Darke Reviews | John Wick: Chapter 3 – Parabellum (2019)

Si vis pacem, para bellum. I actually have this on a whiteboard at my job. The Latin phrase translates basically to “If you want peace, prepare for war”; thus the title being Prepare for War. John Wick is one of those movies that kinda snuck in the backdoor back in 2014 with no one giving it much attention at the initial release. It came in second to Ouija by over $5 million, alright? It barely did better than a Brad Pitt movie (Fury) in it’s second week and Gone Girl in its 4th week and that had already made over $100 at that point. So yeah it’s safe to say John Wick was not exactly a popular film on it’s release weekend. It did however double its $20 million budget, but was pretty much gone in four weeks. It found life however in the after market and people realized what they were missing (but you know if more people read my reviews they would know to go see it!).   Two and a half years later John Wick: Chapter 2 doubled the domestic gross of it’s predecessor with $92 million; but also doubled the budget. $15 million more was thrown at the third chapter.

Did they prepare for war though?

The story was written by the original writer, Derek Kolstad, who literally just makes assassin projects, with his next two being a TV series for The Continental and Hitman. The screenplay then gets three additional writers, thus violating the writing rule of Darke. Marc Abrams (The Bernie Mac Show), Chris Collins (Sons of Anarchy, The Wire), and Shay Hatten in their first major writing project. I have to admit confusion here as one of the driving forces of a John Wick movie have been relatively simplistic plots that rely on a minimum of dialogue. This one is not that different in that regard. Kolstad was the sole story/screenplay credit on the last two so I cannot fathom what the others brought to the work.

The story is as simple as what’s on the tin and picks up where the last left off more or less. John having killed someone within the Continental has been declared Excommunicado by the surprisingly large network of assassins and support staff. He loses all rights to services and is now himself the hunted. What will he do? Where will he go?

That’s it. Even as we get a deeper look at the world of killers beneath the surface of our own, which is a lovely conceit still, there is a simplicity to it all. They do of course add layers and some complexity as we visit new locations and meet new personalities, but all of that is handled well by Stunt Performer turned director Chad Stahelski. As with the first two films having someone with his kind of experience in knowing what it takes to make a good shot for the camera (and guns) lets us really enjoy the kineticism of the fight sequences. Again this is no different, except now we have added animals to the stunts using horses and dogs – which anyone can tell you adds even more risk. You don’t want the animal getting hurt, the animal has to be trained, and you have to be careful the animal doesn’t hurt any of the performers when it’s all in camera like this. I am pleased to say the addition of the animals definitely added to the action.

We can talk about performances, but we are dealing with Keanu Reeves in the role that revitalized his career and the action movie industry. He gets to spend most of the time just being tired, broken, and still the Baba Yaga we know and love.  Ian McShane (please narrate my life) and Lance Reddick return as Winston and Charon of the Continental, with Laurence Fishburne also coming back to work with his friends from the Matrix.  Two of the new stand outs are of course Angelica Houston as The Director and Halle Berry reminding us she exists and has action chops. Asia Kate Dillon (Orange is the New Black, Billions) gives us to my knowledge our first Non-binary actor (pronouns are They/Them) with a major role in a major Hollywood production. They do exude a helluva presence on screen and I am interested to see them in more projects. A special call out to Yayan Ruhian (The Raid, The Raid 2) and Cecep Arif Rahman (The Raid 2) for one of the more memorable fight sequences and showing just how scary Silat can be as a martial art. The show stealer, that isn’t four legged, is absolutely Mark Dacascos (The Chairman of Iron Chef America, Brotherhood of the Wolf), who just is a joy to watch and clearly was having the time of his life as our John Wick antithesis for the film.

TL;DR?

John Wick is back. They were prepared. 11/10 would go into battle with the dogs from this movie. The movie runs a bit long at 2 hours and 10 minutes and at times feels it, it still turns out a solid bit of entertainment. Yes, this is still a world turned to eleven and no you cannot possibly be expected to take it seriously. That isn’t the point here. The point is to enjoy 2 hours and 10 minutes of Keanu Reeves moving from action set piece to action set piece and wondering how they will continue to ratchet it up as the movie goes on. For that it succeeds dramatically. I am confused by the number of writers still, but I got what I wanted from the movie and could still see every action piece and every stunt.

My only glaring flaw is that the first one shone for the raw amount of practical. As the stunts ratchet, they did hit some of the CG and compositing a bit harder than I like and my eyes were easily able to pick out more than a few. Granted safety first, but if it’s going to have to be that digital, look for a different stunt.

Should I see it?

You’re invested already. So yes.

Would you see it again?

Officially the answer is yes, but the likelihood of it happening is low.

Will you buy it?

Absolutely. No regrets on that front.

Are the dogs adorable?

They are the bestest boys. Would pet. Would also likely lose a hand.

 

Wrapping up I had two new Dark Princesses tonight with me and I enjoyed the movie and it was very cathartic after a rough week. It’s that kind of movie and I am glad for it.

 

Next week: Brightburn and Aladdin. I am honestly not sure which I will see first.

 

WAIT! before you go – what’s a Dark Princess?

If you join me for the movies. You are a Dark Princess. Male or Female. Those are the rules. Those are the results of the vote on the AmusedintheDark Facebook page.

