Author: AmusedintheDark

Darke Reviews | The Shallows (2016)

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Yes, this week is another three-fer. I was mildly interested in this movie when the trailer came out. Blake Lively rarely disappoints even if the movie she is in does (*stares at Green Lantern*). I also, if you know me, have a thing about the water. I love it. It’s one of the few things that bring me peace in this world. So without anything else to do tonight, I decided to go to the movies again and check this out. You know you go to a theatre a lot when one of the ushers asks “What show tonight?” then asks for a review after…

So should you avoid the Shallows?

This review is going to pose a challenge. How do I write in depth about a very basic premise with a limited cast, limited shooting locations, and also avoid spoilers on something that is intended to drive tension? Well, lets try talking about the behind the scenes as usual. Written by Anthony Jaswinski, who is behind the  very under rated The Vanishing on 7th street and Kristy (which I am watching as I write) – in other words he is a horror writer. The director is Jaume Collet-Sera, who directed 2005’s House of Wax and 2009’s Orphan, both of which were actually not that bad. Sadly, he also directed the Liam Neeson plane ‘thriller’ Non-Stop, which was not very good.

The story here is a simple one. Girl goes to a secluded beach in Mexico. Girl gets attacked by Shark. Girl must survive and either beat the shark, make it to shore, or die in the process of either. That’s it. The trailer told the story and told it accurately. No surprises there, but what was a surprise is how well the movie built tension. I may have jumped a few times, and yes it relied on a jump scare or two but they were functional and I don’t begrudge the movie for it. I really found myself wondering what would happen next and how they would let it play out. This is a welcome surprise for a reviewer who spends a lot of time in the theatre or otherwise in front of a screen watching movies. Horror within the past decade has taught us that even the protagonist isn’t safe, so while many would discount it going “they won’t kill Blake”…I am not so sure anymore. I rather enjoy the uncertainty. It played on that and I was not disappointed as the movie built and ramped the tension.

From a technical aspect, I notice that the Horror genre is one of the few to try to integrate social media and technology into the narrative. While it is only in the first act, they do a pretty good job of integrating how she uses her phone to look at pictures and a video call with her sister.  Rather than turning the camera away from the actor they keep on her and use overlays to give a display of the screen. This keeps you in the moment with her and holds to a more cohesive narrative rather than cutting away to show whatever is on screen. It’s an introduction from moment one that they use throughout the film to help show the passage of time via her watch and well…the sky. Had they not showed the initial media in this way it would have been more jarring later on. Additionally they use music and make up to progress the story. Marco Beltrami, composer of way too many things, does a good job integrating the music to help build tension appropriately. The make-up department did a knock out job with their work. They had to do a shark bite that looked real-ish, but also to gradually show Lively suffering from sun exposure, dehydration, and side effects from the bite.

The shark is a bit…meh. That said, I have really yet to see a Shark that doesn’t look meh on film. I *love* Jaws (which apparently I need to review?), but Bruce doesn’t look that hot. He did when people didn’t know what sharks looked like, enough so that people did horrible things out of fear of sharks. Now, not so much. Of course he was all practical. Since then we have never really been graced with good sharks. We know more about them in how they hunt, attack, anatomy; hell we have another Shark week coming,  but we still can’t make a shark really look good on film. We know that sharks not only breach, but do so more often than we realized, yet when Hollywood does it…yeah. I am looking a a list of “Movies about sharks” on wiki right now and it’s generally overloaded by SyFy films and their dubious quality. The shark here isn’t *that* bad and it is one of the better ones, but I just feel that we’re still not trying as much as we could to make them look better.

TL;DR

The Shallows is actually one of the best shark attack/survival movies out there. I rather enjoyed the tension and spent a moment talking to the couple next to me after the movie who agreed this is up there in the genre. It doesn’t try to deviate too much from it’s simple premise and that is a strength of the movie. Blake Lively, who I didn’t talk about in the main body is good and has the chops to carry the movie and make it a bit more and work within the confines of the limited location and story. It has a tight running time and is wise to hold to it.

Should you watch it?

If you like the genre – yes. It is a solid ‘natural’ horror/survival film that does it’s job well and entertains.

Will Jess buy it?

Probably. The visuals are good. Sound is good. It’s worth it for that alone. It does have rewatch value.

 

 

 

Darke Reviews | Independence Day Resurgence (2016)

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Independence Day is not a good film. The original one that is. It is spectacle at the beginning of an age of spectacle.

Wait wait wait…

It is not a good film, but damnnit if I don’t watch it every 4th of July. It’s a very fun film. It has moments we still love twenty years later. I remember going with my crew of friends, aka The Usual Suspects ( I was Verbal…let that sink in), in Reisterstown Maryland all those years ago. I remember spending the night at LeeAnn’s house after the show and talking for hours about it. I remember us cheering and laughing and otherwise enjoying the hell out of ourselves as we hadn’t seen anything that “big” yet. So to say I have some sentiment about the original movie is an understatement. Do I have nostalgia glasses?

Nope! Not this time.

Nope! Not this time.

It’s a big budget war of the worlds with characters that are told with broad strokes to help us get them and get their archetype and sell the story. It’s also just plain ol dumb fun and I like that.

20 years later, and sans Will Smith’s charisma do they make it fun?

The movie is directed by Roland Emmerich who hasn’t met a catastrophe (ID4, Godzilla, 2012, Day After Tomorrow) that he didn’t like. I mean if you have a niche go for it, but dude…really? Also be proud of me,  I could have added his film Stonewall as a catastrophe, not the event, the actual movie itself. See I can be a professional. This is what he does though, big budget and big spectacle with an intent to awe. The term you are searching for is bread and circus. If you understand this then you know what he is capable of as a director.

From a writers room point of view, this not only violates the rule of three, but gets near doubling it. For those new to my reviews, the Rule of Three is my observation that a movie with 3 or more writers tends to be a muddled mass of conflicting influences, half baked ideas, and partial recoveries from unbaked ideas.

  • Characters by Emmerich and frequent collaborator Dean Devlin.
  • Story by: Devlin, Emmerich, Nicolas Wright (White House Down) and James A Woods (actor in the movie itself)
  • Screenplay by: Devlin, Emmerich, Wright, Woods, and James Vanderbilt (Amazing Spider Man 1 and 2, The Losers, Basic).

