Darke Reviews | Passengers (2016)

I like good sci-fi. I think my review of Arrival and The Martian show that. Hell I even like some bad Sci Fi (5th Wave) and Mediocre Sci Fi (Morgan , Transcendence) so long as I am entertained.  Though as 10 Cloverfield Lane found out – if you keep beating me over the head with a specific trope I will be unforgiving. I want to expect more. You as a viewing audience should expect more.

What’s the point I am getting to?

First a warning. I have to violate the No Spoiler Rule here. You can click here to skip to the TL;DR


Still reading?


I wish this movie had a face so I could punch it.

The entire contrivance of the movie after the system error that wakes *him* up is that he is the one that wakes her up. Why? Because she’s beautiful. Because he has cyber-stalked her sleeping beauty. Because he thinks she’s perfect and he loves the idea of her. So he wakes her up knowing this will be a death sentence for her as much as the one he is already subjected to. There’s no consent. No permission. No anything, but his man guilt. Him wrestling with the decision for 5 minutes of screen time is enough apparently.

Of course she finds out about the 2/3 mark of the movie, long after they’ve become a thing through their isolation and his charm. He doesn’t even tell her himself, but she finds out by accident. Oh sure he kept saying he was going to tell her, but he never did.

They do allow her to be rightfully angry. Justifiably so, as he has all but murdered her by waking her up nearly 90 years prior to the time she should have been. She goes to lengths to avoid him, but he uses the ship wide communicator to try to make an apology for it so she can’t even actually escape him. Then at least two other sources in the film tell her “…you just have to deal with it and him”; which she finally does and forgives him in a scene that had me clenching my jaw where she after being angry at him was willing to let everyone on the ship die so he could live.

I really hate this movie. I really hate that the producers allowed it.

ITS CREEPY. I don’t care anything else that happens, the premise from the time he woke her up is WRONG.

This is rape culture the movie. “It’s ok because he was alone. We have to think of HIS life. His sanity. Her life and her agency doesn’t matter next to his.”

The movie was written by Jon Spaihts, who also has an executive producer credit which explains why the producers allowed it. He has writing credits on the abysmal bomb The Darkest Hour, Prometheus, and Doctor Strange. He is the writer on the upcoming Mummy movie with Tom Cruise. Oscar nominated director Morten Tyldum (The Imitation Game) was at the helm on this.  Gee, two guys write a space Sleeping Beauty movie where the Prince is a handsome ‘every man’ that of course she’d fall in love with despite you know stalking her and committing one of the universes slowest murders. They use consistent and constant plot contrivances and writing to make it so she does forgive him and they die happily ever after.

When your biggest plot point is similar to parts of Fatal Attraction, Captivity but you are going for actual romance – you failed. I suppose if you want to see Stockholm syndrome the movie this would suffice.

Ok, beyond my rage at that. There are other components to the movie that are a colossal mediocre. I mean if you want to see what life is like trapped in an ever refilling shopping mall you’ve got something to watch here. If you want to watch your typical just in the nick of time save the ship from disaster with no actual tension or risk because you know they won’t kill your lead actor as they spent the previous 80% of the movie man-splaining him for you. Also – the heroic save – doesn’t redeem the bad act. Sorry it doesn’t.

What really kills me is the opening was good. His waking up and handling it was good. How he tried to deal with things was good. Then the bridge between Act I and Act II comes along and poof. Rage. I mean would you REALLY root for Tom Hanks in Castaway if he had intentionally pulled someone from a peaceful happy life and potential just so he wouldn’t be alone? If you said yes – I am a little worried.

*sigh* I really could keep going. I really *SHOULD* keep going, but if you don’t have the idea by now I am not sure what else I could say.

Actors? Pratt and Lawrence are fine. This should surprise no one. She has three Oscar nominations and a win. She can act circles around people. Chris Pratt is charming as ever and we know he can bring intensity when he wants to thanks to Magnificent Seven, Jurassic World,  and Guardians of the Galaxy. They are FINE. She handles the bits of rage and avoidance as well as anyone can, probably better.

Effects? Solid. Nothing to write home about. Nothing particularly new. Definitely very clean and top of the line don’t get me wrong but there was nothing we haven’t seen before.




