Darke Reviews | Avengers: Endgame (2019)

SPOILER FREE AS USUAL

Here it is. Eleven years and twenty-two movies, culminated tonight with myself, two very dear friends on either side of me with two hundred and fifty or so people in our theatre. The house went dark and the trailers rolled giving us nothing unexpected in that vein. Then it went black and you could hear everyone hold their collective breath wondering how it would start. Then it began. Three hours later it ended. My companions (makes me sound like a Time Lord when I say that) and I sat there and we discussed what we experienced. We then ran to the bathroom (ahead of the line *cackles*), then continued to discuss outside for a good half hour pausing only for when people were entering the theatre. Seriously don’t be the guy that doesn’t. We hugged, then headed home; both of them wondering how I would review this movie – and retain my spoiler free style.

Here’s how. TL;DR.

Again I write the most useless review in all of history as literally everyone will go see this that had any intention of it with or without my input. Now, my opinion on Infinity War is often discussed and rather unpopular. I didn’t like it. To me it was meh at best, and often the more I think about it the less I like it.

That is not the case here. This was the emotional roller coaster I was waiting for. As one of my companions said, this was Marvels equivalent of “I told you that story to tell you this one” and nailing it.

I unambiguously love this movie.

To paraphrase another one of my friends, “I have many feelings right now.” This is still the case.

Ok, but does it have flaws?

Of course it does. There’s some technical tracking shots I wasn’t particularly fond of, even if I understand why they went with them. There’s a handful of scenes that went too long or another too short. Yes, there is a scene that runs far too long and is not as funny as anyone involved should have thought it was. They could and should have done better than have that problematic beat. It does have a Return of the King kind of ending but how could it not? This is “END GAME” its the end. There’s a lot to wrap up.

The Russo Brothers said there are shots in the trailer intentionally for the trailer only. How bad was that?

It wasn’t. You’re safe. I do have issues with the concept of deliberately lying to people with a trailer. I question that integrity and would encourage Hollywood to not do that. There’s a lot you can do without lying to your audience and still get butts into seats. That goes especially for a film like this where they probably could have just put the title up and people would have been here to see it. See Batman 1989 for reference please.

So what did they do right – specifically?

Many of the shots, one in particular in Act III are beautiful. The character moments I was missing from Infinity War are here and in spades and it pleases me to no end. This was what I was waiting for and I received it with very little to complain about. Alan Silvestri continues to manipulate with the music, but that is kind of the point. The audience cheered when expected including me and my black little heart. They cried when expected too, also including me. Don’t even think for a moment that’s a spoiler. There’s a metric ton of appropriate emotional beats running through the current of this movie that will get you going.

Will you watch it again?

In theatres? Let’s be fair there was a brief debate about doing it again tonight if the next showing had an open seat.

Biggest Screen. Best Sound system.

Worth it.

So you’re buying it too eh?

Duh.

So you didn’t talk about the directors, writing, or acting?

Noticed that too huh?

Directed by Anthony and Joseph Russo. I’ve said all I need to on them. Maybe another time I will do a deep dive into what I see their cinematic vision as and their directing style.

Written by Christopher Markus and Stephen McFeely. I’ve covered them too in the last review or another one. It’s hard to talk about things that are unchanging.

Acting? Every last cast member was in it to win it. Whatever it takes wasn’t just a tag line for the trailer, it was how the actors played their parts. I have absolutely no complaints, save the one mentioned in the flaws.

Avengers Endgame is the finale of an epic and how to do it right. I enjoyed the hell out of it and I think most people will as well.

Shazam! was great, but until next time True Believers,  Make Mine Marvel!

 

 

Darke Reviews | Avengers – Infinity War (2018)

SPOILER FREE – DUH

Let’s face it folks. This is the most useless movie review in history. You already know you are going to see it regardless of what I say.