With the assorted filmographies, people who think they are funny, and people who are known for…well someone has to take the blame for 10,000 BC. It explains a lot. See in the first movie, even some of the weaker characters as broad as the strokes are that paint them you have an emotion about. It may be hate, but damnit they let you hate them. Here, not so much. Sure they bring back characters from the first movie, aged appropriately, but that is the *only* reason you care about them. Only. Period. The first film felt like it had stakes with the characters where some died and lets face it the death toll was made to feel tangible. Here, the writing is cautious. The directing is cautious. You feel no sense of risk or harm to the characters or planet. No time is ever spent to let you have a moment to breathe with the characters and let the enormity of what should be happening sink in.

The actors do what they can. Goldblum, Vivica Fox,  and Bill Pullman are fine. Pullman tries to do more than the movie wants him to and it shows. William Fitchner as always makes everything just a bit better, but he is so relegated to…sigh. Yeah. Liam Hemsworth shows some charm and is far better than The Hunger Games or Paranoia let me believe he could do.  Jessie T Usher as Dylan Hiller and Maika Monroe (5th Wave, It Follows) as Patricia Whitmore do ok as the older versions of the children from the first film. I felt they were both logical extensions of the kids with the parents they had. Yet through it all….I didn’t care. I felt no tension. No one was given a real moment to deal with the situations. I can’t help but think back to Goldblums desperate breakdown, the death of the first Lady, even the small scene post LA destruction. All created character moments so when something happened you worried what would happen to them. They had characters you hated. Here – I really felt nothing because the movie didn’t allow me to feel anything. They tried to create characters to hate, but mostly succeeded at mild annoyance since nothing of importance happened. The one time they try a character moment it’s so bloody awkward it doesn’t sell. In short, the actors could do nothing here.

Technically? How did we step back in 20 years? It’s ok. I mean it’s not an Asylum or Blumhouse picture. It seemed so damned afraid of practical effects, and if the did exist, there was so much CGI it didn’t matter. The designs were lazy and…you know what.

TL;DR

I am tired of writing about this movie. I am tired of putting effort into telling you about it because it is clear to me the writers and directors didn’t care either. They were already trying to set up for Independence Day 3 so nothing here mattered. I have heard of actors phoning it in, but a director? Thats new.

Yes, there are scenes to enjoy. Yes, I laughed a few times. I do really enjoy the fact we used the alien tech! FINALLY a movie that does that. For the most part I didn’t care. The Circus was not enough. The spectacle didn’t cut it.

Should you see it?

Meh. It’s as hollow as a basketball. I was entertained as it has some fun moments, but I can’t give a recommendation here; unless you truly have nothing better to do or are morbidly curious. There will be a lot of folks who like this and good on em! I just…blargh.

Go see Finding Dory or something, I hear it is really good.

Will I buy it when it comes out?

Sure…if it has a directors cut with an extra 30 minutes for making me care about these characters.

 

At this point I am hoping Legend of Tarzan next week surprises me.

Darke Reviews | The Neon Demon (2016)

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I have been looking forward to this for some time, since the first trailer was released. I have limited experience with Nicolas Winding Refn’s (NWR) work, with having watched Drive and only partially watching Valhalla Rising. I know there are many who find his movies and his directorial style to be a near master craft in filmmaking, but that isn’t what attracted me to the film – at least not the name alone. The visuals presented in the trailer were incredible with perfectly beating music and starring someone I rather enjoy in film.

I had a feeling I was going to watch a Modeling industry version of Showgirls…but is that what I got?

I mentioned before that NWR’s work is pretty universally lauded from a critical point of view. So the newer trailers tell me with dozens of outlets reporting how impressive it is. I consider even how Every Frame a Painting talked about one of his major films Drive. Check the link later, it is absolutely worth the watch. Because of this I was looking for his usage of the camera in the movie and found that he was doing many of these same techniques through the film now that I knew to look for them. While I usually talk technicals later, it’s important here as the director is defined by his technical skill. Image and sound are as one through the movie. Every beat of the music is as important as every frame of the film. Unlike many current directors NWR brings the medium of film to bear  with all it can bring.

He stages.
He blocks.
He lights.
He uses sound.
He uses the music.
He moves…or doesn’t move the camera.
He goes wide when others go in.
He goes in when others go wide.

I am not suggesting that we need more directors like him, not fully anyway. I think we need directors who really look at the craft work of the film. The movie is as much a work of art as it is an hour and fifty minutes of entertainment. I found many of the images presented me in the movie provocative and informing of a story not told. Light and Dark and how that is used run from opening credit to final. It was truly impressive as a piece of art. Now, this is not to say that art is going to be equally appreciated. There were a handful of scenes that were audibly or visually uncomfortable, if not disturbing to some, for what is inferred or otherwise portrayed. Others, I may not have fully appreciated for everything that happened there.

Let’s talk story. Refn is director, story credit, and screenplay credit. Refn had work on the screenplay with the hands of Mary Laws and Polly Stenham, who are largely unknown with little to no work behind them. In and of itself the story is a simple one. There is little meat to it from a complexity or arc point of view, some of the subtext is a little too on the nose and more just text. There are plenty of depths to the characters however, but most falls on the actors and director to bring those out. The dialogue, and again, story are relatively straight forward.

Acting wise? Holy hell. Elle Fanning (Super 8, Maleficent, Twixt) delivers and incredibly complex performance as the young ingénue Jesse. The film must be carried by the 18 year old actress and she does so beautifully.  There is a lot of maturity to her acting that many her age, and face it many older, do not deliver. This isn’t to say the rest of the actors don’t show up, because they all do. Jena Malone (Hunger Games, Sucker Punch) as Ruby must deliver an equally complex part and does so. She’s hard to tear your eyes away from on screen in any work she is in and that doesn’t change here. The other two main actors; Abbey Lee (Fury Road’s The Dag), as Sarah, and Bella Heathcote (Pride and Prejudice and Zombies, Dark Shadows) as Gigi have to bring their A game for this movie and do so. At first glance the performance seems easy, but there’s nuance to it that is worth watching for. Supporting actors, such as Christina Hendricks, Keanu Reeves, Desmond Harrington, and Alessandro Nivola turn up and show up, but have little to do.