Technically the spoilers are above this, but I am hiding them above the fold with the image…


Do not see this movie. I spent money on it so I could confirm the stories I had heard. They aren’t too far off the mark.

I spent money so I can ask you not to.

If you want to watch a better movie about people waking up from hibernation? Pandorum. It’s good sci-fi horror. That’s what this should have been. If you want a decent stalking movie – there’s always Fatal Attraction. I heard The Resident was pretty good too.

Seriously readers – don’t give this money. Don’t let Hollywood think this is alright. Let it bomb for the controversy it rightfully deserves.

I understand some folks will see this because they just love Pratt. I get it. He’s cute. He’s charming. Just spend the $20 (Ticket+Concessions) to buy Jurassic World or Magnificent Seven. If you like Jennifer Lawrence and want to see her vamping it up, there’s American Hustle.

Just don’t see this.


Thank you.

~The Management of Amused in the Dark

Darke Reviews – The Hunger Games: Mockingjay – Part 2

“I volunteer as tribute!”

If you were to have a vote on the top 10 iconic lines from film in the past decade, or even this millenia, surely this should make it near the top. It is a powerful line and powerful moment that introduced us to the world of Panem and Katniss Everdeen, the girl on fire. That was a mere three years ago, I have to admit I was shocked when I remembered how recent it was, as it feels like we’ve been living with Katniss and Peeta far longer. Studios have been looking for a franchise to come along and be as strong as this one; with only middling successes with Divergent and Maze Runner, which let’s face it pale by comparison.

So three years and approximately, 1.1 billion dollars later – where do we stand?

Let’s face it. I could stop the review here. If you’ve seen the others, you will be seeing this as well. I could (and will) go on about technical aspects of the film, but regardless of what I say anyone who is engaged this far with the franchise isn’t about to stop now. So this review won’t be a breakdown of the director (Francis Lawrence), writers (Suzanne Collins, Peter Craig, Danny Strong), or even the actors really. I want to talk about how I felt watching the movie. Things I realized.

I was mildly invested at the beginning after the lackluster feeling Part I left me with, but at the same time I have 6 hours + with these characters most of whom I like.  I had a conversation before the film about who I like and don’t, and while Gale drew the short straw as someone I dislike and Peeta was close second, Haymitch, Cinna, Finnick, Beetee, Johanna topped the list as my favorites. Where was Katniss? Well earlier in the week there was another Facebook conversation about Katniss, and I can be quoted as:

She IS a prop. She is also a survivor, she will do whatever it takes to live, but the reason she is important in the narrative is that she is the Noble Sacrifice. The martyr. She is 100% done with the world by the end of the first film. She still is a prop for other people with little action of her own volition other than defiance. That said, I enjoy the movies. The first book is ok. Is she a bad icon? Yes. But she’s one of the few film icons girls really have and there are traits worth praising.

I may have been mistaken. I think she is one of the truly strongest young female characters in film. She is a survivor. She started taking initiative. She took agency for her own life at every opportunity. Yes she needed help, but so do we all. What matters most about Katniss – she is one of the few characters we get that feels human. While Jennifer Lawrence was 23 when the first film came out Katniss wasn’t. She was still a child. She was a victim who refused to let herself be a victim. She was a child. She was a child who watched an even younger child be murdered in front of her and REFLEXIVELY killed another human being. They let that show. A few in character years later and she is breaking. There’s a speech near the beginning of the film that I adore as it tells you everything you need to know about her for the rest of the film. Jennifer Lawrence sells every bloody moment of pain, of fear, of weakness, of rage, and of being “done”. It’s all there in her performance.

Most importantly she is human. She reacts like a human. She reacts like a good person. She is one of the most “Real” characters in film. That needs to be celebrated.

So where does Katniss sit now as the franchise comes to an end? She’s still not my favorite overall, but she’s up there. I think this movie changed a lot of my opinion on her as I finally watched her character finish her arc. I was satisfied. I felt that things were complete.

For their part, everyone else’s arc concluded the way I think they should have. Each actor did a good job conveying what they needed to and each had enough charisma on screen to make me care one way or another.

On my more typical technical aspects, I think the movie may have been ten minutes too long. A few shots just lingered into awkwardness. A few shots felt extraneous.  The effects were top end from make up experts such as Ve Neil (Face/Off), and others who have won on Face/Off as part of the crew. The opening effect is one of the most solid I’ve ever seen and the movie really doesn’t let up on those practical effects the rest of the running time. The CG Hounds were…ok. They looked like left over stock footage from the garbage that was I Am Legend. I forgive them, a rare thing with effects work,  as they are meant to be artificial.