My original two Dark Princesses might get special titles, I haven’t decided yet.

 

Welcome to the Continental.

Darke Reviews | Pokémon – Detective Pikachu (2019)

So two or three weeks ago when I went to the movies, my cinema partners (I really need a tagline for you two), saw the trailer for this movie in front of something else we were watching and looked at me and said “We’re seeing that” almost in unison. I had been generally ambivalent towards it, with a bit of curiosity, but no real drive to go see it. I didn’t grow up with Pokemon, and even then I preferred Digimon at the time. I had no particular affinity for the series of games, the card game, the cartoon, and had never watched the movies prior. Ryan Reynolds is funny, but my history of comedy and such does not a guarantee of watching make. The interest of my friends (fiends?) at least pushed the scales out of balance and had me see this tonight. Did they use their powers for good or for ill?

Was this movie the very best?

What? I always go for the joke/pun question if I can. I’ve played Pokemon Go, I’ve heard the theme song. I said I didn’t grow up with it, but that doesn’t mean I don’t know anything about it. Though in a feat that defies logic a movie that not only violates my three writer rule, but punts it across the arena. The movie has a total of seven credited writers between story and screenplay, granted two are repeats and one is the director. We have a story by Nicole Perlman (Guardians of the Galaxy, Captain Marvel), Benji Samit (The Tick, One Day at a Time), and Dan Hernadez (The Tick, One Day at a Time). That gives us the baseline for the story and honestly it has a really good through line being as straight forward as it is. This is predominately a kids movie with a lot of material for the millennials (and anyone) who love Pokemon. The story was then polished into screenplay form by Samit, Hernandez, Derek Connolly (Safety Not Guaranteed, Jurassic World(s), and Kong: Skull Island), and director Rob Letterman (Monsters vs Aliens, Goosebumps). The combined pedigree of the movies writing and direction could have either been a hot mess or a 2019 version of Who Framed Roger Rabbit.

We got Roger Rabbit.

The story of a kid who turned his back on Pokemon and the generally accepted order of the world, then gets pulled back in after the death of his father. He is forced to work with his fathers partner a Pikachu that he alone can understand, where everyone else hears the adorable Pika Pika. He meets multiple colourful characters and Pokemon along the way as the unlikely duo uncover the mystery and discover a bigger plot in the course of their investigation.  Like I said basic, but it doesn’t have to be complex and what is complex is naturally so.

Ryan Reynolds we already know can carry a movie without you ever seeing his face thanks to Deadpool, but can he do it kid friendly? Of course he can; but he doesn’t have to carry the movie. Justice Smith does. This confirms that Justice was not served in Jurassic World Fallen Kingdom. The kid (OK, he’s 24) has some serious range and has to deliver quite a bit of it albeit at a direct surface level for the movie, but he does so. Kathryn Newton who looks far younger than 21 years old, does her best Gracie Law impression as a hard boiled reporter determined to get her story. There are other actors to talk about, but they exist to serve the story and you just need to enjoy.

Now you might have noticed I referenced Big Trouble in Little China and Roger Rabbit so far. The movie shoots for a vibe between the two and nails it. It understands 100% that this concept is ridiculous and is determined to play it all with a straight face. It brings in all the noir tropes and uses them to its advantage with a lampshade big enough to cover a Snorlax. Visually the movie is incredible. We have never seen the CG and real integrate to this level and with this degree of clarity honestly since Roger Rabbit. In literally every shot there is significant CG elements but you forget that as you watch. They work within the context of the world and that’s all that matters. There are a few weaker elements, but they don’t take away from the overall narrative or enjoyment of the spectacle.

TL:DR?

The movie was super effective. I have favourite parts, I have parts I didn’t care for as much. There are a few scenes that dragged, but overall myself and my cinema partners tonight had a good time and enjoyed the movie. They both are far bigger fans than I and had the opportunity to be more harsh but they enjoyed it and me mostly blind did as well. I was proud I could name roughly half the Pokemon they showed, then I just listened as the two of them started talking about stuff from the Pokemon first movie. This must be what it sounds like to hear me go on about my cherished nostalgia.

That’s important though. The movie did evoke that in them and me who is only cursorily aware of the story was still entertained. This very much is a kids movie as I mentioned before, but there is a lot for all ages in here. Maybe one joke didn’t land for me, but that’s not a bad average. Again as I mentioned in the deeper dive the movie is visually gorgeous with so much computer generated but feeling like a real lived in world. Much props to the visual effects houses on this one.

Should I see it?

If you like Pokemon, played Pokemon, or just want something that isn’t as heavy as Endgame? Yes. Bigger brighter screens recommended. There’s a lot to take in.

Would you see it again?

Yeah probably. Not likely, but I would.

So would you buy it then?

Absolutely. I could see myself watching this a few more times in the comfort of my home.

Is it that good?

It has flaws sure, but the overall package is really solid. This isn’t a great movie, but it absolutely is good family entertainment that uses a licensed property in a good way.

One last…

Actually question for you readers! ….Should this be considered a Video Game movie? If so…..sound off below on Facebook or the comments here.

…also if so – you might have your best adaptation yet.