Darke Reviews | Ant-Man and The Wasp

I was not a fan of the first Ant-Man film when it came out almost 3 years ago to the day. Largely this comes from the epic battle between comedy and my sensibilities. Many co-workers and friends still ply me with things they think I believe will be funny. Few succeed. It’s a tragic tale of woe, but yet some do succeed. There’s a narrow margin where it can just work. Not everything will be The Cornetto Trilogy, early Mel Brooks, or Twilight. Sorry. I have just been informed Twilight was not intentionally funny. Also cheap shot its an easy target I plan to look at later critically. In the meanwhile we’re here for the update on what I thought about Ant-Man and Wasp.

Does it work better than Ant-Man did?

Well… short answer is yes. I know I am not waiting for the TL;DR, but I’ve been breaking the habit on that where appropriate. As my partner tonight noted during our credits conversation she saw me laughing quite a bit. She was very correct in her perception. I did laugh quite a bit and while all the jokes didn’t land perfectly, enough of them did. More than a few went too long, but they more often than not did work and I was really able to enjoy the film. After the too much comedy of Ragnarok, the sociopolitical weight of Black Panther, and whatever Avengers left me feeling (it wasn’t much but even I admit it was a dark film) – this is cotton candy a summers fair. It’s light. It’s fluffy. It’s sweet. It reminds you of simpler times.

That isn’t bad. Movies can be escapism as much as anything else in their art form. Ant-Man and The Wasp threads a difficult needle in storytelling where the movie has weight, but isn’t too heavy for audiences who need a brain break from a world that really could use some balance right now.

This isn’t to say there isn’t good plot here. Oh no. There is. Set two years and change after the events of Civil War (and two years and change after the movie release so there’s that) it picks up with Scott Lang under house arrest for his ‘crimes’ in Germany. He has completely reconnected with his daughter (played adorably by Abby Ryder Fortson) who despite her age really seems to get it with her Dad and loves him unequivocally. He and his ex and her new husband have found their middle ground and feel more like a functional family than anyone else shown in the MCU to date. He’s trying to put what he can of his life back together with his friends who are trying to start up a security system business when he gets a flash of the Quantum Realm; which gives him visions of a long since lost Janet Van Dyne, the original Wasp. This causes Hank and Hope to seek him out to help find their missing family member, while trying to stay a few steps ahead of black marketeers who want Hanks tech, a mysterious new villain appropriately named “Ghost” for her ability to walk through solid objects at will, and the FBI who want to arrest Hank and Hope and will throw Scott in Jail for 20 years if he’s caught outside his house.

Wow. There’s a lot going on in this movie. It works. Despite violating my three writer rule by having five on the written by credit, it doesn’t feel like it was written by that many people. The stories, tone, and everything else carries through the movie nearly seamlessly. Peyton Reed back in the directors chair really does have a grasp now of what to do, how to frame, and how to get the right performances out of his actors. This doesn’t feel like the same director, yet it is. What also works is the aforementioned weight in the movie. Germany (Civil War) had consequences that carry over through the entirety of the movie. Consequences. In a comic book movie. I never thought I’d see it (in a way that logically makes sense) and it works. On top of that the primary villain Ghost (played expertly by Hannah John-Kamen (Ready Player One, Kill Joys) was masterful.  I never thought I would say this but Ant-Man and The Wasp gave us our first female POC villain in a modern comic movie. On top of that, its a GOOD Villain too. I won’t go into details because spoilers, but I really liked her character and its motivations. The movie also provided stakes if our heroes lost. Lots of them and truth be told I wasn’t sure what they were going to do with those stakes until the final credits rolled. That is very rare. Please give me some more

I could talk about the effects, but overall they are superior to the first film and its just a better movie. Also the effects team and director like Tardigrades, which is kinda awesome.  The fight sequences are really good. easy to follow and come in both large and small scales, but work within the movie so well.

I should probably talk about Evangeline Lilly here. She’s awesome. Thank you. She is bad ass. She has her own agency and goals. While the movie doesn’t pass the Bechdel Test, I think it passes the Mako Mori one.

TL:DR

This is a well paced, light, enjoyable superhero film. It has a lot going on so you don’t feel its two hour run time in the least. I had a good time and I think you will too. Also cheating here, but copying from above for more of the TL:DR

As my partner tonight noted during our credits conversation she saw me laughing quite a bit. She was very correct in her perception. I did laugh quite a bit and while all the jokes didn’t land perfectly, enough of them did. More than a few went too long, but they more often than not did work and I was really able to enjoy the film. After the too much comedy of Ragnarok, the sociopolitical weight of Black Panther, and whatever Avengers left me feeling (it wasn’t much but even I admit it was a dark film) – this is cotton candy a summers fair. It’s light. It’s fluffy. It’s sweet. It reminds you of simpler times.

Should I see it?

I think so. If you were remotely interested it is going to be a good time. If you weren’t you won’t miss much, but I gotta tell you the rest of July isn’t looking like a major movie going month for most folks.