Now…let’s be clear here. The acting is superb. The story is ok. Cliff Martinez soundtrack is inspired. The technical aspects are really well done for those who look; but the movie does have flaws. Much as I found with Drive it plods at an uneven pace and lacks something in it’s execution. For a word – bite. I think I wanted, or expected, something to happen that didn’t. In retrospect I shouldn’t have considering the past body of work, but I did anyway. Additionally there is a problematic aspect to the film that I can only put in a spoiler box at the bottom. I know that this problematic aspect was intentional, or I believe it was; with that intent to create the discomfort and realize…well. Yeah. Still problematic.

TL:DR?

The Neon Demon is everything that was promised in the trailer if you are a fan of Refn’s work. If you are unfamiliar with his movies, I might suggest Drive, Only God Forgives, or Valhalla Rising to understand what you are getting into. The acting is amazing, the artistry in each frame is evident. I was thinking about two of my long distance friends the entire film wondering what they would think of it having modeled before and knowing they will appreciate the film. Rather hoping they comment on the Facebook side of things after they see it.

The pacing and overall arc of the plot however, I think we’re less than what I needed from the movie.

 

Should you see it?

If you like Refn. Yes. If you are someone in the modeling industry, I am really curious to your take. Artistic film lover – must see. Film student or future director? Yes. Otherwise, you can wait for the comfort of your home and enjoy just as much.

EDIT: Friday 7:55 AM – In thinking more on this – this movie is what I did need. BUT it benefits from discussion and thought. So if you do see it, prepare to discuss! It’s worth it.

Will I buy it?

Unsure. It’s a solid low maybe. Bargain bin blu-ray perhaps? Yes! There are visuals worth watching and dissecting. I think I need to see it again.

 

SPOILER SECTION

Rollover to Read

Ok, one of the major themes of the film is the predatory nature of LA, Hollywood, and overall competition between people in a small field. No issues there. The issue, that is problematic, the 18 year old Fanning is playing 16 year old Jesse. At 18 she’s not the issue, the character is and how she is sexualized by the camera, and some of the characters. There are going to be people out there who don’t care, or know, the actress is 18. They will enjoy all too much the idea of the 16 year old being put up as a sexual thing. This is not a matter of the empowerment of the character Jesse, or her own choices to be what she is, but how that is film and what is filmed.

I could be way off base and am open to education here, but it was uncomfortable. Intentionally so, I know. The point is to show the fact how sexualized models can be, regardless of age. The point is to show that “the Industry ” doesn’t care either. I get it. I don’t know that there is another way to illustrate that right now, but I feel strongly enough that I need to write it as a potential trigger warning.

Darke Reviews | Warcraft (2016)

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Tired of me yet? 3 movies. 3 days. 3 reviews. The roller coaster that is my life has had my butt in a theatre all this week, even the guy checking me in at the movies tonight asked me, “hey weren’t you in that same theatre last night?” Thanks Ben. Now…we have a movie based on a video game. Probably one of the most popular video games ever made, though myself I have never played it. I know plenty of people who did, my game was City of Heroes, and I was a one game kinda gal. So much like with books, I have no experience, no background, no anything about the lore here to make me like it more or less based on changes made to achieve film. This is the extent to which I know Warcraft: Slaughter Your World.

Of course, we cannot forget that video games have a sordid history in being converted to film, with far more misses than hits as Hollywood really just doesn’t respect the material even if it is there. Don’t get me started on Uwe Boll, he might challenge me to a boxing match.

Does Warcraft break the mold or are audiences going to need heals after seeing it?

Based on the characters by Blizzard game designer Chris Metzen, Warcraft was adapted to the screen by screenwriters Charles Leavitt (In the Heart of the Sea, Seventh Son, K-PAX) and Duncan Jones (Moon, Source Code). While I did not personally see Heart of the Sea, I heard pretty consistently it was a slog, I know that Seventh Son was so bad they pushed it out a full year from its initial release date and hoped no one would notice. Jones for his part does have the critically acclaimed Moon in 2009, Source Code was pretty bland. Why am I focusing on these failures so much? Because they hold one of the most, if not the most significant flaw of the film. I can feel it’s running time. What is worse it felt *longer* than it actually was, like extended cut Return of the King long.

Story wise, it’s ok. Having no familiarity with the terminology beyond Horde and Alliance didn’t really hamper me. I pretty much was able to figure out everything in time with the movie and they (wisely) did not over explain anything. Point in fact, they barely explain anything at all. This is a strength of the film, letting the story flow pretty naturally and hope the audience follows along with it. The downside of that is that it has a lot of ground to cover so the film ends up stuffed to the gills with material. Had it had exposition as well….? Yeeesh.  There are a few beats of the film that fall flat and a hole or two you could fly a Dragon through; conversely, there are moments that had everyone laugh, cheer, or go “oooh” with a wince. Which means they drew the audience in – this is good.

Continuing into our bag of holding, we have other mixed blessings. I was only able to stand a single human in the entire movie. One. The friggin mage. Ben Schnetzer (The Book Thief) plays Khadgar, and while a little flat I at least found I liked his character at least. Travis Fimmel (Ragnar from Vikings) as Anduin Lothar is just insufferable; which may be how he is written, but the man can act and he was all over the place which I lay on Jones head in directing. Dominic Cooper (Preacher, Dracula Untold) as King Llane Wrynn was mostly wasted, but gave a solid performance. Even Ben Foster (3:10 to Yuma, Pandorum) didn’t quite deliver as I know he can in the role of the warlock Medivh.

The same, cannot be said of the Orcs. Toby Kebbell (Dawn of the Planet of the Apes) absolutely sells it as Durotan leader of one of the Orc tribes. Daniel Wu (Europa Report) also nails the voice and mo cap work as the evil Gul’dan. Clancy Brown could have phoned in his performance of the warband leader Blackhand, but didn’t and we are all thankful. Paula Patton (Mission Impossible: Ghost Protocol, 2 Guns)  starts off strong as Garona, but gets a little simpering into Act III which was bothersome for an otherwise awesome character, but overall she was a solid performance.

As with the game, since you could play either side they have to show both sides, with the Horde side being “evil” but not…bad? Due to that and who they focused on as characters I found myself preferring the Horde arc and characters a thousand times more than I did the Alliance side.

