So here we are, but where have we been to get here. A quick summation of events in the past few years in table form:
|Marvel Movies||DC Movies|
Ok with me so far? Yes, Suicide Squad was absolutely entertaining but it cannot be argued that on critical analysis it is riddled with flaws – mostly in the editing department. Batman v Superman was nothing short of a train wreck, even the longer cut which made some of it more bearable didn’t make it as a final product something anyone should be proud of. That being said, something glorious was indeed found in the carnage of that film. Gal Gadot as Wonder Woman/Diana Prince. I said it before and I will say it again – I am a fangirl of hers since she first walked on screen in a Fast and the Furious movie.
So the real question you are here to find out – has DC gotten it right yet?
Three writers, in addition to William Moulton Marston who created Wonder Woman, have credit on the film. Story by Zack Snyder, Jason Fuchs, and Allan Heinberg. Heinberg gets the sole screenplay credit so what we finally got was the last touches he put on and the orders from on high. If we take a moment to look at Fuch’s work, as Snyders work is well known and often lamented, he is responsible for the garbage of a movie that was 2015’s Pan and the 2012 film Ice Age: Contintental Drift. Don’t remember it? You didn’t see it. This leaves us Heinberg, who is primarily a TV writer with a handful of episodes of Grey’s Anatomy, Party of Five, and the OC. So based on how I chose to write this you might be thinking “this is going to be horrible.”
You’d be right – except you need to replace going to be with should be. It should have been horrible as Snyder has not shown any capacity for character focus or actually understanding characters at their core and why people like them. Fuch’s work on the disaster Pan showed no real understanding of world building or character either. Yet, somehow these three men did it. They told a, mostly, cohesive story that delivered us the Wonder Woman we deserve and need. I think Heinberg may be part of the reason we get this.
Wisely set during World War One, the great war, the war to end all wars as it was called, we are introduced to Diana princess of Themyscira, daughter of Hippolyta Queen of the Amazons. They live an idyllic life of peace and beauty yet continually prepare for a war that may never come. Until it does with the appearance of Steve Trevor followed closely by a small legion of German soldiers intent on killing the American. The battle is joined and Diana ventures into Mans world to try to fight for those who must be protected with Steve at her side.
The story is relatively simple as they go, with a McGuffin and a lofty goal. What they did unlike so many other superhero movies, including Marvels, is watch their scale. Yes it was World War I, but they made it smaller than it was and kept the stakes (even as high as they were) to something we could understand and relate to. There is another success here, but I think it belongs to Patty Jenkins, the director as much as anyone – more on her in a bit. The movie has its action beats but it for once in the DCEU focuses on the character we want to see. Diana. She’s the focus. Period. They let you get to see her wonder, her frustration, her anger, and the depths to which she can feel. They let her personal interactions with people last more than two seconds. Wonder Woman is a warrior yes, but she is also diplomat, a caretaker, a nurturer, and a sign of hope. They got that. They let her be that.
In Man of Steel, they had to tell us “it’s not an S, it means Hope” and we laugh at them because they had to SAY it and didn’t for one moment show it. Here – they show it. They live it. They do it. It’s never said.
So let’s talk Patty Jenkins. Not only do we have our first big budget sole female lead superhero movie, but it also has a woman director at it’s helm. Jenkins directed the acclaimed 2003 film Monster with Charlize Theron and Christina Ricci, since then she’s mostly done a little TV and passed on Thor 2 as she wanted to tell different story than Marvel did. I am glad she passed so she could do this. Comparing this to all the other DC films there is real character here. Sure not everyone is fleshed out as much as I want, sure some elements are paint by numbers, and absolutely can we see Snyders influence – but we also see Jenkins. A director who is on the set with her cast and crew physically interacting with them and giving them the guidance she feels with an undaunted passion. There are a number of articles on how important Jenkins time in the directors chair is that are worth reading – here at the Washington Post and here at THR the Hollywood Reporter. Sexism is alive and well in Hollywood, and here we are with the most expensive film shot by a woman.
She also took a page from Richard Donner that Snyder missed the memo on. You can do an origin story and let us get to know the character and like them. Let them *show* us why they are a hero by their choices and actions rather than why they aren’t by the dialogue and moping. Show don’t tell. Let us see the action. Let it be kinetic but let us see it. Let it feel SUPER HEROIC. Let it be magical and impossible – it’s ok. We’re dealing with the Amazons here. Jenkins did all of this.