Would you see it again?

Yeah. The D-Box seats I bought for my partner and I tonight really did add something, but standard or XD is good for this one.

Going to buy it?

The odds are in its favour.

So what about Avengers Infinity War and this one’s continuity?

They line up without flaw. Thats all I will say.

Alright, so what’s wrong with the rest of July?

I have zero interest in Hotel Transylvannia 3. I refuse to give Adam Sandler money. I don’t care if it has Vampires in it. I have a line I draw.

Skyscraper is still on my maybe pile.

Equalizer 2 I’ll see, but the first had a small audience and I don’t think this one will fare better. I haven’t seen a lot of marketing for it.

At the end of the month we get Mission Impossible: Fallout, which based on conversations I’ve had; I am the only one excited for.

 

Final Note: Special thanks to my movie going partner. It’s nice to chat with someone immediately after the movie.

 

Darke Reviews | Avengers – Infinity War (2018)

SPOILER FREE – DUH

Let’s face it folks. This is the most useless movie review in history. You already know you are going to see it regardless of what I say.

Avengers Infinity War is *the* movie of the year that everyone wants to see. Few expected Black Panther to be the hit that it was (we really should have though), Solo is getting a mediocre response, do not get me started on Jurassic World, and literally everything else is sequels which while there are some fans don’t have over a decade of build up leading to their release. This is something no one has tried before at this scale and with good reason. It seems a Herculean effort, the impossible task to try to take multiple group and single character stories that largely operate on their own and put them into a single picture against a single threat.

Yet here we are Marvel has tried it. They wisely put Joe and Anthony Russo in the directors chair after the both critical and audience success of Winter Soldier and Civil War. The writers, Christopher Markus, and Stephen McFeely were also behind those two stories as well, plus The First Avenger. Winter Soldier, still easily in my top five Marvel films is an excellent story that just happens to have super heroes in it. Civil War, also is a strong story with a bigger hero presence – even if I personally have significant issues with some of the characters – the story cannot be denied and it’s solid film making. This was a good play on Marvels part and yes, this too is a well made film; but…

It has flaws for me.

Lots of them; but because I want my readers to enjoy the movie for its merits let me answer some questions that as always contain no spoilers.

Do they successfully merge multiple franchises?

Actually yes. This is a very very busy movie with a ridiculous number of locations, characters, and beats to it. It never quite feels too rushed or too slow , even if it gets close a few times.

Do they do justice to each of the characters as we’ve grown to understand them?

Honestly yes. Everyone gets a good moment of their own that sticks to the core of who and what they have been established to be. Everyone you can imagine gets an appearance and it did make me smile to see a few of them too; yet at the same time I think they spend time with all the wrong characters. The ones who get the most focus are the ones I care about least.

How is Thanos?

Josh Brolin absolutely brings it and anything else verges into spoiler territory so you’ll have to chat with me in the comments section on him. He Looks Great! He is a SOLID Villain. I am happy to see him.

Is there anything else you can share that doesn’t even hint at a spoiler?

There’s not a lot I *can* say about it. The money sunk into this movie is on screen with absolutely nothing wasted. The visuals are surprisingly solid with the raw amount of CG on screen at any given time; and show just how far they are pushing the technology.  The fights left me something to be desired as they are very busy which detracts from most of them unfortunately as I couldn’t really see who was who and there were too many cuts to other places.

TL;DR

I hope you truly enjoy this movie. I really didn’t. It is in the solid middle for me on the Marvel films. I don’t actually *hate* it in any way – which is an important distinction from things like Age of Ultron or Iron Man 3. I just don’t have any emotional connection to it whatsoever and that is why it fails for me.

The ultimate telling thing to me is that the audience in my showing was stone quiet even after the credits rolled. Not a gasp, not a tear, not an applause. Just quiet. So maybe I am not the only one? There *are* good things to it, I covered some above. There are others that are cool too, but they are moments in a whole cloth that just doesn’t do it for me. They aren’t enough to save it even if in those moments it engaged me like nothing else in the film did.

I hope you enjoy The Infinity War and it lives up to every expectation you have.

 

 

Darke Reviews | Black Panther (2018)

SPOILER FREE AS ALWAYS

Talking to my best friend before the movie I said this would either be the shortest review of the year or the longest. Lets see what it turns out to be. Now before we get into the meat of things, lets go through the usual intro. Over the past nearly 30 years I have watched almost every single comic book movie in theatres. Big deal right? So have a lot of other fan boys and fan girls; but none, not one has had so many people of colour present. Not a single one.

You cannot discuss this movie without discussing the cultural impact that has been building like a train going full steam down a mountain rail. Like a few other of my peers in the review industry I am not going to dig too deep into that – because it is not my place as a white woman to talk about how important this movie is to the people who are getting real representation on screen in such a massive way, unless I am specifically asked to do so. What I am going to say is that there was a young woman next to me, a student at ASU. When the movie ended her hands were flat to her cheeks, her jaw open with tears of joy in her eyes. She turned to me and told me how she has watched every Marvel movie since she was in high school. She watched them all again in preparation for this. She apologized for geeking out a few times, but I encouraged her to share what she was feeling.

