Darke Reviews | Atomic Blonde (2017)

I have been eager for this movie since the trailer first premiered a few months back. It looked like it had energy, charm, and was a riff on a female John Wick. How could it go wrong? The music was amazing and the plot was veiled in the trailer; which told us only as much as we needed to know. Then the video came out showing Ms Theron doing her combat training and so much of her own stunts (well as much as the insurance company allows); and sure it’s a promo video designed to spark interest but there is a lot in camera showing the work. Imperator Furiosa is no stranger to action, with one of her earliest roles being in the often forgotten Aeon Flux. She’s played hero, she’s played the lover, she’s played the monster, she’s played the beauty to the beast but –

Can she also play the Spy?

Based on the Oni Press graphic Novel series “The Coldest City” (writers Antony Johnston, Sam Hart), it was adapted for the screen by Kurt Johnstad. It seems Johnstad has a knack for adaptation as he had previously worked on 300 and 300: Rise of An Empire; as well as 2012’s Act of Valor. I am not familiar with the original property yet, but the movie intrigues me enough to pick it up. It’s a beautiful end of the cold war spy thriller with all the twists and turns you want. I said when I did my review for The Man from U.N.C.L.E that perhaps it is time to lay the spy thriller to rest, that it is dead in film.

I’m with Spock on this one

I do like spy movies, always have and always will. We have been Bourned to death and I stand by Bond and Mission Impossible working because they are larger than life. What I didn’t know at the time is you can go small with someone who is just a bit larger than life and it can work. If you let them be human, but still something to aspire to (or desire) beyond the norm it can work and the movie does that. I know! I was as surprised as anyone how quickly I found myself getting wrapped into the story.

Part of that has to go to director David Leitch. Not familiar with his work? I referenced John Wick earlier. Turns out there is good reason as he was an uncredited director on it, that I called out in the review. He has 82 stunt, stunt coordinator, or action coordinator credits to his name. I said it with John Wick and I will say it again – these guys make *good* directors. Give them a solid script to work from, good talent who isn’t afraid of action or getting themselves dirty in the process and you have a film. In this case a good one. Between the director and camera work by Jonathan Cela (John Wick) they framed almost every shot perfectly. There’s some really great camera movement I haven’t seen outside of Asian films such as The Raid, The Raid 2, or the Protector which really added to the visceral nature of the action sequences and kept so much in camera that you feel a lot of the hits. Quick cuts are eschewed for a steady rolling camera motion that follows the action and actors as it needs with great sweeps and pans as it moves.

I would be remiss to not speak the praises of Charlize Theron as our lead Lorraine Broughton. She nails the spy, the action heroine, the intelligent heroine, the femme-fatale, and vulnerable all at once and sometimes within the same scene. The camera treats her well and as a protagonist not a piece of meat to be ogled. While the scene with Sofia Boutella hinted at in the trailers does obviously get a longer cut; it is not gratuitous and not shot entirely for the pleasure of the male gaze. Not entirely – I will give credit there is a lot of framing on their faces during it which many other sequences of its ilk fail to do. In short though Theron nails it. Sofia Boutella, who sadly was in The Mummy, and not so sadly was in The Kingsman really does well and I want to see more of her acting as this film should do well and land her more roles. Kingsman showed she had physicality, Mummy tried to show menace, and this showed more acting than we got in either. James McAvoy (X-Men Days of Future Past, Victor Frankenstein) gives us his usual manic but not performance teetering on the edge of some kind of psychosis; and I love him for it since it flips on and off like a lightswitch. There are other solid performances from known actors, but what is beautifully pleasing is how much of the cast is made up of stuntmen – which allows the action to be seamless as you move from a full face shot to action to drama back to action without having to hide the person playing the part. This is yet another benefit of the movie and the director.

I talked technicality a bit with the camera work and it is solid. There’s a fight sequence I would put on the same list as Daredevil (Hallway fight) and They Live. Yeah it’s that kind of fight. Is it up there with those? Maybe maybe not, but it is in good company at least. The most striking thing, beyond the punches, in the movie is the music. Tyler Bates score is vaguely reminiscent of Marilyn Manson’s work on the first Resident Evil movie without the eerie tones. Which upon further research after writing that sentence makes sense since there is a song on the soundtrack by them both. Heavy doses of old school synthwave and pop absolutely riddled his score and work entirely within the framing and context of the narrative; which then leads us to the soundtrack. Bowie’s Cat People, Nena’s 99 Luft Balooons (in german), Siousixe and the Banshees, The Clash , Blue Monday. It’s perfect and floats in and out of both being diagetic and non diagetic sound. Part of the movie and part of the storytelling component. If this had come out much later after Baby Driver, I would say someone was being influenced by Edgar Wright’s styles and this is a good thing. The music simply adds to the energy with one odd musical queue at around the half way mark that had me smiling as the German discotheque pop faded into some familiar piano keys.

TL;DR?

I am still on an adrenaline high from how happy this movie made me. The movie itself has beautiful pumps and doses of adrenaline, but the overall effect of story, camera, 80’s nostalgic music appropriate for the story, acting, and action just combined into an exceedingly good film. If it has any real failings there are some scene cuts and edits that cause some pacing issues here and there but otherwise the camera work is stellar with a Director and DP who know what they are doing.