The one technical aspect I was worried about I needn’t have been. I forgot I was looking at Motion Capture CGI creations on more than one occasion through the film. It wasn’t flawless, but it was amazingly well done computer work to render what they did so consistently and be able to do so in wide daylight shots. The scenery, while being almost entirely CG was expansive and to the credit of the writers of both game and film, really sold me on a world that I could envision. They may have failed in other areas, but they did give me a living, breathing world that I could see, understand, and even would want to interact with. The fights are both watchable and in some cases brutal, but there was a distinct lack of hyperactive shaky cam.

TL; DR?

The movie is a solid…”It’s ok.”. There are so many nods and winks to game and lore fans, even I who knows little could see them. It runs long and flattens in the wrong spots sadly. It is absolutely not the worst video game film ever made. It would, and should, make it into anyone’s top 5 on production value alone. The money sunk into this shows and I am happier for it. It bored me at times, but when it wasn’t I was engaged.

I’d like to say I liked it more, but I didn’t. The fans around me did though. It *is* good, and above a meh. If I had been engaged by the characters on both sides more I think I would rate it higher. I do think it will make bank though.

Should you see it?

If you aren’t seeing Now You See Me 2? Sure. Matinee only 3-D optional.  If you are a fan of the game and lore: See it. 3-D. It was worth it in that aspect.

Will Jessica buy it?

Honestly? Yeah probably. It is something to throw on in the background while you are focusing on other things. You’ll look up and smile at a moment or pause to watch a fight.

Which side would you pick?

My brain says Horde, but my heart goes Night Elf.

What’s next?

I get next week off as only Central Intelligence and Finding Dory are coming out. Reviews return with The Neon Demon and Independence Day Resurgence. Followed quickly by Legend of Tarzan and Ghostbusters.

Darke Reviews | Teenage Mutant Ninja Turtles: Out of the Shadows (2016)

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Busy week – review 2 for your reading pleasure. I had to go back and re-read the original review of Teenage Mutant Ninja Turtles from 2014 and verify if I liked it as much as I thought I did back then and how I feel about it now. More or less – yep still holds up. The things that annoyed me then, annoy me now. Things I liked and smiled at then, I smile at now. I still haven’t been able to find the AMV from the 2003 reboot of the series that was so friggin epic, and still haven’t read the comics. I do remember most every episode of the original animated series and much like last time I will do my best to remove the Nostalgia Glasses.

Ok, more like 30 years ago. Yes...30.

Ok, more like 30 years ago. Yes…30.

How does this one go?

Acceptance. You must accept to continue this review. Accept that this is in fact made for kids first and foremost. We, who grew up with the Turtles may find elements that we appreciate. Nods and jokes, moments, and looks, but this is for kids.

Good, let’s move on.

Director Dave Green (Earth to Echo) replaces Jonathan Liebesman at the helm, which sadly is to the movies disservice. Watching the film I saw naught but a puppet to Platinum Dunes studios, which as a Producer gives them say, but the reality here is I feel this was ghost directed by Michael Bay himself. I remember seeing Earth to Echo and while it tried to be E.T. it mostly just came as Google marketing campaign with mediocre editing and camera work. It wasn’t *bad* but it wasn’t memorable enough for me to even do a solid review of it. This lacked…well anything. It really was mostly style with so little substance to it that I watched a few children in the audience get bored. It might be the inability to hold a shot for more than 6 seconds and literally no sense of framing or blocking. The camera work was 100% Bay though who cannot pass a rotating shot if his life depended on it.

From a script perspective the original writers from the last film, Andre Nemec and Josh Appelbaum return sans Evan Daugherty. They still completely get the four brothers and who they are, which is good. My complaint of too much Will Arnett and Megan Fox in the last movie was apparently addressed as their roles are lesser. Sadly Arnett still gets more screen time than he deserves and Fox not enough with the script as written. The plot is unsurprisingly simplistic (see Acceptance above) and is fairly run in the mill for it’s intended audience. Nothing good, nothing bad, it exists. They didn’t make a mistake and change Bebop and Rocksteady much at all, which was a good thing and while we will talk about Tyler Perry in a minute, Baxter Stockman was pretty surprisingly solid. Warning – do not think during this movie. It is not wise. If you think, you could drive a Technodrome through some of the holes. I think they also tried to do too much and could have better set up sequel bait. Two plots didn’t need to be in here.

Acting? Alan Ritchson (Raph), Noel Fisher  (Mikey), Jeremy Howard (Donatello), and Pete Ploszek (Leo) all return as the titular characters, with Ploszek actually getting to voice Leonardo this time. The change was unnoticable, and much like in Hellboy 2 letting Doug Jones do the voice of Abe, in retrospect is clearly an improvement. Fox doesn’t get to do much this time around – like at all. I kinda wish she did as the moments they give her with the boys actually work and make it feel like she is friends with them. Granted, I’d prefer to see her kick a lil more butt after two years with Ninja as friends, much like we got in a few of the animated series. Arnett…exists. I suppose my intolerance for his character matches my intolerance for the character of Vernon Fenwick. Too much of him for when he is on screen and even more Tyler Perry who is …*sigh*. Why so much focus on Stockman when you have Brian Tee as the Shredder? This was wasteful of a good actor vs …someone who I think was trying to be Neil DeGrasse Tyson and failing. I suppose when I look back (see Acceptance again) Perry acted as if he knew he was in a kids movie, no one else really did. This was disjoined.Stephen Amell does give something other than Oliver Queen in his performance as Casey Jones, which is no surprise to this girl.  All in all – it was what it was. I can’t say it was “oh damn did you see that scene and it’s delivery?” or even a “kids are going to love that scene because so and so nailed it…in a way for them.”  Except maybe for WWE star Sheamus as Rocksteady, and Gary Anthony Williams as Bebop. They just made me smile without rolling my eyes too much (some humor I don’t get, this is known).

The effects were about on par with the last one. No…actually they were better. Thanks to Bebop and Rocksteady. They *really* got these two right. The transformation was really well done and their overall animation and interaction with the world around them was just as well done. The Turtles looked good.  Krang was definitely a more modern take on him, pretty sure I saw this variant in an amv, but the core principles of him were there. The look of the head on the robot made me smile. Seeing the Technodrome made me smile. There was a lot in this department that did bring the nostalgia back. Sadly the camera work took me out of it since I could barely tell what was happening. I also get the sense as I picked on the director earlier some scenes were clearly directed differently. The Garbage Truck scene good. Others…not so much. I am also reminded of the 90’s movies where they were told the Turtles couldn’t actually use their weapons, which more or less showed up here too. There’s a few moments, but not nearly enough.