“This is the most beautiful movie I have ever seen.” When we were all leaving, she turned to another movie goer and told them this was the best day of her life and she was going to see this three more times with her friends. My friend and I were discussing the movie in the parking lot of the theatre, something we haven’t done in awhile, and about ten minutes later she comes out and she’s so excited. She has so much joy and is sharing it with a friend on the phone. She waves to us with the biggest, brightest, and most honest smile I have seen in a long time.

This is important. This movie is important. Her story and how she feels seeing this is important.

If you want an actual review I will give it of course.

The movie was written by Joe Robert Cole (American Crime Story) and Ryan Coogler (Creed, Fruitvale Station). Coogler also directs. The choice of Oakland for an opening scene doesn’t go over my head from the writer and director of AFI’s movie of the year for 2014 Fruitvale Station, a movie that the Grand Jury of sundance deemed winner of the Dramatic category for  “For its skillful realization, its devastating emotional impact and its moral and social urgency.” This wasn’t just a one off for him. He showed that on a small tight story he could deliver this impact, now with a big budget Marvel movie he does it again. He doesn’t bother with too much subtext and makes it text. I’m ok with that. If there’s any weakness to the script its some of the dialogue for Michael B. Jordan is a little too on the nose and a little too broadstroke, but in the hands of both Jordan and our director they make it work and still hit home in more ways that one. There’s a magnificent bridge between Act II and III that should not work as well as it does, but is beautiful.

I will simply say every actor is perfect. No one under delivers. No one feels weaker than they should. No one is stupid. No one should be cut. There’s not a wasted or phoned in performance. All of them need mention so here we go:

  • Chadwick Boseman – T’Challa / Black Panther
  • Michael B. Jordan – Erik Killmonger
  • Lupita Nyong’o – Nakia
  • Danai Gurira – Okoye
  • Daniel Kaluuya – W’Kabi
  • Letitia Wright – Shuri
  • Winston Duke – M’Baku
  • Angela freakin Bassett – Ramonda

All of them were amazing, however, Danai Gurira (All Eyez On Me, The Walking Dead) and Letitia Wright (Humans, and the upcoming Ready Player One) steal every single scene they are in without question. Bassett is regal as ever and reminding me how much the first X-men movie screwed up not casting her as Storm. Winston Duke is a physical presence in the movie that exuded both his own sense of nobility, power, and even humor. I would talk about our three principle actors, but again – there’s not much more to say other than how impressive they were.

At two hours and fourteen minutes, I cannot for the life of me think what they could cut without some measure of sacrifice. Not a plotline, beat, or moment felt out of place. The downside of this of course is the movie is packed to the gills and from time to time the scene cuts and changes were a bit abrupt. Some of the CG and compositing were a touch on the weak side for me, but at the same time no corners were cut here. The money was thrown at this movie, deservedly so, and every dollar is on screen. The colours, the vibrancy, the music, the sound are all beyond compare.

TL;DR

Wakanda Forever

This movie is up to its hype. It is beautiful, powerful, and meaningful. Everyone should see it. I am buying it. I will see it again without hesitation. You should see it on the big screen with a sound system that shakes you.

This is now in my top 5 Marvel movies, I am debating where still, but it deserves that place. If this doesn’t make my top 5 of 2018 I will be surprised.

Now stop reading and go watch it!

 

Darke Reviews | Thor: Ragnarok (2017)

There are now officially seventeen movies in the Marvel Cinematic Universe. They come in varying quality, public, and critical opinions. I have seen all of them at this point, including Doctor Strange when it came to Netflix. My issues with the movie stand. As it pertains to the rest of the series, I do find my opinions differ than many, many others, as I rather like Iron Man 2 and loathe Iron Man 3. I think the rationale for Doctor Strange as mentioned before is B.S. and even after watching it I found it even more so. I think Thor is solid, but slow, but solid and shows that Marvel was still finding its footing on the MCU. Thor 2 is completely and totally forgettable.

So where does Thor: Ragnarok rate?

It was quickly noted how much they (Marvel) was going for a Guardians of the Galaxy feel on this one. My criticisms of Thor being slow and Dark World being bleak AND slow were common; which lead to a complete and total 180 on film styles. I am going to refer to this going forward on all reviews as the Suicide Squad Effect (SSE). Why? Due to the initial grey and bleak promo for Suicide Squad, DC went back and re edited the movie, re-shot, and recoloured it to make it more vibrant and “fun”. It became even brighter and more colourful with each trailer that came with. With the unprecedented success of Guardians of the Galaxy and it’s style it was clear that Marvel decided to go in this new direction full bore with the third and ostensibly final in that particular franchise. This goes as far as bringing in director Taika Waititi best known for Flight of the Conchors and the new cult classic What We Do in the Shadows (he also plays Viago in that) – which I somehow haven’t done an official review of?