Avengers Infinity War is *the* movie of the year that everyone wants to see. Few expected Black Panther to be the hit that it was (we really should have though), Solo is getting a mediocre response, do not get me started on Jurassic World, and literally everything else is sequels which while there are some fans don’t have over a decade of build up leading to their release. This is something no one has tried before at this scale and with good reason. It seems a Herculean effort, the impossible task to try to take multiple group and single character stories that largely operate on their own and put them into a single picture against a single threat.

Yet here we are Marvel has tried it. They wisely put Joe and Anthony Russo in the directors chair after the both critical and audience success of Winter Soldier and Civil War. The writers, Christopher Markus, and Stephen McFeely were also behind those two stories as well, plus The First Avenger. Winter Soldier, still easily in my top five Marvel films is an excellent story that just happens to have super heroes in it. Civil War, also is a strong story with a bigger hero presence – even if I personally have significant issues with some of the characters – the story cannot be denied and it’s solid film making. This was a good play on Marvels part and yes, this too is a well made film; but…

It has flaws for me.

Lots of them; but because I want my readers to enjoy the movie for its merits let me answer some questions that as always contain no spoilers.

Do they successfully merge multiple franchises?

Actually yes. This is a very very busy movie with a ridiculous number of locations, characters, and beats to it. It never quite feels too rushed or too slow , even if it gets close a few times.

Do they do justice to each of the characters as we’ve grown to understand them?

Honestly yes. Everyone gets a good moment of their own that sticks to the core of who and what they have been established to be. Everyone you can imagine gets an appearance and it did make me smile to see a few of them too; yet at the same time I think they spend time with all the wrong characters. The ones who get the most focus are the ones I care about least.

How is Thanos?

Josh Brolin absolutely brings it and anything else verges into spoiler territory so you’ll have to chat with me in the comments section on him. He Looks Great! He is a SOLID Villain. I am happy to see him.

Is there anything else you can share that doesn’t even hint at a spoiler?

There’s not a lot I *can* say about it. The money sunk into this movie is on screen with absolutely nothing wasted. The visuals are surprisingly solid with the raw amount of CG on screen at any given time; and show just how far they are pushing the technology.  The fights left me something to be desired as they are very busy which detracts from most of them unfortunately as I couldn’t really see who was who and there were too many cuts to other places.

TL;DR

I hope you truly enjoy this movie. I really didn’t. It is in the solid middle for me on the Marvel films. I don’t actually *hate* it in any way – which is an important distinction from things like Age of Ultron or Iron Man 3. I just don’t have any emotional connection to it whatsoever and that is why it fails for me.

The ultimate telling thing to me is that the audience in my showing was stone quiet even after the credits rolled. Not a gasp, not a tear, not an applause. Just quiet. So maybe I am not the only one? There *are* good things to it, I covered some above. There are others that are cool too, but they are moments in a whole cloth that just doesn’t do it for me. They aren’t enough to save it even if in those moments it engaged me like nothing else in the film did.

I hope you enjoy The Infinity War and it lives up to every expectation you have.

 

 

Darke Reviews | Spider-Man: Homecoming (2017)

So let’s talk about Baby Driver, aka the movie I didn’t write a review for but really deserved one. Wait, wait – I was teasing. Mostly. It does deserve a review, but that’s not why you are here – you want to hear more about Spider-Man. Now as much as I do love the Bat family and Ghost Rider, Spider-Man was actually the first superhero I can remember from my childhood. I did see the 70’s and early 80’s live action shows, of course adored Spider-Man and and his Amazing Friends (1983). Yes, I had a crush on Firestar. There is even a picture of me – that no one will ever see – at the young age of 6 with a 12 inch Spider-Man figure. I did, however, thankfully avoid Spider-Man 3. Suffice to say we have had good incarnations, ostensibly great incarnations, cheesy ones, campy ones, and we shall never speak of the emo dance sequence ones.

So to paraphrase the words of Stan Lee – do you True believers have something to fear or not?