The movie is 100% Serviceable. It’s the ending that needed to happen. It has no real surprises. It’s the right conclusion for the right arc. It WORKS. More film writers should watch this to learn how to nail the final act; something so many many fail at.

It didn’t have an emotional gut punch like other films do, but I also have no regrets here. I have no real qualms with this film. I don’t think it’s the greatest. I don’t think it’s the most fun. It is what it needs to be.

It should be watched. It was a good movie. Not just ok, but actually good.


Darke Reviews | The Hunger Games: Mockingjay – Part I (2014)|

Most of you are readily familiar with my reviews, for those new to the page bear with me. I love writing reviews. They are a hobby which I want to turn into something more. There are movies of course which I watch and wonder “whats the point?”. In some cases it is because it is so bad no one wants to see it. In some cases it is so obscure even if you wanted to see it you couldn’t. There are some films, which despite my best efforts you will see *coughs* Bayformers *coughs* and Hollywood will take as a check to make another despite anything else. Then there are movies like Mockingjay.

In Hollywoods ever growing quest for a chance to milk a franchise for every drop of its sweet, precious, blood they have taken to a new trend of splitting the finale film into two. Twilight, Harry Potter, Hunger Games, and even Marvel is doing it with the Infinity War. Though it has not yet been announced the Divergent finale, Allegiant will probably be split in two. I would be surprised if it wasn’t. Don’t get me started on the Hobbit where we took one movie and made it into three. Of the ones made already, Hobbit included, the first of the films tends to have an issue.

It’s dull.

Not saying it is a bad movie, but that they use the film to lay all the groundwork for the epic finale. There’s enough action you are not entirely bored. You are already invested in the characters thus far and for once you do get a deeper amount of time with most of them, but at the same time they lack a certain punch. They lack a real weight because you know they aren’t over. Mockingjay is no different. Oh there’s some action here, but not to the level or intensity we’ve gotten used to. This one tries for more emotional punches and a lot of focus on Katniss after the events of the past two movies.

The story of course is by Suzanne Collins who also adapted it for the screen. There’s two screenplay credits with The Town’s Peter Craig and Danny Strong. Strong was Jonathan on Buffy the Vampire Slayer, but has also become a talented writer with Lee Daniels’ The Butler as a written by credit. So with the idea of this particular story needing to be told in mind, these two men are a perfect choice. They do have a keen sense of drama and how to use action to accent it and that is what Mockingjay is – a drama with action added to ease the tension that is building for us until Part II.

Good writing only takes you part of the way with Francis Lawrence taking up the directors chair again after his success on Catching Fire. I also think we get to see his weak points a bit more, much like we did with I Am Legend. We have a very solid film here, with very solid – well – everything. The movie is just lacking something and I think thats a combination of the director, writer, and producers not having a clean and clear idea on how to appropriately split the movie into two. We also have enough tonal shifts and pacing issues in the movie to make it a bit jarring at times. The opening to close shifts just a bit too much and it runs a bit too long in the tooth.

Saving it from these technical, production, and directorial issues are the actors. Ok. Actor. Jennifer Lawrence. 1 Academy award, two nominations and two Golden Globes, with one additional nomination make us think she might be a good actress. This movie reminds us she is. She carries the film and is beautifully doing what she does. Every emotion feels real. Nothing is phoned in or left to chance with her. She just is that good and has no choice but to carry the movie as the rest of the cast, while good, don’t have nearly enough development or screen time. I would have rather seen more of Woody Harrelson’s Haymitch, Elizabeth Banks Effie, and certainly more of Sam Claflin’s Finnick. That boy exudes charisma even when he is pulling it all in. Hutcherson, Hemsworth, Sutherland, Hoffman, Moore, and Tucci all do well enough and really could phone it in if they wanted to. Hutcherson does get a few beats and I enjoyed what I saw there. For my Natalie Dormer fans, yeah there is not enough Cressida, but what we do get is excellent and a huge departure from her Tyrell role. All of the actors do well with what they were given. I can’t say I am a fan of Hemsworth but honestly, I am finding more and more I am not a fan of the Hemsworth clan outside of Thor. All of the power in the film resides with Lawrence. Banks and Harrelson get some shining moments that I wanted so much more of that I was disappointed I didn’t get it.