Going to a full on comedy director like this isn’t unheard of for Marvel but the brand of humor is an interesting choice, more on that in a minute since what he has to work with is based on script. A script by Christopher Yost and Craig Kyle, who have mostly done writing for Marvel cartoons and comics; though Yost was also behind last years bomb Max Steel. They both get points for creating X-23 though, but much of this work for non written media production is around cartoons, especially for younger children. Eric Pearson is our third writer, that’s right rule of 3 invocation has begun, who has only written some of the Marvel one shots, such as The Consultant, and Agent Carter. He was also an executive Story Editor on the Agent Carter series. What I take from this is that Disney and Marvel were running a gamble that newer writers with less experience on blockbuster movies might be a good idea. People who have written for their target demographic will be able to help sell a Thor movie, which has proven a challenge historically.

I’d like to say it worked.

It didn’t for me. There was just too much…of everything; yet at the same time some plot holes you could fly a Death Star through. The movie jumps across too many locations and shots so quickly very little of it has time to sink in and let it resonate. Some obvious green screen effects which differ from trailer shots don’t help. An early sequence extends what was previously a post credit stinger and just goes too long and has far too much near slapstick comedy to work for me. I am not saying the movie can’t be funny. I am saying you need to balance your moments and the movie doesn’t do that. The script doesn’t allow for it and Waititi’s direction during those moments save some of it, but make others worse. If you underplay your epic moments they cease being epic. Sure you can satirize them, but is that wise to use the humor as punctuation marks through the movie called Ragnarok? A movie where Thor loses his hammer? Is Prisoner? Is facing the Goddess of Death?

This isn’t to say it’s all humor all the time, but it never allows for any emotional resonance to take place that isn’t around the humor. There are some epic moments which are still well and truly epic, but surrounding clunky dialogue and odd beats can cheapen them. There are, again, some really great shots and moments but most of them are cheapened by a weird or off putting joke or bit of dialogue.

The acting though saves it. Chris Hemsworth has good comedic timing and does his best to let the more intense moments last a bit longer or be a bit bigger than the camera and script allow. He’s showing a Thor who actually has been through all the other movies and learned a thing or two which is nice. Tom Hiddleston is as always amazing, then there’s his performance as Loki. He…doesn’t work as well as he could. He works, but this isn’t the Loki we got to know through the other movies and I am not sure why. Hiddleston is as good as he can possibly can be with the shackles, but there’s only so much the man can do. Jeff Goldblum played Jeff Goldblum as you would expect and was fine. Idris Elba was fine as Heimdall. There are some amusing hidden cameo’s which are fine. Karl Urban is like the others and does what he can and is fine. Most of the actors are just fine.

I haven’t mentioned Cate Blanchett? No. I Haven’t because she is more than fine. She comes out in full force and not even this script can stop her. Her take on Hela (not Hel to be clear) is amazing and menacing. She does carry some weight even if the fight scenes with her don’t. She is bloody awesome, but you know what’s odd – there’s someone I like more, but only a little more. Tessa Thomspon (Westworld, Creed) is Valkyrie and we are here for it. She is an absolute scene stealer at all times. All times. She’s bad ass from her entry to the credits rolling and looks good while doing it. Her dialogue is only slightly less cringey than others but again she makes it work like Blanchett does. All points to the women in this movie.

You probably want to know about the action and fight scenes? Yes. They are good. They are shot pretty good too with a mix of wides and mids to let you see what the action even looks like. It really works for the movie. The Hulk vs Thor scene is worth it. The fight on the Rainbow bridge is excellent (see above for Valkyrie entrance on this). The action is really solid in the movie when it happens; but at 2 hours and 10 minutes the movie runs a bit longer than it needs to. There are other technicals I could harp on but they mostly go back to script, editing, and what can only be some significant material on the cutting room floor.

TL:DR?

Everyone and their mother will be talking about how fun Thor is. How awesome it is. How it is one of the better MCU movies.

I think it’s OK. I found myself annoyed at the overt comedy, distracting beats, and odd pacing. It is certainly not the worst of the MCU by a long shot. I know comedy and I don’t typically get along well so your mileage may vary on this one. The action is solid. The acting is the best it can be from the actors with the script they have. The effects are pretty solid as well as is the camera work. The movie just suffers on a genetic level with it’s tone because it leans too far to the comedy to carry any weight to the moments that should.

Should you see it?

Matinee. I mean I know a lot will pay full price, but I wouldn’t. I am not sure if 3-D will help on the visuals. I know that D-Box was kinda interesting for it.

Are you going to see it agai – wait D Box?

First – no. Not likely. Second – most theatres are going through and adding reclining seats to their houses in light of how well that is taking off and to compete with chains that have seating like that plus alcohol and such. They also have a “4 D” experience as well with chairs that recline and such, but also move and jostle and vibrate with the action. You saw this in limited scope in shows like T-2 3D at Universal Studios 20 years ago, it’s advanced enough to get into main chains and try out. It’s been interesting so far, but between this and Geostorm I don’t have a lot to judge on. If you do get motion sick – no.