Homecoming was directed by John Watts, probably best known for his short film Clown and later its not as interesting feature length version. With that pedigree I did go in worried a bit, especially since his other credits seem to be for The Onion – which I suppose indicates a good sense of wit. Could he succeed where Sam Raimi burned out and where Mark Webb failed with Amazing Spider-Man 2? I wasn’t sure at first, then I saw how many writers it had. I know my three writer rule is pretty accurate overall, but beyond that it gets more so.

Writing credits for Homecoming, excluding Stan Lee and Steve Ditko. Six. Six writers including screenstory and screenplay. Jonathan Goldstein, who gave us such memorable films such as Vacation (2015), Burt Wonderstone, and Horrible Bosses 2. Why would Sony give such a charming resume this movie? True it was also paired with Sweets from Bones, John Francis Daley as a screen story credit with the same writing credits. This does not seem auspicious; nor do their next films M.A.S.K, ROM, and Visionaries: Knights of the Magical Light all based on 80’s cartoon properties of varying nostalgic value. Moving on to the actual screenplay we have Erik Sommers and Chris McKenna from (Lego Batman),  John Watts and his collaborator Christopher Ford (also from Clown).

This should have been a train wreck. I am not entirely sure how it isn’t. This is a very solid movie that unlike many other hero movies focuses on the smaller moments for the character. It stops to breathe, stops to have consequence and threat. It tries and succeeds to have heart. They gave us Peter Parker first and foremost. They are letting him learn to be Spider-Man without going into yet another origin story and montaging the learning process. Instead we have the learning process and the origin is given a single throw away line – because we all know it. The writers and directors don’t treat the audience like idiots and focus on what we want to see (mostly). There are a few moments of teenage awkwardness, and Spider-Man in the suburbs that go a little too long or too uncomfortable but that is a matter of taste. I am also giving the movie props for making the kids as wide ranging as they were. I *like* this Flash Thompson – clarification I don’t like the character but I like the interpretation, the character is still a bully who needs to be spaced. If the words great power and great responsibility were used I didn’t hear them which  goes to the movies credit yet again. They gave me a intelligent and compelling villain with understandable and relatable motivations – hell Marvel and DC have yet to do that with their movie properties since Loki. They even address some of the fallout of the Marvel Cinematic universe better than Agents of Shield ever did.  I was surprised by all of this. Yes the awkward moments of being a teen and Spidey drew a little long and not good for *me*; some of the Stark & Happy parts annoy me but it mostly ties back to my growing annoyance with Stark; your mileage may vary though. The rest is damn solid.

That goes for the acting as well. Now for the record Tom Holland was 20 when Civil War came out and is 21 as of a month ago. Tobey Maguire was 25 when Spider-Man came out in 2002 and Andrew Garfield was almost 30 for The Amazing Spider-Man in 2012. So he is *not* a teenager playing a teenager, but he is the closest we have had so far. He does it best of all. That’s right this is the best Peter Parker and Spider-Man we have ever had grace the big screen. He has the heart, the fear, and the charm. He may not be as quipy as some people want but this is effectively Spider-Man Year One. Give it time. Also – he’s a kid. They make a point of it. He still acts like it. It works. Just as much as Michael Keaton absolutely nails it as Adrian Toomes aka The Vulture. The casting went off type for him as well vs the characters comic look and the movie benefits from it.  I will say it again one of the best villains since Loki or Red Skull. The secondary cast sells it as well with of course Jacob Batalon as the best friend Ned being the grounding rod Peter needs and part of the emotional heart of the film.

From a technical standpoint. I have no complaints on the FX. None. Not one. On those lines I love how they really embraced the comic book and showed how strong he can be during a few scenes and gave him some of the classic poses in creative ways. The shots are clean and the colour palette is bright, if not normal – which when compared to the Marvel movies makes it abnormal. Black is black. Red is red. There are good contrasts in colour that make it work tonally. So not only do we get Spider-Man feeling like our friendly neighborhood web slinger, but he looks straight out of a comic page. It does have some Act II and Act III bridge pacing issues and some editing I noticed, but nothing bad. It runs long at just over 2 hours so be aware.