Not much to talk on the technicals. Nothing new, but at the same time nothing bad either. Actually, I type corrected. The make up effects. Flawless. Not surprised with Ve Neill in charge. Season 1 Face/Off winner Conor McCullagh gets a credit as Key Make Up Artist, with my personal favourite Face/Off contestant Laura Dandridge having a special make up effects artist credit.  Glen Hetricks Optic Nerve studios was also involved. We are all better for it. There are a few choice shots were some amazing talent were needed and the effects are subtle going through it so they were worth mention. I know this is a review of Hunger Games, but I have to give credit to Face/Off for actually furthering careers of really talented people.


As I said before, there are movies like Mockingjay. Face it, you are already invested and nothing in my review will stop you from seeing it. Nor should anything in my review stop you from seeing it. You need to for the finale which by all accounts should be filled with enough action and intensity to make you want to cry.

If you haven’t gotten into Hunger Games before, this one is NOT the one to start with. Then again who starts with the 3rd movie out of four?

Otherwise, yeah go see it and be the completionist. It is a solid film but suffers what I now dub The Deathly Hollows curse. Good but not great. Solid, but not quite fun or entertaining. It exists as a filler and placeholder for additional material coming soon to a theatre near you. I did enjoy it, but I wasn’t blown away by any one thing.

So there we go. May the odds be ever in your favor.


Darke Reviews | X-Men Days of Future Past (2014)

I have to admit writing this I am a bit conflicted. I have not settled on an emotion right now as I start. I made it known at work today I was going in with fairly low expectations. I had a gut feeling from the way the marketing went. Too much product placement ads set my nerves on edge. It feels like the producers are trying too hard, especially when it’s something like Carls Jr. It creates a disconnect with me that I find unnerving and makes me doubt their faith in the movie on its own merits.

I think the other reason I am conflicted now is that I didn’t get the movie I thought I would. This is *not* a bad thing. It means I underestimated the film.

The movie returns original X-men and X-2 director Bryan Singer to the franchise. If you are not familiar with his best bodies of work, please look to the magnificent Usual Suspects and Apt Pupil. Despite it’s many sins he also gave us Superman Returns. What do all of these films have in common, along with the first two X movies? Characters. They focus on the characters, sometimes at the sacrifice of a logical story. He brings you into the characters and really makes you get people you shouldn’t and helps bring perspective to everyones world.

The story this time has a three writer issue and the rule applies. It shows. Jane Goldman (Stardust, First Glass, Kick-Ass) has her sensibilities in film clearly shown. Simon Kingberg (X3, Jumper, XXX State of the Union) shows his as well – which may explain the weakest aspects of the movie. Matthew Vaughn, director of First Class, also has a writing credit who also has credits on Stardust and Kick Ass. His appreciation for the characters and the ‘verse that he created. Respect is given to history and with a lot of little nods to both comic and animated history through out.

The story has issues though. It’s pacing is off as hell. It runs over two hours and sometimes feels it. It falls prey to too many locations and too many events it wants to include. It was a fear I had from seeing the trailers, so I will admit I may be judging harshly here. It tries to do too much and doesn’t quite nail it. It tries to tie up too many loose ends from *all* the other films and only gets half way to the finish line. It does a fantastic job where it can, but the places where story fails – wow. I give you this warning, it will also be in the bottom – DO NOT THINK TOO HARD! By all the powers that be do not think too hard on any aspect of the movie. It falls apart. I think I will lay that on Kinsberg as the weakest writer in the bunch and well if you think about the McGuffin at all or can do basic math..yeah. Ugh

So what does work? The actors. They own. They sell it with all they have and aren’t phoning it in at all. McAvoy and Stewart play Xavier at different stages of life and both sell the life they’ve lived. I thought I would be more annoyed with McAvoy’s Xavier, but I understood. I appreciated it and it helped. Fassbender and McKellen also play young and old fantastically well. You can see the man that was and the man that is. You can see the man that we saw in the other films and where he’d come from. Fassbender has more charisma than should be legal in a man when he’s on screen and we thank him for it.

