a half man half machine. You can do Cyborg with practical then enhance with digital. The all digital did not work. If there was practical at all it was lost, like Fishers performance in distractingly bad graphics.

Ciarán Hinds as Steppenwolf, well his voice. The voice is fine. Absolutely nothing else works here. The look is awful, the dialogue is worse by a hair. Just no. Honestly, as I think about it, they may have reused the skeleton from Incubus and El Diablo from Suicide Squad for the underlying animations for him – this is not a compliment. It looks recycled and honestly bad.

Technicals: Graphics – Weta Digital, Rodeo FX, Double Negative, Scanline VFX.  Music – Danny Elfman

The good – Danny Elfman. Mr. Elfman, I have found you haven’t grown in your work in some time, but here you did as well as anyone possibly could. But there’s one piece of magic you wove into this that lifted my spirits. Hearing the chords of the original Batman and Superman themes, even for a few bars was enough for this geek girl. Thank you.

The bad – The graphics. Just…no. No. No.

                                        My face during most of this movie.

I totally appreciate the amount of time, skill, and effort that go into animating a single frame. I totally appreciate that it is *not* an easy art form; but when it was the end of the day, when it was closing in on the end of the project did anyone look at the final product and go “can we have another week? Please?”. If I know my artist friends well enough – they did. They were told no, or were given unrealistic deadlines to complete the work. Perfect is the enemy of good enough but I would ask the executives at Warner Bros to please consult the following ven diagram. This is presented in the form of a chart to ensure you understand. Please refer to this on your future projects as I can tell it will help.

 

Here is a small list of what is wrong: Physics fails, even by superhero standards. Corn. Lighting during reshoots. Steppenwolf. Fight scenes that looked better before you lifted them from an Injustice video game.

Here is a sample list of what works: Aquaman standing as a massive wave hits him. Mera. Wonder Woman’s speed, though guys she isn’t the Flash.

Final technical and the worst sin: I condemn the costumer for the Amazons to walk through a shoulder high briar patch for all eternity in the costume they designed. You are the worst. The absolute worst.

(Left) Amazons as designed by a woman and someone with sense. (Right) Sense and the woman have left the building.

TL:DR?

No force in the vast heavens or all the realms could have saved this movie. The majority of it was shot and “in the can” as they say before Wonder Woman came out and DC and WB learned what works. The reshoots may have helped some on the final project and I think they did, but nothing could save the overall project. This movie was a ship that had caught sign of the Flying Dutchman and was doomed.

But….

It had some moments which were good. Not enough overall, but some.  It *was* good to see the Justice League fighting as a team. It was good to see more Diana Bruce chemistry.  There were a few more good parts as well and based on the reshoots and Wonder Woman – maybe…maybe the next one can be better.

Should you see it?

*sigh* I think you plan to anyway. Look a lot of people are enjoying it. If it’s your cup of tea I think you will get your moneys worth. If you have hated all the DCEU outings, except Wonder Woman – don’t. Just don’t. It can wait til disc or digital.

Will you buy it?

I am undecided. I am trying not to hate on it because its trendy.

Oh?

Look, the DCEU is one of the easiest cinematic punching bags there is. They’ve made it easy to hate for purists, movie goers, reviewers, and critics. Much if not most of it is deserved. But when I hear the young teenage boys and girls laughing and cheering like I did back in 1989 with Batman, which objectively is pretty bad 30 years later, how bad is this one exactly? We live in a society that is clinging to our childhoods and geek culture because its one of the few safety nets we have in a world that is largely devoid of hope or joy for far too many people. I am very OK with that (and part of it), but if we want to cling to those old fantasies, let’s consume our media as if we had as well.

This is why I still think the DCEU and Zack Snyder still have much to answer for, but finally, finally they are moving the right direction. It’s taken too long, too much money, and too much fan goodwill, but finally they are showing the faintest glimmers of getting it.

I am just afraid they (WB) will throw the baby out with the bathwater and not keep trying to get better and relax to what hasn’t worked yet.

This turned into a very long review, but ultimately it comes down to this:

If you think this looked like a good time from the trailers. Go see Justice League.

If you are expecting enough wreckage to sink a continent – give it a pass and let others enjoy it for what they can.

Also, this review is officially 2000 words, making it one of my longest.