TL;DR

Spider-Man: Homecoming is the Spider-Man movie we have been asking for. This has what was missing from the Garfield ones (even if I did like them they were flawed). It makes up for the Raimi finale. It sets up a sequel in a very good way. It is loaded with easter eggs for fans of Spider-Man and the Marvel Cinematic universe.

Should you see it?

Yes. 3-D might be nice if you go for that. I saw it in 2D and was fine. I do think better sound systems will help, but not much.

Will you see it again?

Maybe. Depends if someone takes me. I won’t complain if they do.

Buying it?

Yes – which is more than I can say for the past few Marvel outings except for Civil War.

Where would you put it in the Marvel Cinematic Universe?

Top 5 I think. Just on the edge of it if not. It’s no Winter Soldier, First Avenger, or Iron Man. Civil War and Avengers run neck and neck and I don’t know if this beats either, but it might.

Closing thoughts?

I do not think Spider-Man is a great movie. It is a solid, well above the curve we have grown complacent with and just really good. I do think people should see it and I do think Marvel could stand to look at this and figure out what is working and take a moment to learn from it.

Related: Stay for the final credits it’s beautifully meta. There will be also be lot of Easter Egg videos coming. Here are a few…- roll over to read –

  • Zendaya is our new MJ, perennial love interest of Spidey.
  • The look of “The Shocker” has homages to his actual look. this also shows how to do a multi villain movie right.
  • The principal of Peter’s school is played by Kenneth Choi who was Jim Morita in Captain America First Avenger. He is playing Principal Morita, who appears to be the son or Grandson of the Howling Commando based on a photo on his desk.
  • Not confirmed, but I am pretty sure one of the other school students is, or is related to Silver Sable. They kept showing a girl with Silver White hair and I know there is a Silver Sable, Black Cat and Venom movie in pre-production.
  • The person they are having an arms deal with on the ferry is named Mac Gargan, aka The Scorpion. if you doubt this look at his tattoo in the closing credits prison scene.

Darke Reviews | Avengers: Age of Ultron (2015)

So I did the math on the way home. Took the day off and spent the better part of it at the theatre. Granted I slept til 1:30 then headed over, but yeesh. Was it worth it though? Double Feature of Avengers and then Age of Ultron, discounts on food and drink. Conversation with another movie geek on the comics, animated movies, and general geektitude. Yep all of it was worth it. It was weird hearing people in the audience who hadn’t seen Avengers first and odd to note things that raised questions in the first Avengers in light of Winter Soldier. But…did Age of Ultron live up to the hype?

Let’s be honest folks – you are going to see it anyway regardless of this review. This easily falls into the #seeitanyway category. Let me see if I can keep to my usual spoiler free territory.

Written and directed by geek god Joss Whedon, the film picks up an indeterminate amount of time after the events of all the previous films. It starts mid-stride with the Avengers continuing to try to find Loki’s staff in the wake of the events of Avengers. It’s clear they’ve worked together awhile on various missions enough so that they have clear roles and methods in how they work with each others powers, or lack there of. A new threat of their own making rises in the form of Ultron. An AI with a goal and the Avengers must overcome their internal issues and external ones to win the day, will they?