TL;DR?

This one wasn’t for me. I know this. There were moments and plenty of them that were, but overall this is definitely a kids film. There’s an 11 year old girl me who would eat this up. Hell even maybe 15 year old me would. It’s an ok film on the very low end of ok as an adult. As a kid? It’s above average but that’s about it. That’s it, the TMNT 2 review. It’s better than what we got in the 90s, but that is faint praise.

Should you see it?

Well since this review is about 5 days late, you probably already have or aren’t going to anyway. Short answer: Unless you are a die hard Turtle fan, nah. It’ll be fine on Netflix or HBO. If you’ve got kids who want to see it it won’t be *that* painful for you..

Will I buy it?

My magic 8 ball says undecided. Ask later. Probably not though. I’ve gotten pickier about what I put in the collection since I ran out of space.

Stay tuned, tomorrow comes Warcraft!

 

 

Darke Reviews | Now You See Me 2 (2016)

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Ok, so I asked permission from those running the screening tonight and I was given a greenlight to write this. Lionsgate Marketing held a screening for this film tonight and I decided to forgo much needed sleep and attend this. Now if you haven’t seen the first film, you are missing out. Much as I said in the last review, how does one write a spoiler free review of a movie about Magic and Misdirection? Illusion and Mystery? Quite simple really – I look for the blind spot and use it to my advantage. Now clearly I am a fan of the first film, it’s on my list of 20+ views. The real question you ask yourself now

Should I see it? What will she tell me?

The movie is based on the characters created by Boaz Yakin and Edward Ricourt, who do not return for this picture. The third horseman Ed Solomon (Men in Black, Bill & Ted) returns, which means technically the first film violates my rule of three, this does not. Joining Ed is writer and producer, Peter “Pete” Chiarelli (The Proposal, Eagle Eye).  These two had a tough challenge in setting up a mystery that continues the narrative arc of not just the original film, but the characters themselves. They had to do it within a world that made you, just for a moment, believe in magic again. I would like to say they succeeded mostly. So I shall. They succeeded – mostly. They avoided a few painful narrative pitfalls and tropes, while happily engaging others in a way that reminded me of the first film at times. They also had an uneviable task of writing out one actress (Isla Fisher) and in another (Lizzy Caplan) to join the Horsemen. Unlike other replacements, this was simply due to Fisher being pregnant and otherwise unable to perform the role of Henley. There are a few missteps in characters as the movie migrates into act 3 that I land on their lap, but it’s really solid otherwise. It made me, and the entire theatre, laugh on the right beats and “oooh” at the others.

Jon M. Chu was given the task this time to direct, replacing Louis Leterrier. Chu is best known for his work in the Step Up series (2 and 3), the much (deservedly) maligned Jem and the Holograms, and the surprisingly enjoyable GI Joe Retaliation (this is the second one where ice doesn’t sink). Knowing this explains a few of the beats of the film and one of the glaring flaws to me, which is the camera work. I don’t know if it was him or the director of photography, but there were a few shots in the movie that left me a little disoriented from the sweeping camera moves and distorted angles which didn’t really add. His background does explain why the rain sequence shown in the trailer reminds me of Step Up 2’s finale when seen in full. Not a complaint as the dance is epic, just an observation. The change in director does change the tone of the beats and pacing somewhat, but it doesn’t harm the film in an relative way. I have a sense, however, that the budget of 75 million from the first was not given here, something is just off in the film that makes it feel a touch cheaper and that is not the fault of Chu. It’s quite possible I am wrong and they used every bloody penny and then some to achieve what they did across the multiple filming locations.

Let’s talk acting shall we?

Jesse Eisenberg (Daniel Atlas), Woody Harrelson (Merritt McKinney), Mark Ruffalo (Dylan Rhodes), Dave Franco (Jack Wilder), Michael Caine (Arthur Tressler), Morgan Freeman (Thaddeus Bradley), all return. All do well in their parts and this is not really a surprise to anyone who watched the first. Mélanie Laurent was missed in this one, without the explanation that was given Fisher’s character. New members to the cast are Daniel Radcliffe, whom I enjoyed in his role and wanted more of him through the film because the boy can be damn charming. Jay Chou (Green Hornet, True Legend) is painfully underused in the film. It was good to see Sanaa Lathan (Alien vs Predator, Blade) again , though much like Chou her role was limited. It’s sad to see them both given so little, but it does retain the focus where it needs to be on the core characters of the film as they come back for a last trick for their lives.

From a technical perspective I’ve targeted the camera work and just something about the film itself that feels lesser somehow. That aside, the tricks are worth it. David Copperfield, yes *the* David Copperfield served as a producer on this film and it shows. I heard a gentleman after the film say there were four professional magicians in the audience and they said most of the tricks they saw could be done. That says something as we are constantly assaulted by things that are not done in camera, yet many of these tricks were and that effort shows. True CG was used to fill in the blanks and to pull off some of the tricks, but that doesn’t change the quality of it from an entertainment perspective.

TL;DR?

As I said on exiting the film, this is a solid sequel. It isn’t better than the first, but it holds up really well. I liked what I saw. I was entertained and as I have said many times before and will continue to do so. Movies serve a purpose for us. Some are to educate. Some are to make us think. Others are there for the entertainment and joy they bring. This is the last of the choices presented and it does what it needs to do and I had a good time. I do plan to pay money to see it again to put my 10 bucks to it’s box office haul.

I would have preferred the original title though: Now You See Me – The Second Act.

Should you see it?

If you like the first? Absolutely. If you didn’t watch the first, see it then watch. It is a good matinee flick and alternative fair to TMNT or Warcraft this weekend.

Will Jess buy it? 

Yep! BluRay even.

What’s next for reviews?

A much overdue The Highrise, TMNT (tomorrow night after I see it), Warcraft (Thursday night).

Darke Reviews | X-Men: Apocalypse (2016)

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I am a child of the 80’s, which means I was adopted by the 90’s and accepted by the new millennium. This means I had the blessing to enjoy the 1992 X-Men Cartoon. How can you not get hyped from this?