Jackman returns to the role he was apparently born to play. I do hope this will be one of his last outings and let someone else take up screen time. I can’t say he does bad here, but its too easy for him and while he plays all he needs to and it works, its just there. Apparently for Jennifer Lawrence, two oscar nominations and one Oscar win get you more screen time and development. I see a transition from focus on Wolverine to Mystique and I have to admit it pleases me. She, of course is fantastic. While not someone I’d want my daughter looking up to, if I could ever have one, she’s got aspects worth looking up to. She’s a good actress with a good and complex character.

Peter Dinklage dominates every scene in which he has a speaking line. This is no surprise to Game of Thrones fans. Just like the other characters, while all of them are somewhat thin, the development they do get is enough to make him decently complex and relatable. He works and I believe it’s Dinklage as to why.

The future sequences give us a handful of our favourite mutants doing what they do and as per my rules no spoilers. I was stupidly ecstatic to see Blink though. Just a geek girl thing.

From a technical aspect, wow. Overall nice work. Some effects are rough. Rougher than they should be, but when they do work, WOW. I would point to raw entertainment whenever a speedster I didn’t expect to like was on screen. Also, they BUILT A SENTINEL. There was a real, physical sentinel that was built. Brilliant choice. Editing, well, again it runs longer than it shoud. I do not think 3D will add anything so no need for the extra ticket price.

Alright, TL;DR?

The movie still leaves me conflicted. I think its ok, a good character study. If I think too hard most of it falls apart. It had moments of entertainment, but not enough. The entire movie is heavy. Not dark, just heavy. There is no where near the fun or levity of some previous installments in the franchise. It does one thing I can’t say without spoilers, but it made me happy beyond words.

Overall, if you were going to see it nothing I say will stop you. Enjoy.

If you weren’t planning on it, you don’t need your mind changed. This certainly will only reinforce your decisions.

If you were on the fence, see it, but its absolute matinee.

I am seeing it tomorrow with another friend, hopefully I can have ANY emotion on this one after I am done, but I don’t think so. Stay for the end of the credits for your tease to the next movie.

Next week, I am watching the Mistress of all Evil. Maleficent.

Darke Reviews | The Hunger Games: Catching Fire (2013)

This was probably the most anticipated movie of the fall. Yes, I know Thor 2 came out and Desolation of Smaug is coming, but based on overall buzz this movie was the one to watch and the one to beat. Thankfully, like I mentioned in a previous review theatres are giving “midnight” showings earlier and earlier. Tonight’s began at 8 in nearly every time zone. The usual new release rules apply, no spoilers and the book has not been read. There is an embargo in the comments on spoilers, so if you comment – NO SPOILING For those who need to see this. Granted, any comments I make about the first film are not subject to this.

Catching Fire picks up an indeterminate amount of time after Katniss Everdeen and Peeta Mellark snubbed their nose at 74 years of tradition and survived The Hunger Games together. Things seemed to have settle down in an awkward norm for the Victors until the Tour of the Districts begins. Katniss and Peeta are once more thrust together in order to not only save their own lives but those they care about. President Snow already disturbed by their ability to inspire hope, with the assistance of his new Games Master Plutarch Heavensbee, decides that the 75th Hunger Games will be special. This Quarter Quell will star not innocent children but previous Victors from each district to end the threat of hope Katniss, Peeta and the other survivors can represent. Let the Hunger Games begin and may the odds be ever in your favor.

Yes, I know if you’ve read the story there’s more to it. “Spoilers” /end Riversong.

Let’s talk about the writing, unlike last time Suzanne Collins does not get a screenplay credit; merely the novelization. The writers Simon Beaufoy (Slumdog Millionaire, 127 Hours) and Michael Arndt (ToyStory 3, Little Miss Sunshine) clearly spent time studying the material and the nature of the characters. Their previous works show they have both an understanding of how to make a movie entertaining, gripping and really get into the head space of the mains. While I cannot speak to the adaptive nature of their work yet, I can say that this successfully continues the story. No line seems wasted and all the blocking and scenes work in rather stunning ways. Their script is not dumbed down and successfully builds the right tension in the right places. The storytelling kept me guessing in the right places and made me smile, clap and laugh with the audience in others. It also brought up tears in the right place which is just as important.

