Darke Reviews – X-Men Days of Future Past


I have to admit writing this I am a bit conflicted. I have not settled on an emotion right now as I start. I made it known at work today I was going in with fairly low expectations. I had a gut feeling from the way the marketing went. Too much product placement ads set my nerves on edge. It feels like the producers are trying too hard, especially when it’s something like Carls Jr. It creates a disconnect with me that I find unnerving and makes me doubt their faith in the movie on its own merits.

I think the other reason I am conflicted now is that I didn’t get the movie I thought I would. This is *not* a bad thing. It means I underestimated the film.

The movie returns original X-men and X-2 director Bryan Singer to the franchise. If you are not familiar with his best bodies of work, please look to the magnificent Usual Suspects and Apt Pupil. Despite it’s many sins he also gave us Superman Returns. What do all of these films have in common, along with the first two X movies? Characters. They focus on the characters, sometimes at the sacrifice of a logical story. He brings you into the characters and really makes you get people you shouldn’t and helps bring perspective to everyones world.

The story this time has a three writer issue and the rule applies. It shows. Jane Goldman (Stardust, First Glass, Kick-Ass) has her sensibilities in film clearly shown. Simon Kingberg (X3, Jumper, XXX State of the Union) shows his as well – which may explain the weakest aspects of the movie. Matthew Vaughn, director of First Class, also has a writing credit who also has credits on Stardust and Kick Ass. His appreciation for the characters and the ‘verse that he created. Respect is given to history and with a lot of little nods to both comic and animated history through out.

The story has issues though. It’s pacing is off as hell. It runs over two hours and sometimes feels it. It falls prey to too many locations and too many events it wants to include. It was a fear I had from seeing the trailers, so I will admit I may be judging harshly here. It tries to do too much and doesn’t quite nail it. It tries to tie up too many loose ends from *all* the other films and only gets half way to the finish line. It does a fantastic job where it can, but the places where story fails – wow. I give you this warning, it will also be in the bottom – DO NOT THINK TOO HARD! By all the powers that be do not think too hard on any aspect of the movie. It falls apart. I think I will lay that on Kinsberg as the weakest writer in the bunch and well if you think about the McGuffin at all or can do basic math..yeah. Ugh

So what does work? The actors. They own. They sell it with all they have and aren’t phoning it in at all. McAvoy and Stewart play Xavier at different stages of life and both sell the life they’ve lived. I thought I would be more annoyed with McAvoy’s Xavier, but I understood. I appreciated it and it helped. Fassbender and McKellen also play young and old fantastically well. You can see the man that was and the man that is. You can see the man that we saw in the other films and where he’d come from. Fassbender has more charisma than should be legal in a man when he’s on screen and we thank him for it.

Jackman returns to the role he was apparently born to play. I do hope this will be one of his last outings and let someone else take up screen time. I can’t say he does bad here, but its too easy for him and while he plays all he needs to and it works, its just there. Apparently for Jennifer Lawrence, two oscar nominations and one Oscar win get you more screen time and development. I see a transition from focus on Wolverine to Mystique and I have to admit it pleases me. She, of course is fantastic. While not someone I’d want my daughter looking up to, if I could ever have one, she’s got aspects worth looking up to. She’s a good actress with a good and complex character.

Peter Dinklage dominates every scene in which he has a speaking line. This is no surprise to Game of Thrones fans. Just like the other characters, while all of them are somewhat thin, the development they do get is enough to make him decently complex and relatable. He works and I believe it’s Dinklage as to why.

The future sequences give us a handful of our favourite mutants doing what they do and as per my rules no spoilers. I was stupidly ecstatic to see Blink though. Just a geek girl thing.

From a technical aspect, wow. Overall nice work. Some effects are rough. Rougher than they should be, but when they do work, WOW. I would point to raw entertainment whenever a speedster I didn’t expect to like was on screen. Also, they BUILT A SENTINEL. There was a real, physical sentinel that was built. Brilliant choice. Editing, well, again it runs longer than it shoud. I do not think 3D will add anything so no need for the extra ticket price.

Alright, TL;DR?

The movie still leaves me conflicted. I think its ok, a good character study. If I think too hard most of it falls apart. It had moments of entertainment, but not enough. The entire movie is heavy. Not dark, just heavy. There is no where near the fun or levity of some previous installments in the franchise. It does one thing I can’t say without spoilers, but it made me happy beyond words.

Overall, if you were going to see it nothing I say will stop you. Enjoy.

If you weren’t planning on it, you don’t need your mind changed. This certainly will only reinforce your decisions.

If you were on the fence, see it, but its absolute matinee.

I am seeing it tomorrow with another friend, hopefully I can have ANY emotion on this one after I am done, but I don’t think so. Stay for the end of the credits for your tease to the next movie.

Next week, I am watching the Mistress of all Evil. Maleficent.

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4 thoughts on “Darke Reviews – X-Men Days of Future Past

  1. Pingback: Darke Reviews – Victor Frankenstein (2015) | Amused in the Dark

  2. Pingback: Darke Reviews | Miss Peregrine’s Home for Peculiar Children (2016) | Amused in the Dark

  3. Pingback: Darke Reviews | Atomic Blonde (2017) | Amused in the Dark

  4. Pingback: Darke Reviews | American Satan (2017) | Amused in the Dark

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