Ok cool – will you buy it?

Probably if I am being honest. I think the movie is Ok. It was fun mostly. Valkyrie and Hela make it work. Some of the third act effects and fights are really nice.

You know we have to ask – whats the MCU order right now?

This comes with a caveat – Dr. Strange is at the bottom due to justifiable (in my opinion) boycott and is based solely on what I think of them as movies. Still not 100% on the middle of the list, but I am pretty sure on my top 5. The list has changed with time since some of the reviews have come out and I had time to think on them as well. I was once far kinder to movies than I am today. I am not sure if the movies are worse or I’ve come to expect more. Maybe both? Probably just me though.

A lot of the reviews linked. I would rewrite now, but they are what they are.

  1. Captain America: The Winter Soldier
  2. Marvel’s The Avengers
  3. Captain America: The First Avenger
  4. Iron Man
  5. Spider-Man: Homecoming
  6. Iron Man 2
  7. Captain America: Civil War
  8. Guardians of the Galaxy Vol. 2
  9. Guardians of the Galaxy
  10. Thor: Ragnarok
  11. Thor
  12. The Incredible Hulk
  13. Avengers: Age of Ultron
  14. Ant-Man
  15. Thor: The Dark World
  16. Iron Man 3
  17. Doctor Strange

Darke Reviews | Spider-Man: Homecoming (2017)

So let’s talk about Baby Driver, aka the movie I didn’t write a review for but really deserved one. Wait, wait – I was teasing. Mostly. It does deserve a review, but that’s not why you are here – you want to hear more about Spider-Man. Now as much as I do love the Bat family and Ghost Rider, Spider-Man was actually the first superhero I can remember from my childhood. I did see the 70’s and early 80’s live action shows, of course adored Spider-Man and and his Amazing Friends (1983). Yes, I had a crush on Firestar. There is even a picture of me – that no one will ever see – at the young age of 6 with a 12 inch Spider-Man figure. I did, however, thankfully avoid Spider-Man 3. Suffice to say we have had good incarnations, ostensibly great incarnations, cheesy ones, campy ones, and we shall never speak of the emo dance sequence ones.

So to paraphrase the words of Stan Lee – do you True believers have something to fear or not?

Homecoming was directed by John Watts, probably best known for his short film Clown and later its not as interesting feature length version. With that pedigree I did go in worried a bit, especially since his other credits seem to be for The Onion – which I suppose indicates a good sense of wit. Could he succeed where Sam Raimi burned out and where Mark Webb failed with Amazing Spider-Man 2? I wasn’t sure at first, then I saw how many writers it had. I know my three writer rule is pretty accurate overall, but beyond that it gets more so.

Writing credits for Homecoming, excluding Stan Lee and Steve Ditko. Six. Six writers including screenstory and screenplay. Jonathan Goldstein, who gave us such memorable films such as Vacation (2015), Burt Wonderstone, and Horrible Bosses 2. Why would Sony give such a charming resume this movie? True it was also paired with Sweets from Bones, John Francis Daley as a screen story credit with the same writing credits. This does not seem auspicious; nor do their next films M.A.S.K, ROM, and Visionaries: Knights of the Magical Light all based on 80’s cartoon properties of varying nostalgic value. Moving on to the actual screenplay we have Erik Sommers and Chris McKenna from (Lego Batman),  John Watts and his collaborator Christopher Ford (also from Clown).

This should have been a train wreck. I am not entirely sure how it isn’t. This is a very solid movie that unlike many other hero movies focuses on the smaller moments for the character. It stops to breathe, stops to have consequence and threat. It tries and succeeds to have heart. They gave us Peter Parker first and foremost. They are letting him learn to be Spider-Man without going into yet another origin story and montaging the learning process. Instead we have the learning process and the origin is given a single throw away line – because we all know it. The writers and directors don’t treat the audience like idiots and focus on what we want to see (mostly). There are a few moments of teenage awkwardness, and Spider-Man in the suburbs that go a little too long or too uncomfortable but that is a matter of taste. I am also giving the movie props for making the kids as wide ranging as they were. I *like* this Flash Thompson – clarification I don’t like the character but I like the interpretation, the character is still a bully who needs to be spaced. If the words great power and great responsibility were used I didn’t hear them which  goes to the movies credit yet again. They gave me a intelligent and compelling villain with understandable and relatable motivations – hell Marvel and DC have yet to do that with their movie properties since Loki. They even address some of the fallout of the Marvel Cinematic universe better than Agents of Shield ever did.  I was surprised by all of this. Yes the awkward moments of being a teen and Spidey drew a little long and not good for *me*; some of the Stark & Happy parts annoy me but it mostly ties back to my growing annoyance with Stark; your mileage may vary though. The rest is damn solid.