I was working in a comic-shop when Wolverine had the Adamantium ripped from his body. I was reading the Secret Wars, saw the Beyonder, Boom Boom, and Angel becoming Archangel all within my lifetime. While I am not as versed as many geeks on all the in’s and out’s and arcs of all the characters; I know most of them. I have my favourites, such as Kitty Pryde (thank you Pryde of the X-Men), Majik, Nightcrawler, Gambit, etc. Never got on the Wolverine band wagon. I’ve watched every X-Men movie in the theatre since 2000. I know the differences between the theatrical arcs, the comic arcs, and the animated arcs and can judge them safely and fairly independently.

How did we land on this one?

Bryan Singer, who gave us the original two X-Men films and the last one, returns to the directors chair and does his best to give each of the characters time. His choice to give each character development time and try to spend a few precious moments with each of the mains. It’s a trend of his and serves him well through this one, but not perfectly. I partially blame this on the four writers involved, which means this movie does hit the Rule of Three. Each writer has experience in the franchise, from Singer himself, Michael Dougherty (Trick R Treat, X-2), Dan Harris (X-2, Superman Returns), and Simon Kinberg (X-3, Fantastic 4). When I consider this and the sordid and combined history it explains a lot. Plot wise, the movie is a bit of a hot mess. It’s a little over the place, doesn’t have focus, and really should have been two movies to give everyone an appropriate level of development. There *is* development of characters, but mostly focused on the new ones that have to be introduced – of which there are (too?) many.

It makes sense though as we have had two full movies prior to get to know Magneto, Charles, Beast, and Mystique.  We get the beautifully timed return of cinema favorite Evan Peters turn as Peter Maximoff, aka Quicksilver who had the best and most memorable moment from the last film.  We are introduced now to those who will be expected to carry us forward into the next generation of movies for this franchise. Sophie (Game of Thrones) Turner as Jean Grey, Tye (Scouts Guide to the Apocalypse) Sheridan as Scott “Cyclops” Summers, Kodi (Let Me In) Smit-McPhee as Kurt “Nightcrawler” Wagner, and Alexandra Shipp as Ororo “Storm” Munroe. Each one of these young(er) actors does really good with the time they have on screen to give you the iconic characters we know and love; but at an earlier stage of their lives. I did easily see the people they would become in the people they displayed in this film.

A film like this is only as good as it’s villains and for that we go to Oscar (Poe from Force Awakens) Isaac as En Sabah Nur, best known to readers as Apocalypse. He does better than he has any right to as the legendary character. Though this is one of the points the script and direction fail. The actor delivers, but the other two elements fail him, giving so little to work with and so little ability to really “Act” when not being the exposition fairy. Which leads to another one of the problems as there is next to no development or even real idea of the secondary characters who were so painfully underused I wonder why they bothered to have them other than to say they did. The roles were well cast, but not utilized to full potential.

From a technical perspective, I am going to jump on my editors horse again. Hold. A. Shot. Learn it. You don’t need to cut every 12.5 seconds to keep it engaging. You don’t need to have sudden painful shifts to other locations for yet another introduction. You don’t need to have second unit returning to a single location shot, with actors clearly looking posed, that it takes you from the movie. There are a few beats like that in the film, they may be funny, they may just be confusing, but they change the tone and undermine rather than underscore the emotion of a beat you are trying to establish otherwise. Beyond the editing and camera work, the Make Up was top notch. He was *not* Ivan Ooze. 10 points to be struck from the Publicist House for using an unfinished effects shot in a PR piece making an otherwise blue character look silly. The CG was CG, but this had to be larger than life and most of what could have been practical is not feasible to even consider trying to be practical. It does suffer from pacing issues, and I have a sense studio interference played a hand in some scenes being added or kept.

 

TL:DR?

It’s good! I enjoyed it. Much like I said about Civil War being an antithesis to Batman v Superman, this has many of the same characteristics. It has some flaws, but the whole piece when put together created an enjoyable mess. There were familiar characters with new faces, comfortable characters with old faces; and that is what makes this movie work. The characters we know and love were put on screen again. Not just on screen, but *right*. These very clearly were our modern mythology given flesh. We have our iconic legends with 5o+ years displayed as they should be , but in a way we haven’t really seen.

The action is solid. The acting is solid. It’s just a good, fun, popcorn movie. The movie earns it’s PG-13 rating though. There’s more violence here than I have seen in *any* X-film in the past sixteen years. This isn’t a bad thing, it reminds me of my 80’s movies a bit.

Do you Recommend it?

Yes. It’s good. You won’t get what you did out of Civil War here, but you shouldn’t expect to.

Will you buy it when it comes out on Blu Ray?

Absolutely.

Should I stay to the end of the credits?

Only if you know your characters, otherwise meh.

 

Darke Reviews | Captain America : Civil War (2016)

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I really wanted to get this in last night so it would be available for those of you who read this, I also had a desperate need to sleep so I could function at work today. Last night I saw the second of two movies this year of at least three that cover the topic of “What oversite do these super powered beings need?”. Last night I saw the second of two movies this year where two ostensible allies turn on each other to create what should be an epic fight. Last night I saw the second of two movies that have a clash of ideologies and attempt to boil these down to their simplistic terms for wide consumption in an average 2 hour and 29 minute run time. Last night I saw the second of two films where experienced directors and writers try to add new characters to a complex universe of existing characters in a way that should feel seamless and invisible to the audience. Last night I saw what is both intense and diversive source material translated to the screen for (again) a second time.

Last night I saw Civil War, but should you?

Let’s face it most of you have already seen it or plan to see it and may only be reading this to satisfy curiosity or to verify your own thoughts. So be it. So let me put this up front before the detail, before the TL;DR…

This is my third favorite Marvel Cinematic Universe film, behind The Avengers and Winter Soldier. This needs to be said before I go into the details…you will see why shortly. Also, there may be someone in the 100 of you who read this that say “oh she hates DC” after the lambasting I gave Batman V Superman.

False

Nearly all of my comic collection is DC, or DC Vertigo. I have all of the DC Animated Universe films. I prefer the DC characters to the Marvel ones time after time. DC has more iconic characters to me, more Legendary characters to me. The Marvel universe tends to make things more human more often than not in my experience with it, even when it gets silly. Yet time and time and time again, the Marvel Cinematic Universe movies trump DC. I really don’t know what is going on over at WB Cinematics department, but they really need to stop. Stop and look at why they fail critically and create movies that people are divisive on how good they are. For the most part Marvel movies go from a solid “meh” to “oh my god what awesomeness have my eyes witnessed.” The weakest Marvel movies are forgettable, with only one having a touch of divisive hate growing within it (Ultron). DC’s last two outings into the Cinematic have ranged from “die in a slow fire surrounded by the screams of those you have inflicted this upon” to “that was awesome.”