Lets talk the cast a moment. Our favorites return in the roles that we love them for. Chris Evans is once again on point as Captain America, he still has his ghosts, but as Dr. Irskin asked of him – be a good man. RDJ of course returns as Iron Man with no real acknowledgement of the events of Iron Man 3 one way or the other. I think we are better for that. He was made to play Tony Stark, but it is clear that he is both comfortable and tired of the role. Mark Ruffalo is given significantly more time as Bruce Banner and is allowed to show more than he did in the previous film. I still believe he is a secretly genius casting and he does well with what he is given. Chris Hemsworth takes Thor out for his 4th outing and doesn’t do much new or at all I suppose. ScarJo gets her own 4th showing as Black Widow, the assassin and spy, and is actually given more depth this time with the barest glimpse into her background.  Jeremy Renners complaints were clearly heard after the last movie and has a lot more time as Hawkeye with some significant divergence from his comic roots. They don’t hurt, but they are surprising. Samuel L Jackson, Don Cheadle, Anthony Mackie, Stellan Skarsgard, Paul Bettany, Cobie Smulders all become proof positive that the writer and producers heard the complaints about Iron Man 3 and went ‘oh yeah, all of these guys exists and you know should be here…even briefly’. Sadly we get no Paltrow or Portman as Pepper and Jane; which we do hear some snark about in film – it’s nice. Of course we also have the introduction of Aaron Taylor Johnson (Kick Ass, Godzilla) as Pietro Maximoff, who can’t be called Quicksilver due to rights issues, and his twin sister Wanda Maximoff, more commonly known as the Scarlet Witch, played by Elizabeth Olsen (Godzilla, Old Boy). Ultron is gifted with the voice of our favorite man in a fedora from Blacklist, James Spader. I swear this man could read a phone book and make it sound delicious.

Whew….was that too busy?

That there is the movies problem. It’s taken me twenty minutes to think about this and a good twenty minutes talking with my partner in crime this evening. The problem here is the film is too busy. Too big. We aren’t given a chance to breathe, save one scene. The scene we are ostensibly supposed to be able to revel in the quiet, is just too tense to enjoy the moment. It’s off putting rather than relaxing. The tension was ramped up and kept at a certain level that left you bordering on uncomfortable. It all was too much. Too many locations, too many fights, too many cuts. Too busy.

Things that need explanation are left painfully vague or explained too quick to sink in. There is expectation you have seen everything to this point and if you haven’t you may scratch your head at a few scenes. It’s clear there are significant cuts and edits to the film as well as a few scenes from the trailer are noticeably missing. I think Joss stumbled on this one, it’s not a failure, but it is a clear stumble. He wrote himself into corners he didn’t know how to write himself out of elegantly or cleanly. When he did give himself a needed out, the outs came off awkward. While I am rarely one to encourage films to be split into two, I think there was enough material here that this could have or should have been. It wasn’t in the plan so it couldn’t be and the narrative pays for it. I feel, I believe the studio interfered more this time as well. Joss is far from perfect, but there’s just something wrong about the entire picture on a level I can’t quite put my finger on. It is almost as if they were trying to capture the same lightning in a bottle they had with the first Avengers and didn’t quite stick the landing.

Don’t get me wrong, I’ve overly expounded on the problems here, but the movie is still solid. You will continue to love and hate the characters as appropriate. The fight sequences are solid in their own right. The movie properly zooms into comic book physics without batting an eye and we are ok with all of this. The movie still has humor in the right places and darkness in the others. The famous Hammer and party sequence are everything I hoped they would be. Spaders voice work and mo cap of Ultron is in a word incredible. The man’s presence can be felt even if he himself is not on screen.

TL;DR

The movie lands solidly in the better than average to as low as the “it’s ok” realm. I might (probably) watch it again to see if my opinions on it shift the needle in either direction. This is still likely to be one of the biggest movies of the year, though Furious Seven has set a benchmark that will make it hard for other films to hit. This one, probably will though – and deserves to. The movie **is** good, don’t get me wrong, but it isn’t quite as good as the last Avengers and doesn’t quite have the same magic.

If you were going to see it – see it! You’d ignore the review or not want to read it anyway (despite me being spoiler free when possible)

If you were on the fence – eh…see it Matinee.

If you were curious – I’d ask what rock you’ve been living under and why you haven’t seen the others. You definitely don’t want to start on this however, and you’d likely feel lost as there’s enough history required for this one to not make this a first timers film.

 

Coming Soon

Review season has begun, I get the next week off after that. Mad Max and Pitch Perfect in the same weekend – thankfully not vying for the same audiences. Tomorrowland follows with San Andreas the week after (though that review will be late due to Phoenix Comicon). The rest of summer after that looks to be hit and miss. Here’s hoping folks.

Sunday, you might get a special throwback review…Big Trouble In Little China has a screening at one of my local theatres.