Of course you need actors.
Gal Gadot is Wonder Woman. Full Stop. This cannot be argued. She’s everything she needed to be and more. Nothing more needs to be said about her – she’s absolutely perfect in the role.
Chris Pine is an excellent Steve Trevor, charming, fearless, but believable as a man dealing with the unbelievable. He doubts as much as he shoulder, but trusts as much as his character and heart are supposed to. Connie Nielsen, who I haven’t seen since 2003’s fantastic film Basic, is Hippolyta and knocks it out of the park bringing what I expected of such a character to life. Robin Wright (House of Cards), Danny Huston (American Horror Story), David Thewlis (Harry Potter’s Remus Lupin) , Saïd Taghmaoui (GI Joe Rise of Cobra), Ewen Bremner (Trainspotting), Eugene Brave Rock (The Revenant), and Elena Anaya (Van Helsing) bring good performances to screen in multi national cast that is also worth noting.
Alas, the movie does have flaws. The final act fight is a touch green screen heavy. Some of the other green screening doesn’t work well. I think Hollywood needs to find another way – something between green screen and front projection. The lighting never quite matches – or they need to move their green screen work from inside with the studio lights to outside in the sun – so the lighting actually matches. There are some dialogue choices, some thinness to characters, some of a few different things in the production that may distract someone looking for flaws; but with few exceptions these can be overlooked.
In what is currently my longest review this year (1270 words as of this) I can sum it up simply
Wonder Woman is what we have been waiting for DC to make.
Not just because she is the first big budget female solo superhero film. Nor because she is in a list of less then 10 other films that fall under the solo female lead in a super hero genre. Nor because this is a sign for so many female directors in Hollywood that they can potentially make a tentpole film that is amazing. Not for any of those reasons alone but for all of them. Wonder Woman is just good people. It is a good film we need to support. We need it to be as successful as it deserves to be. It needs us and we needed it.
Should you see it?
Yes. I plan on seeing it at least once more this weekend. I’ll post to my personal facebook page as to when/where if folks want to join me.
Will you buy it?
Absolutely. No doubts.
Are you blinded by fan girl of Gadot or Wonder Woman?
No. Look it has flaws. Plenty of them but it still goes beyond them.
Guys – this is a film to watch. It has action. It has heart. Warner Bros finally did it. Do I think they will learn from it? No, but a girl can dream and no matter what I say as a unpaid but trying to be professional reviewer there’s something more important at work here.
This is an actual quote from the woman next to me in the theatre when I asked did you like it?
“I am so emotional right now. You don’t see that. Its just the dudes. Not the girl kicking ass. She was amazing.”
51% of the planet now has the chance to see themselves on screen – alone – as the hero we need right now. This is important. This movie is important.
Please support it.
love this review! I was so emotional watching this movie, representation matters
Representation matters so much. It’s made me happy to see so many articles come out since the release of this film talking about how women are reacting to this movie. How much the No Man’s Land scene made an impact and how often we were crying simply based on getting to SEE an icon on screen that represents us.
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Realizing I’m a bit late here…
I absolutely love this movie.
Not to take away from the representation concepts, since those are incredibly important, but even I got emotional watching it. Specific scenes and concepts were represented and demonstrated so beautifully that I teared up. She (her presence) was so much grander than everyone around her (just watch her stand among the group after No Man’s Land is fully resolved), but she was still so warm and relatable that you couldn’t help but look to her when it was seemingly hopeless and know that as long as she was around, everything would be alright. I was literally comforted while watching this movie.
This is the Wonder Woman I didn’t know I’ve been waiting to see – one that kicks all of the ass, but uses it as a last resort, and only really does it to save others. Especially after the events of this movie, this Wonder Woman would much rather overcome her obstacles with love, peace, understanding, and negotiation, but can get into taking down a real monster when needed (Doomsday). Not even the DCAU Wonder Woman hit this level of depth, and I hold that incarnation in VERY high regard (as with most things DCAU).
Apparently, this version of Diana is MUCH more in line with the one from the Rebirth comics (post New 52) than others. I have to read this.
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