This is important to discuss as we get into this review as these two films (BvS/Civil War) have very similar themes with vastly different executions and levels of success. This is going to be difficult without spoilers, so bear with me.

The movie was written by Christopher Markus and Stephen McFeely, both of whom are responsible for (in the best way) Captain America: The First Avenger, The Winter Soldier, and now this. The directors, Joe and Anthony Russo of the critically hailed Civil War were brought back as well. They handled, perhaps as well as it can be, the subject matter of – Do heroes need oversite? Who is right to judge them or even control them? Who are they responsible for and accountable to. While I have issues with the *how* the questions were handled and the evidence presented, I am not entirely certain it could be done better. They let the characters debate it, they let the time be spent within this film to have a conversation on the culmination of the other films. This is good storytelling people. With few exceptions the storytelling here is an absolute logical progression from Iron Man to Civil War. The writers and directors made wise choices where they did not have forced hands, and I can see those moments too, and I am pressed to tell you what could have been excised from the films running time.

Even the addition of the new character T’Challa, aka The Black Panther was handled in a way that let me buy his decision making. It was brief yet concise enough that in 5 minutes I got him. I got his world view just enough to sate me for this film and what story it needed without me going “that makes no sense.” If anything a flaw is the villain of the piece, Helmut Zemo. He’s forgettable. I suppose that is justified as well let’s face it, no one cares. They want the fight at the airport. It could have been an opportunity to create or utilize someone who could be used for sometime, even in Agents of Shield. Marvel does fail at this topic each film that doesn’t contain Loki. Memorable, effective villains.

Acting wise, everyone is wearing a comfortable hat and glove. You get them and understand them, even newer characters such as Paul Bettany’s Vision, Elizabeth Olson as the Scarlet Witch, and Emily VanCamp as Sharon Carter, and the return of William Hurt as Thunderbolt Ross. Every performance, and I do mean every, has the right weight. The right emotion. The right levity. It’s all right.  Chadwick Boseman (42, Get On Up) absolutely nails T’Challa and I can’t wait for his reported standalone film.  Each actor lets you come along with them an why they make the decisions they do. Scripts and direction can only take you so far. the actors bring you the rest of the way.

From a technical aspect.

LESS

SHAKY

CAM

I remember watching the fights in Winter Soldier. I loved them. I remember watching Scar Jo in Iron Man 2 and Avengers and loved it. I wanted to watch some of the fights here and couldn’t due to excessive camera movement and cuts when you have actors who can actually do these things. It was not Paul Greengrass/Found Footage bad, but it was bad in the first fight. The transitions were….rough. Cinema Sins is going to have a field day with those. They were music video kinda rough.

All of that aside.

Holy. Hell. Fighting in Act III? Yes. Please. More. This is everything we wanted and more. DC take notes. Preferably in a way you can understand later. Hire someone to hold them for you. This is how you do it. They were energetic. They were fun. They were even visceral at times. They were near perfect.

TL;DR?

This movie is absolutely the reverse of Batman V Superman. I have issues, significant ones, with one or two beats of the film. Overall though the movie is incredible. It is solid and well done throughout. It runs a bit long, but again I don’t know where to trim aside from the insertion of one character which *looks and feels* shoehorned in. I can tell this was added after and while the character is good, the introduction is very very off and looks it. I did smile at a lampshade though.

The movie is serious when it needs to be. It HAS HUMOUR when it needs it. Good humor too. It isn’t dark and dreary. It touches dark themes but keeps it all touchable and not too boring.

Should you see it?

Yes. A dozen times yes.

Will I buy it on BluRay?

It’s too early to pre order, or I would have.

Will I see it again?

Actually…maybe? There’s some things I want to see if I judged too harshly.

 

Congrats Hollywood, you have a Blockbuster that deserves it and kicks off the summer very very nicely.

Darke Reviews | The Huntsman: Winter’s War (2016)

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Unsurprisingly I have a weakness for my fellow Ice Queens. I also have not been shy about my weakness for the amazingly talented and versatile Jessica Chastain. Then Hollywood gives us the sequel no one asked for from a movie four years ago, but with two enticing elements to a girl like me. Snow White and the Huntsman only made $155 million domestically ($396mm worldwide) with an estimated production budget of $170 million, and mediocre DVD sales ($50mm). With middling scores across the board (48% Critic/52% Audience) and neither a critical or financial success someone had the bright idea to go “let’s make a prequel…or a sequel. Ah hell let’s make another one.” I am almost sure they pitched it minus Kristen Stewart and her twilight baggage (an undeserved reputation). I am sure they pitched it as a franchise. The thing Hollywood as an industry is thirsty for like a lost traveller in the middle of the Sahara. Looking for the next thing they can split and create with abandon to make boat loads of money.

Did they find it here? Or is this reviewers heart like ice?

One of the writers  (Craig Mazin) is responsible for Scary Movie 3 and 4, Superhero movie and Hangover 3. Evan Spiliotopoulos, the other writer brought us Hercules (the good one) and a series of Disney Sequels no one asked for either. I can easily see Evan’s work on this based on the pacing and tonal controls of Hercules ever present through out, I am trying to figure out where Mazin’s hand comes in. I’d almost be interested to find out what the writing process for this one. The story is relatively cohesive even if it is basic and borrows heavily from other similar fantastical fare. I mean a quest to destroy an all powerful gold object that can corrupt those too near it? It seems…familiar somehow. Beyond the writers comes first time director Cedric Nicolas Troyan, who has worked as a visual effects artist and supervisor on the first Snow White and The Ring, and a second unit director on Maleficent. This background does explain much of the visual splendor the movie offers over substance. Not that it is entirely style over substance, but the visuals for me were quite nice even if many were barely seen.

I would praise the actors here. Charlize Theron is magnificent as the Evil Queen once more with an air of menace that I look forward to see her in more villain roles. Emily Blunt is passable, though it isn’t her acting but what she has been given to work with. Something to lament with the other characters as well. Hemsworth is fun, smiling, and charming. Honestly, I haven’t seen that many smiles in an action movie in  years. This felt more swashbuckling from his performance and I am quite ok with that; though at times he needed a good throat punch. I just wish he had kept the Irish accent the entire film. Chastain kept hers, was magnificent and was magnificently under used. More on that in a spoiler section at the bottom requiring roll over to read. Her chemistry with Hemsworth was good, not great. Nick Frost, Rob Brydon, Sheridan Smith all are at least memorable which is more than I can say about anyone else.

