I like good sci-fi. I think my review of Arrival and The Martian show that. Hell I even like some bad Sci Fi (5th Wave) and Mediocre Sci Fi (Morgan , Transcendence) so long as I am entertained. Though as 10 Cloverfield Lane found out – if you keep beating me over the head with a specific trope I will be unforgiving. I want to expect more. You as a viewing audience should expect more.
What’s the point I am getting to?
First a warning. I have to violate the No Spoiler Rule here. You can click here to skip to the TL;DR
I wish this movie had a face so I could punch it.
The entire contrivance of the movie after the system error that wakes *him* up is that he is the one that wakes her up. Why? Because she’s beautiful. Because he has cyber-stalked her sleeping beauty. Because he thinks she’s perfect and he loves the idea of her. So he wakes her up knowing this will be a death sentence for her as much as the one he is already subjected to. There’s no consent. No permission. No anything, but his man guilt. Him wrestling with the decision for 5 minutes of screen time is enough apparently.
Of course she finds out about the 2/3 mark of the movie, long after they’ve become a thing through their isolation and his charm. He doesn’t even tell her himself, but she finds out by accident. Oh sure he kept saying he was going to tell her, but he never did.
They do allow her to be rightfully angry. Justifiably so, as he has all but murdered her by waking her up nearly 90 years prior to the time she should have been. She goes to lengths to avoid him, but he uses the ship wide communicator to try to make an apology for it so she can’t even actually escape him. Then at least two other sources in the film tell her “…you just have to deal with it and him”; which she finally does and forgives him in a scene that had me clenching my jaw where she after being angry at him was willing to let everyone on the ship die so he could live.
I really hate this movie. I really hate that the producers allowed it.
ITS CREEPY. I don’t care anything else that happens, the premise from the time he woke her up is WRONG.
This is rape culture the movie. “It’s ok because he was alone. We have to think of HIS life. His sanity. Her life and her agency doesn’t matter next to his.”
The movie was written by Jon Spaihts, who also has an executive producer credit which explains why the producers allowed it. He has writing credits on the abysmal bomb The Darkest Hour, Prometheus, and Doctor Strange. He is the writer on the upcoming Mummy movie with Tom Cruise. Oscar nominated director Morten Tyldum (The Imitation Game) was at the helm on this. Gee, two guys write a space Sleeping Beauty movie where the Prince is a handsome ‘every man’ that of course she’d fall in love with despite you know stalking her and committing one of the universes slowest murders. They use consistent and constant plot contrivances and writing to make it so she does forgive him and they die happily ever after.
When your biggest plot point is similar to parts of Fatal Attraction, Captivity but you are going for actual romance – you failed. I suppose if you want to see Stockholm syndrome the movie this would suffice.
Ok, beyond my rage at that. There are other components to the movie that are a colossal mediocre. I mean if you want to see what life is like trapped in an ever refilling shopping mall you’ve got something to watch here. If you want to watch your typical just in the nick of time save the ship from disaster with no actual tension or risk because you know they won’t kill your lead actor as they spent the previous 80% of the movie man-splaining him for you. Also – the heroic save – doesn’t redeem the bad act. Sorry it doesn’t.
What really kills me is the opening was good. His waking up and handling it was good. How he tried to deal with things was good. Then the bridge between Act I and Act II comes along and poof. Rage. I mean would you REALLY root for Tom Hanks in Castaway if he had intentionally pulled someone from a peaceful happy life and potential just so he wouldn’t be alone? If you said yes – I am a little worried.
*sigh* I really could keep going. I really *SHOULD* keep going, but if you don’t have the idea by now I am not sure what else I could say.
Actors? Pratt and Lawrence are fine. This should surprise no one. She has three Oscar nominations and a win. She can act circles around people. Chris Pratt is charming as ever and we know he can bring intensity when he wants to thanks to Magnificent Seven, Jurassic World, and Guardians of the Galaxy. They are FINE. She handles the bits of rage and avoidance as well as anyone can, probably better.
Effects? Solid. Nothing to write home about. Nothing particularly new. Definitely very clean and top of the line don’t get me wrong but there was nothing we haven’t seen before.
Do not see this movie. I spent money on it so I could confirm the stories I had heard. They aren’t too far off the mark.
I spent money so I can ask you not to.
If you want to watch a better movie about people waking up from hibernation? Pandorum. It’s good sci-fi horror. That’s what this should have been. If you want a decent stalking movie – there’s always Fatal Attraction. I heard The Resident was pretty good too.
Seriously readers – don’t give this money. Don’t let Hollywood think this is alright. Let it bomb for the controversy it rightfully deserves.
I understand some folks will see this because they just love Pratt. I get it. He’s cute. He’s charming. Just spend the $20 (Ticket+Concessions) to buy Jurassic World or Magnificent Seven. If you like Jennifer Lawrence and want to see her vamping it up, there’s American Hustle.
Just don’t see this.
~The Management of Amused in the Dark