That goes for the acting as well. Now for the record Tom Holland was 20 when Civil War came out and is 21 as of a month ago. Tobey Maguire was 25 when Spider-Man came out in 2002 and Andrew Garfield was almost 30 for The Amazing Spider-Man in 2012. So he is *not* a teenager playing a teenager, but he is the closest we have had so far. He does it best of all. That’s right this is the best Peter Parker and Spider-Man we have ever had grace the big screen. He has the heart, the fear, and the charm. He may not be as quipy as some people want but this is effectively Spider-Man Year One. Give it time. Also – he’s a kid. They make a point of it. He still acts like it. It works. Just as much as Michael Keaton absolutely nails it as Adrian Toomes aka The Vulture. The casting went off type for him as well vs the characters comic look and the movie benefits from it.  I will say it again one of the best villains since Loki or Red Skull. The secondary cast sells it as well with of course Jacob Batalon as the best friend Ned being the grounding rod Peter needs and part of the emotional heart of the film.

From a technical standpoint. I have no complaints on the FX. None. Not one. On those lines I love how they really embraced the comic book and showed how strong he can be during a few scenes and gave him some of the classic poses in creative ways. The shots are clean and the colour palette is bright, if not normal – which when compared to the Marvel movies makes it abnormal. Black is black. Red is red. There are good contrasts in colour that make it work tonally. So not only do we get Spider-Man feeling like our friendly neighborhood web slinger, but he looks straight out of a comic page. It does have some Act II and Act III bridge pacing issues and some editing I noticed, but nothing bad. It runs long at just over 2 hours so be aware.

TL;DR

Spider-Man: Homecoming is the Spider-Man movie we have been asking for. This has what was missing from the Garfield ones (even if I did like them they were flawed). It makes up for the Raimi finale. It sets up a sequel in a very good way. It is loaded with easter eggs for fans of Spider-Man and the Marvel Cinematic universe.

Should you see it?

Yes. 3-D might be nice if you go for that. I saw it in 2D and was fine. I do think better sound systems will help, but not much.

Will you see it again?

Maybe. Depends if someone takes me. I won’t complain if they do.

Buying it?

Yes – which is more than I can say for the past few Marvel outings except for Civil War.

Where would you put it in the Marvel Cinematic Universe?

Top 5 I think. Just on the edge of it if not. It’s no Winter Soldier, First Avenger, or Iron Man. Civil War and Avengers run neck and neck and I don’t know if this beats either, but it might.

Closing thoughts?

I do not think Spider-Man is a great movie. It is a solid, well above the curve we have grown complacent with and just really good. I do think people should see it and I do think Marvel could stand to look at this and figure out what is working and take a moment to learn from it.

Related: Stay for the final credits it’s beautifully meta. There will be also be lot of Easter Egg videos coming. Here are a few…- roll over to read –

  • Zendaya is our new MJ, perennial love interest of Spidey.
  • The look of “The Shocker” has homages to his actual look. this also shows how to do a multi villain movie right.
  • The principal of Peter’s school is played by Kenneth Choi who was Jim Morita in Captain America First Avenger. He is playing Principal Morita, who appears to be the son or Grandson of the Howling Commando based on a photo on his desk.
  • Not confirmed, but I am pretty sure one of the other school students is, or is related to Silver Sable. They kept showing a girl with Silver White hair and I know there is a Silver Sable, Black Cat and Venom movie in pre-production.
  • The person they are having an arms deal with on the ferry is named Mac Gargan, aka The Scorpion. if you doubt this look at his tattoo in the closing credits prison scene.

Darke Reviews | Guardians of the Galaxy: Volume 2 (2017)

So nearly 3 years later and we have moved from the late summer “Oh I hope it does well but oh well if it doesn’t” dump slot to the first of the May blockbuster releases. Guardians of the Galaxy practically minted money for Disney and Marvel then, surprising everyone from the fans to the critics to the execs. I mean sure the cast and crew may have known what they had, and I know how carefully cultivated the Marvel Cinematic Universe is – but this one felt like a “think we can do it?”, “Have we built up enough good will to try this?” “Well no harm if it doesn’t work, its not on earth right? *insert weak laugh*”

  • Budget: $170 Million
  • US Gross: $333,176,600
  • Non-US Gross: $440,152,029
  • 3rd highest grossing movie in 2014 (beating out The Hobbit, Captain America The Winter Soldier, and Transformers by no less than 70 million dollars)

So it’s safe to say they did well that year. That a sequel order was in the mail on release day. Like suddenly they knew they had something and ran with it before the final numbers even came in for the opening weekend. 3 years and a $200 million dollar budget later we return to the wider galaxy and the adventures of its guardians with their quirky personalities, and early 80’s theme music?

But should they have been ignored like the B sides of a tape?

James Gunn returns with pen in hand for both writer credit and gets the oh so comfy director chair as well. If you had told me the guy who wrote the two Scooby Doo movies and Lollipop Chainsaw (video game) would be directing not just one but two movies in a film series that’s profits exceed the GDP of several countries combined – I would laugh. I mean He wrote Tromeo and Juliet (a classic for Troma lovers) – now he writes the story of a gaggle of guardians gallivanting gregariously about the galaxy. What? I had to try anyway….The story picks up an indeterminate amount of time after the last movie in media res with the heroes defending a McGuffin from a thing. Which leads to another event and then another. Things look up. Things look down. Things go wrong. Things go right. Secrets are revealed!