Some of that credit needs to go to the director on this project, Francis Lawrence. Probably best known for the critically acclaimed hit I Am Legend and the woefully underrated Constantine. In I Am Legend the director shows he grasps what it takes to take a charismatic actor and let them break down. Let them be strong, let them be vulnerable and show humanity in a world that wants to deny them that. He did apparently listen to the people who criticized the camera work of the first and did not make those mistakes. Actually, in this reviewers opinion he made no mistakes I can tell aside from a few weird pacing issues in the first half of the movie. It drags in a couple of places while rushed in others, but that may be due to the needs of the adaptation- hard to say. I do know that the shots were beautifully orchestrated and the performances of each cast member were perfectly nuanced to deliver the right emotions in the best way possible.

Granted you need talented actors for that and this movie has them. Between films Jennifer Lawrence went and got herself an Oscar for her work in Silver Linings Playbook. She clearly is one of the best new actresses in Hollywood and I am looking forward to watching her career grow. She leaves everything exposed and holds nothing back in this performance of Katniss. She redefines the bar for what it means to be the reluctant hero. She is still as bad ass as ever and never loses her humanity in the process or that vulnerability I loved in the first film. She is doing whatever it takes to survive and shows that she is both smart and attentive to the details. Her loyalty to her friends and family never truly gets diminished. All the while she uses her eyes and expressive face to the fullest and you know what she is feeling and thinking.

Josh Hutcherson (Peeta) is actually given a bit more meat to work with in his interactions with the heroine. Hutcherson makes you believe in Peeta and what he stands for, feels and even pity him at times. Its interesting to see a male character play the role traditionally ascribed to the female in other action pieces. I want to see more of this and other directors, producers and writers to look for Hutcherson to show them the way. All of the returning cast members turn out good performances with Elizabeth Banks as Effie Trinket actually showing some real character development and making you like someone you all but hated in the first.

The new cast fits in well with some familiar faces such as Jeffrey Wright (Casino Royale) and Amanda Plummer (The Prophecy) making memorable appearances. Sam Claflin (Pirates of Caribbean: On Stranger Tides) is a relatively new actor but is actually nearly instantly endearing as Finnick Odair; a man with motives of his own and secrets to keep. Jena Malone (Contact, Sucker Punch) as Johanna Mason brings some much needed levity to the film and is one of the more interesting characters to watch for all her brutality in both action and word. This review would not be complete without discussing another Oscar Winner, Phillip Seymour Hoffman (Moneyball, Pirate Radio) as Plutarch. There is an archetype in writing known as the magnificent bastard. Hoffmans Plutarch is such an archetype and even Donald Sutherland has trouble sharing the screen with him. Its a credit to the director and the actor that Hoffman doesn’t dominate more, because he easily could.

Much like the director and the camera work the team on Visual Effects learned as well. No single effect took me out and made me roll my eyes. Some things were clearly effects but really in the context of the Games that is almost acceptable.
Alright then TL;DR?

This movie is arguably one of my top 5 movies of the year, perhaps top 3. It handily beats everything from May of this year. It *is* better than Thor and really I have to tell everyone.


See it soon and if possible see it often. It has a great story, great acting, and honestly deserves the support we as the audience can give it. This series of movies is what we need to have made with characters like Katniss becoming the norm rather than a rarity.

May the odds be ever in our favor.

Darke Reviews | The Hunger Games (2012)

I thought I would take a page from folks like CinemaSins and do a review on an earlier movie when its sequel or remake is coming out. With a viewing tomorrow at 8:30 of Catching Fire, I thought I would review the first of the films. There will be spoilers – the statute of limitations is long since gone by and while I have read the book I thought it was close enough to not need a comparison. I read the book after the movie, much like I plan to do with Catching Fire. Also I got some feedback on the fact I don’t talk as much about the actors and such because of my desire to avoid spoilers in my newer reviews. I want to try something a little different if I can ( and you notice). Let me know what you think in the comments below.