Technical speaking time the movie. One would think that a visual effects supervisor and second unit director might know how to let you watch a fight. One would also be wrong. One would think that he would know how to appropriately frame a shot. One would be wrong again. Now the movie is very pretty, but the shots are quick in places they need to linger. Linger in the places they need to be quick. Are far when they should be close and close when they should be far. It’s inconsistent in this as he gets some right and some wrong, but that inconsistency does make many moments lose impact they could have had and break tension when it could be ramped. The Ice was done in a way I hadn’t seen before and appreciated very much. Overall the Ice Queen was quite beautiful in her power. The set pieces evoked very specific geographic regions of the world and again I found quite beautiful.  In this space the movie got it right.

TL;DR?

Believe it or not the movie is good. It cannot, nor should not, be called great. It was simply ok. Just the right side of mediocre to have moments of entertainment. It does nothing particularly brave or adventurous with it’s plot other than remember to have fun sometimes. It is 100% paint by numbers and the palette is over used, but it isn’t used badly? It *is* better than Snow White.

I am trying to remember when more movies I saw were fun. I don’t expect it from every film, it’s not right for every movie. This needs to happen more often though. Again this is not a great movie by any stretch. Many are going to be bored by it. I have a spoiler corner with some other info below.

Should you see it?

If you have nothing else to do or are curious? Otherwise Redbox it or Netflix it.

Will Jess buy it?

Eh…probably? There’s enough that made me smile and enough beats I really enjoyed to own it.

 

Nothing coming out next week that I can see, but I may catch a showing of RWBY on the big screen and potentially Alien as well. So that may warrant some writing.

SPOILER CORNER.

YOU HAVE BEEN WARNED.

TURN BACK NOW.

Still here?

You sure?

Alright. Rollover.

There is one major flaw to the movie aside from it’s pacing. Missed opportunity. Three powerful badass women. Hemsworth’s constant mugging. You had an opportunity boys behind the pen and the camera and you missed it. You didn’t take the chance to let the girls be as powerful as the boys. They were badass, but the boy wins the day. You had an opportunity to do something new. That is ultimately what sums up the movie is a missed opportunity. The one major fight sequence where Chastain is alone and you don’t do anything with it and can’t prove it’s her. Then after that she barely does anything other than look badass and “never miss”.  *sigh* I won’t forgive the movie for it and it does need to be held accountable, but at least there are three powerful women a girl can look to and go “I wanna be her.” So that is a win…maybe?

 

Darke Reviews | The Jungle Book (2016)

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A quiet year for my reviews so far with this as my seventh review in a time where I should normally have maybe ten or twelve. Some movies have left me with such ennui that I couldn’t even bring myself to write about them (Allegiant, London Has Fallen). Others have left me with seething disappointment (BvS: Dawn of Justice). Then came along The Jungle Book, another in a line of Disney adapting their classic animated, and other properties to live action. Alice in Wonderland was….bleh, Cinderella was a bore, Maleficent was good, The Lone Ranger was a putrid pile, and Prince of Persia was a train wreck. There have been other adaptations of this with the 1994 Steven Sommers adaptation (his filmography tends to bring me smiles), starring Jason Scott Lee and Lena Heady and Andy Serkis is planning his own adaptation. Most folks however are familiar with the 1967 classic animated one, if not the film you know the soundtrack.

How did this adaptation go?

The script is adapted from the Rudyard Kipling book, as all are, by Justin Marks who has nothing of quality to his credit on the big screen. With his sole film being Street Fighter: The Legend of Chun-Li, ironically in light of the new photo from the Ghost in the Shell, that movie has come up in conversation recently as simply being bad. Then again in this situation he merely need to take what a master has written and adapt it to the screen under the careful eye of director Jon Favreau; who is thankfully best known for being the director of Iron Man. The producers on this one are a hot mess of “Wow” and “whoa…”. Yet somehow they brought it all together and told a cohesive story, free of many tropes (not all), appropriately emotional and dramatic, and capable of building tension and smiles.

Some of that credit goes to the cast of course. Bill Murray as Baloo, I am still not sure was the right choice, worked really well. Ben Kingsley brought the appropriate gravitas to Bagheera. Lupita Nyong’o and Giancarlo Esposito as Raksha and Akela the wolves that served as Mowgli’s parents brought the heart. Scarlet Johansson was serviceable as Kaa, though many could have done what she did and had the same impact. Christopher Walken’s King Louis is memorable. Idris Elba. Idris frikkin Elba. When I first saw the trailer I was worried about his voice matching appropriately to the role, something felt off. Whatever it was – is gone. He was amazing. He was terrifying. It was magnificent. So many movies have weak villains these days and this film that is not a problem. He has real weight on screen and brought his natural commanding presence through as Shere Khan.

10 year old Neel Sethi has a huge task. He is the only live actor in this film against some tremendous voice actors and otherwise CGI experience. I cannot say he delivers every line like a pro, but damnit if he doesn’t try. He is just so earnest in his delivery of every single line that I want to believe him. A lesser actor would come across annoying with the same delivery, but he makes it charming. I suppose that is all he has to do though to play the part right? I mean I listened to his dialogue and how he presented it and went “ok so he’s 10.” I consider that a success.

Let’s talk technicals shall we? The movie is gorgeous. As many other reviewers will tell you CG must be used properly. If it is you can’t tell what is and is not computer generated. While intellectually I knew the animals were, the movie made me forget. I cannot tell you from scene to scene with 100% certainty what was real and what was not. This is how you do it right. This is how you balance your colours to make it look like it’s real even when it is not. This is a lesson so many others fail at with hyper or desaturation to try to muddy the edges. They didn’t do that here. It was near perfect.

TL;DR?

I liked this movie. As I write about it I like it more. As I talked about it today, I liked it more. This is a good movie. It’s got repeat value. It’s not “Oh my god I am going to see this again tomorrow night…” but I really just enjoyed this work.

Should you see it?

Yes. Yes you should. Especially if you have kids.

Will Jess buy it?

Very much so.