This is a no spoiler review. I am not giving you more than the trailers do.

What I will say is that the movie shifts tones a few times. There are parts of humor that for me largely fell flat, but the audience around me laughed at most of the jokes. Most. The problem with some of these is that they jump from a scene that is emotionally compromising or otherwise somber to a moment of near slapstick humor. It can eject some movie goers from the moment – especially as not all the jokes work. A majority didn’t work on me, but if you are a frequent reader you know I have a lot of issues with humor and me not getting it. Thankfully humor isn’t everything the movie is based on. It also bothered, unlike so many other films, to stop and let you breathe. Let you have character moments and get a little closer to them so you are feeling with them. Would these moments have worked without the first movie? No. They require you to know the barebones you were given before so when more is revealed about them you form a deeper connection with them.

Tonal quality shifts are not the films only area of flux. Visually the film goes from amazing make up and computer effects to something I would have expected from the late 90’s or early 20’s. There is one part that I swear the movie goes full cartoon and it absolutely ejected me from the film; which was then re entered by the next beats character moment. Granted for some of the effects I feel nothing but pity for the animation studios called upon. Having to create rich visual effects that are believable for this is a daunting task. They largely succeeded.

What didn’t succeed in the flux category beyond some of the visuals, some of the characters, and some of the story beats? The music. Hold on! Hold on! I know I loathed the soundtrack of the last one. Not so here. Volume 2 Awesome Mix is a much better tape, not one I’d listen to regularly, but it doesn’t have songs I despise. In fact Fleetwood Mac’s “The Chain” is easily in my top 100 songs of all time. No, the accompanying soundtrack is fine and works within the movies diagetic sound as much as it does non-diagetic to the point where you aren’t sure and it doesn’t matter.  The part of the soundtrack that doesn’t work is the score. Its recycled. You will hear the Avengers theme…a few times. It is disappointing when so much care is put into it that they are recycling their musical queues from other films.

If you are curious about what I mean – check this video from the awesome Every Frame a Painting

 

Do I believe most people notice or care? Fair question and I would say no – but that doesn’t earn my forgiveness or the fact it needs to be called out.

At this point I normally talk about the actors, but everyone is absolutely fine. New comer to the series Pom Klementieff (Old Boy, Ingrid Goes West) merges amazingly well with the existing party as Mantis. As I mentioned in my recent Fast and Furious review. I want Kurt Russel in all the things ever. This has only reaffirmed that.

I’ve avoided talking about the action because I found it…wanting. It’s there; just not as visually compelling or character driven as it could be. Marvel – please note – swarms and masses of faceless attackers does not make your combat more interesting or the stakes any higher. It was just very very safe.

TL;DR?

I would hit play on the Volume 2. Despite the flaws I perceived in the movie, of which there were many, I had a good time. It wasn’t great, but it was solid good pop corn fun. It got me emotionally invested in the stories of the characters and that is hard to do. It succeeded on a personal level where some of the production failed on an intellectual level. Audiences will love it and no one left the theatre until the last of the credits rolled. Again its flaws need to be called out in that the action is kinda bland and safe, the story and scenes have some amazingly jarring tonal shifts – but beyond that its absolutely serviceable and watchable.

Should I see it?

I don’t believe you will regret it. It’s a good time to be had by most.

Will you add it to the collection?

Yes.

Ok serviceable and watchable don’t sound like high praise though?

In this day and age it is still praise. It is also not the best Marvel feature but it is far from the worst.

End Credits scenes?

Three of them cut throughout the credits. It’s also worth *watching* the credits as there’s some easter eggs, jokes, and other cute things in them. I rather enjoyed those.

Stan Lee?

Of course with an easter egg of his own.

Anything else?

Brace yourselves. Summer movie season is coming. Next week King Arthur.

Darke Reviews | Captain America : Civil War (2016)

I really wanted to get this in last night so it would be available for those of you who read this, I also had a desperate need to sleep so I could function at work today. Last night I saw the second of two movies this year of at least three that cover the topic of “What oversite do these super powered beings need?”. Last night I saw the second of two movies this year where two ostensible allies turn on each other to create what should be an epic fight. Last night I saw the second of two movies that have a clash of ideologies and attempt to boil these down to their simplistic terms for wide consumption in an average 2 hour and 29 minute run time. Last night I saw the second of two films where experienced directors and writers try to add new characters to a complex universe of existing characters in a way that should feel seamless and invisible to the audience. Last night I saw what is both intense and diversive source material translated to the screen for (again) a second time.

Last night I saw Civil War, but should you?