Let’s talk Story:

The movie takes place in a dystopian future in the land of Panem. Roughly 74 years ago a war ended between the Capitol and its 13 districts. One was wiped out entirely leaving the twelve, but in case that wasn’t enough the lovely individuals who run the government decided as a lesson we are going to make each of the 12 districts that are left sacrifice one boy and one girl between the ages of 12 and 18 every year. It’s a Thunderdome like battle, where only one child lives after slaughtering the others. If you win though, you get to live a life of luxury, so they say. To add to the fun Capitol broadcasts it across all of Panem for the districts to watch on a nearly mandatory basis – and the people of Capitol really think nothing is wrong with it. In the 74th Hunger Games, Katniss Everdeen volunteers to be her districts “Tribute” to save the life of her sister. She and the son of a baker, Peeta Mellark, are shipped away to Capitol to prepare for all the glitz and glamour of the Hunger Games before an almost certain death. The build-up includes full make overs by stylist Cinna, training by a former victor from their district named Haymitch, and the joy of talk show appearances with host Ceasar Flickman. When it’s all said and done Katniss must enter the Games and do what she must to survive.

Suzanne Collins, the author of the books, is actually listed as a screenplay credit and it doesn’t hurt that the book was written to be easily translated into a screenplay from novel, which is more rare than you would think. The forethought in writing shows in the final product that makes it to screen. Writers Billy Ray and Gary Ross (who also directed) have some credits as well and if I had to guess they were responsible for some necessary adaptations and final on screen changes to dialogue and sets. I really want to talk about this as per the normal rules I have to watch a film prior to the review. People have been complimenting Enders Game on it’s realistic portrayal of children put in danger and in high tension situations pushed on them by the adults and how both deal with it. While the books for Enders did this a long time ago and the movie did it well, I have to say I think Hunger Games does it a bit better in film. Hold on, hold on.

Look at the execution of the characters, the performances of which I will get to soon enough. Katniss, a young girl forced to adulthood by a nigh catatonic mother, a deceased father and a sister to take care of. She has skills as a hunter, a survivalist and generally is a rebel but quiet about it. She volunteers to be part of a thing that she mocks and loathes to protect her sister. This is a death sentence, but its worth it to her for her family. She resigns herself to death and only plays the game of popularity begrudgingly. In a conversation with Peeta, who has also resigned himself, he is willing to die but doesn’t want to change who he is to survive the games. Katniss’s reply – “I can’t afford to think like that.” There is a tremendous amount of weight in that line and the actors delivery. You have a sixteen year old girl who knows she must and will do anything to survive no matter what it takes with the odds so very much not in her favor. Then as the Games progress she never loses the vulnerability of being human, despite competitors who barely are. The film allows us those quiet moments of pain (which some mock, but I enjoy), grief and loss as a beautiful counterpoint to the action, the romance (faked or not), and manipulations of those around her. The story is not gentle on the characters and it really does not pull punches either. Haymitch even remarks when someone threatens Kat with punishment – “They already have been. What else are they going to do them?” I think that in Enders some of those quiet elements were lost in the spectacle and the pacing where Hunger Games took the time needed to show the characters breaking and being reforged.

Those decisions likely game from director Gary Ross, probably best known for emotionally deep films such as Big, Pleasantville and Seabiscuit. With Pleasantville especially he manages to draw some incredibly emotional performances from his cast and does so in black and white. It has both heart and humor. Hunger Games lacks a lot of humor aside from a snark here or there for your consideration, but has the heart. Matched with it is a profound visual style and orchestration of this dystopian future and a type of horror that comes with putting children in peril. Sadly some of his choices are not perfect and many complain about the shaky cam throughout the film. On my first five watching’s of the movie, I only noticed it back in District 12. This time I did notice that it was throughout the majority of the film with the intent to show the instability of Katniss’s emotions as she’s put through the events. It doesn’t work. It actually made me nauseous the first time I saw it. It’s probably the single most complained about element of the film and hopefully director Francis Lawrence learns from that in Catching Fire. I doubt it, but a girl can dream.
One other visual effect fails in such a spectacular way I must reference the “million dollar wolves” of The Day After Tomorrow. The director of that film laments in the commentary about the “wolves” that attack the protagonists at the end of the film whilst they run from the cold. The dogs at the end of this film are atrocious. That is being generous. I know what was in the book was even worse by description and Collins herself regrets it. This creation though surprises me that someone on a VFX team thought “these look good enough, if we make it night, no one will notice how bad they look.” The problem is you bothered to use the wire frames for the dogs as another establishing shot so we could see how bad the design is before you added the skins and texture mapping; which was botched. Quite literally every other effect I love. The Girl on fire sequence, the dress, the hover train, the dome, the fire in the woods are all good. Even the distortion of her perceptions after the Tracker Jackers was well done.