Let’s face it most of you have already seen it or plan to see it and may only be reading this to satisfy curiosity or to verify your own thoughts. So be it. So let me put this up front before the detail, before the TL;DR…

This is my third favorite Marvel Cinematic Universe film, behind The Avengers and Winter Soldier. This needs to be said before I go into the details…you will see why shortly. Also, there may be someone in the 100 of you who read this that say “oh she hates DC” after the lambasting I gave Batman V Superman.

False

Nearly all of my comic collection is DC, or DC Vertigo. I have all of the DC Animated Universe films. I prefer the DC characters to the Marvel ones time after time. DC has more iconic characters to me, more Legendary characters to me. The Marvel universe tends to make things more human more often than not in my experience with it, even when it gets silly. Yet time and time and time again, the Marvel Cinematic Universe movies trump DC. I really don’t know what is going on over at WB Cinematics department, but they really need to stop. Stop and look at why they fail critically and create movies that people are divisive on how good they are. For the most part Marvel movies go from a solid “meh” to “oh my god what awesomeness have my eyes witnessed.” The weakest Marvel movies are forgettable, with only one having a touch of divisive hate growing within it (Ultron). DC’s last two outings into the Cinematic have ranged from “die in a slow fire surrounded by the screams of those you have inflicted this upon” to “that was awesome.”

This is important to discuss as we get into this review as these two films (BvS/Civil War) have very similar themes with vastly different executions and levels of success. This is going to be difficult without spoilers, so bear with me.

The movie was written by Christopher Markus and Stephen McFeely, both of whom are responsible for (in the best way) Captain America: The First Avenger, The Winter Soldier, and now this. The directors, Joe and Anthony Russo of the critically hailed Civil War were brought back as well. They handled, perhaps as well as it can be, the subject matter of – Do heroes need oversite? Who is right to judge them or even control them? Who are they responsible for and accountable to. While I have issues with the *how* the questions were handled and the evidence presented, I am not entirely certain it could be done better. They let the characters debate it, they let the time be spent within this film to have a conversation on the culmination of the other films. This is good storytelling people. With few exceptions the storytelling here is an absolute logical progression from Iron Man to Civil War. The writers and directors made wise choices where they did not have forced hands, and I can see those moments too, and I am pressed to tell you what could have been excised from the films running time.

Even the addition of the new character T’Challa, aka The Black Panther was handled in a way that let me buy his decision making. It was brief yet concise enough that in 5 minutes I got him. I got his world view just enough to sate me for this film and what story it needed without me going “that makes no sense.” If anything a flaw is the villain of the piece, Helmut Zemo. He’s forgettable. I suppose that is justified as well let’s face it, no one cares. They want the fight at the airport. It could have been an opportunity to create or utilize someone who could be used for sometime, even in Agents of Shield. Marvel does fail at this topic each film that doesn’t contain Loki. Memorable, effective villains.

Acting wise, everyone is wearing a comfortable hat and glove. You get them and understand them, even newer characters such as Paul Bettany’s Vision, Elizabeth Olson as the Scarlet Witch, and Emily VanCamp as Sharon Carter, and the return of William Hurt as Thunderbolt Ross. Every performance, and I do mean every, has the right weight. The right emotion. The right levity. It’s all right.  Chadwick Boseman (42, Get On Up) absolutely nails T’Challa and I can’t wait for his reported standalone film.  Each actor lets you come along with them an why they make the decisions they do. Scripts and direction can only take you so far. the actors bring you the rest of the way.

From a technical aspect.

LESS

SHAKY

CAM

I remember watching the fights in Winter Soldier. I loved them. I remember watching Scar Jo in Iron Man 2 and Avengers and loved it. I wanted to watch some of the fights here and couldn’t due to excessive camera movement and cuts when you have actors who can actually do these things. It was not Paul Greengrass/Found Footage bad, but it was bad in the first fight. The transitions were….rough. Cinema Sins is going to have a field day with those. They were music video kinda rough.

All of that aside.

Holy. Hell. Fighting in Act III? Yes. Please. More. This is everything we wanted and more. DC take notes. Preferably in a way you can understand later. Hire someone to hold them for you. This is how you do it. They were energetic. They were fun. They were even visceral at times. They were near perfect.

TL;DR?

This movie is absolutely the reverse of Batman V Superman. I have issues, significant ones, with one or two beats of the film. Overall though the movie is incredible. It is solid and well done throughout. It runs a bit long, but again I don’t know where to trim aside from the insertion of one character which *looks and feels* shoehorned in. I can tell this was added after and while the character is good, the introduction is very very off and looks it. I did smile at a lampshade though.

The movie is serious when it needs to be. It HAS HUMOUR when it needs it. Good humor too. It isn’t dark and dreary. It touches dark themes but keeps it all touchable and not too boring.

Should you see it?

Yes. A dozen times yes.

Will I buy it on BluRay?

It’s too early to pre order, or I would have.

Will I see it again?

Actually…maybe? There’s some things I want to see if I judged too harshly.

 

Congrats Hollywood, you have a Blockbuster that deserves it and kicks off the summer very very nicely.