Now for the acting.

Nearly the entire movie rests on the shoulders of Jennifer Lawrence as Katniss. She is the perfect young (21 at the time) actress to carry that burden. She had very few major acting roles prior. True X-Men First Class and her try at Mystique came out the year prior, so some geeks already knew her, but this movie made her a household name, an icon, and role model to quite a few girls out there, myself included. She does so much with her body language through the film to keep Katniss from being a two dimensional bad ass. She IS bad ass, but she’s made relatable by Lawrences performance. You can identify with her when she mourns Rue and can be just as amazed a few minutes prior when she reflexively and naturally fires a bow. She makes it look natural and effortless. The closest comparison I can think of is how Ryan Reynolds performed in Smokin’ Aces with a level of complexity to the character and ability to shift between Snark, Pain and someone who WILL Survive. She even makes the romance between Katniss and Peeta something that, if you didn’t have the books as a guide, you could believe to be true until the moment that she makes it uncertain. This is all the actresses’ ability to deliver and she succeeds.

Josh Hutcherson (Bridge to Terrabithia, Vampires Assistant) lets a male lead be more vulnerable than the female, which is nice. He doesn’t really have much of a personal driving arc in this one and instead plays second fiddle to Katniss and the wallflower who watches his desire from afar. If anything he succeeds at seeming genuine and charming rather than creepy in his adoration of the girl of his dreams (I’m looking at you Twilight). Liam Hemsworth, Chris’s younger brother is flat as Gale Hawthorne, pretty but not much too him. He could stand on screen and that’s enough. When he opens his mouth he’s really kind of a jock jerk if you really listen to the characters lines. Stanley Tucci is absolutely scenery chewing as Caesar Flickman the talk show host with the insane hair; that is not too insane for the people of Capitol. Singer Lenny Kravitz turns in a sublime performance as designer Cinna and brings some of the movies more heartfelt quiet moments with him. Everyone else is passable in their roles, even Donald Sutherland as Satanic Santa, er President Snow; save one.

Woody Harrelson, whom I normally don’t enjoy, plays one of the former victors of the games Haymitch Abernathy. He has the responsibility to teach Peeta and Katniss what it takes to survive, to be likeable so the viewing public may sponsor them and send them emergency gifts and pass on whatever else he may know to give them the best odds. Aside from Katniss, he actually shows a character with one of the most in depth and subtle character arcs in the movie. He starts as a drunkard, bitter, lost and alone; tired of watching children from his district die year after year when he alone lived. As Katniss grows into the symbol she is to become, he begins to grow as well. There are subtle things like him covering a drink cup to avoid additional alcohol that are in the background but still there. He really brought something to this character that I want to see more of in the movie tomorrow.

It’s worth mentioning quite a few folks complained about how this film seems a lot like the Japanese film Battle Royale. It has some elements in common this is true: Dystopian Future, Corrupt Amoral government, children in peril to teach a lesson. There are other aspects which bear similarity as well, but there’s a concept out there where writers at a similar time will write similar stories. I think that is what happened here. Some get more famous than others, but there are always those threads that can be looked at and compared to. While Battle Royale is a good film (sequel not so much) where the two films go and how they focus are two wildly different things and that is all on the writers themselves. I seriously doubt that Suzanne Collins watched BR and thought “Hey let me make a teen friendly, Americanized version of this.” What’s possible, and more likely, is in a conversation someone went “what if” and that someone may have known someone who talked about it based on someone who had seen it. The two films are different and should not be compared and Collins did not rip off BR no matter how much some folks would like to say so.

So at nearly 2100 words so far, and trust me I could keep going I think we’ve hit:


Hunger Games is in my mind an iconic film. It’s this generations Superman (Reeves version folks). Katniss is a character for now that we can let our children want to be. Loyal, loving, and strong. She and the movie are a fantastic modern fairy tale and one I cannot recommend enough.

I have to admit writing that seems odd, but when I really think about it and all I’ve written here I believe it. This is the modern mythology of the 2000s and the new Perseus is a girl named Katniss Everdeen.

Now, I sleep and prepare for tomorrow night and it’s review. Did you like this new more in depth and longer format?