Theron is perfect and honestly I can best compare her to the original John McClane in how she progresses physically through the movie. It lands equally in the territory with treatment Die Hard gave it’s protagonist and it serves to benefit the movie. Granted she is still the highly trained spy vs the beat cop, but the physicality of it all sells.

Should you see it?

Yes. We’ve had few months since John Wick 2. Now it’s time for the ladies to take a turn and with Proud Mary on the way (I am excited for that too) it’s good to see us women get our shot at high octane, well shot, well done action.

Ok you like it, but will you watch it again?

Full price. No question.

Are you going to bu..?

Yes. I am going to buy it. Probably the soundtrack too.

Wow, you haven’t been this hyped in awhile.

I know right? I just really do love this movie. It gave me a lot I didn’t know I wanted or needed and handed it to me with a bow.

So do you think next week’s movie will be the same?

I am not as attached to the Dark Tower as some, but it looks solid. I am hoping for the best. Meanwhile this lived up to and exceeded my expectations.

Warning: After the Dark Tower, I may be on Hiatus. There is absolutely nothing else coming out for the month of August I have any desire to see.

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Darke Reviews | The Huntsman: Winter’s War

Unsurprisingly I have a weakness for my fellow Ice Queens. I also have not been shy about my weakness for the amazingly talented and versatile Jessica Chastain. Then Hollywood gives us the sequel no one asked for from a movie four years ago, but with two enticing elements to a girl like me. Snow White and the Huntsman only made $155 million domestically ($396mm worldwide) with an estimated production budget of $170 million, and mediocre DVD sales ($50mm). With middling scores across the board (48% Critic/52% Audience) and neither a critical or financial success someone had the bright idea to go “let’s make a prequel…or a sequel. Ah hell let’s make another one.” I am almost sure they pitched it minus Kristen Stewart and her twilight baggage (an undeserved reputation). I am sure they pitched it as a franchise. The thing Hollywood as an industry is thirsty for like a lost traveller in the middle of the Sahara. Looking for the next thing they can split and create with abandon to make boat loads of money.

Did they find it here? Or is this reviewers heart like ice?

One of the writers  (Craig Mazin) is responsible for Scary Movie 3 and 4, Superhero movie and Hangover 3. Evan Spiliotopoulos, the other writer brought us Hercules (the good one) and a series of Disney Sequels no one asked for either. I can easily see Evan’s work on this based on the pacing and tonal controls of Hercules ever present through out, I am trying to figure out where Mazin’s hand comes in. I’d almost be interested to find out what the writing process for this one. The story is relatively cohesive even if it is basic and borrows heavily from other similar fantastical fare. I mean a quest to destroy an all powerful gold object that can corrupt those too near it? It seems…familiar somehow. Beyond the writers comes first time director Cedric Nicolas Troyan, who has worked as a visual effects artist and supervisor on the first Snow White and The Ring, and a second unit director on Maleficent. This background does explain much of the visual splendor the movie offers over substance. Not that it is entirely style over substance, but the visuals for me were quite nice even if many were barely seen.

I would praise the actors here. Charlize Theron is magnificent as the Evil Queen once more with an air of menace that I look forward to see her in more villain roles. Emily Blunt is passable, though it isn’t her acting but what she has been given to work with. Something to lament with the other characters as well. Hemsworth is fun, smiling, and charming. Honestly, I haven’t seen that many smiles in an action movie in  years. This felt more swashbuckling from his performance and I am quite ok with that; though at times he needed a good throat punch. I just wish he had kept the Irish accent the entire film. Chastain kept hers, was magnificent and was magnificently under used. More on that in a spoiler section at the bottom requiring roll over to read. Her chemistry with Hemsworth was good, not great. Nick Frost, Rob Brydon, Sheridan Smith all are at least memorable which is more than I can say about anyone else.

Technical speaking time the movie. One would think that a visual effects supervisor and second unit director might know how to let you watch a fight. One would also be wrong. One would think that he would know how to appropriately frame a shot. One would be wrong again. Now the movie is very pretty, but the shots are quick in places they need to linger. Linger in the places they need to be quick. Are far when they should be close and close when they should be far. It’s inconsistent in this as he gets some right and some wrong, but that inconsistency does make many moments lose impact they could have had and break tension when it could be ramped. The Ice was done in a way I hadn’t seen before and appreciated very much. Overall the Ice Queen was quite beautiful in her power. The set pieces evoked very specific geographic regions of the world and again I found quite beautiful.  In this space the movie got it right.

TL;DR?

Believe it or not the movie is good. It cannot, nor should not, be called great. It was simply ok. Just the right side of mediocre to have moments of entertainment. It does nothing particularly brave or adventurous with it’s plot other than remember to have fun sometimes. It is 100% paint by numbers and the palette is over used, but it isn’t used badly? It *is* better than Snow White.

I am trying to remember when more movies I saw were fun. I don’t expect it from every film, it’s not right for every movie. This needs to happen more often though. Again this is not a great movie by any stretch. Many are going to be bored by it. I have a spoiler corner with some other info below.

Should you see it?

If you have nothing else to do or are curious? Otherwise Redbox it or Netflix it.

Will Jess buy it?

Eh…probably? There’s enough that made me smile and enough beats I really enjoyed to own it.

 

Nothing coming out next week that I can see, but I may catch a showing of RWBY on the big screen and potentially Alien as well. So that may warrant some writing.

SPOILER CORNER.

YOU HAVE BEEN WARNED.

TURN BACK NOW.

Still here?

You sure?

Alright. Rollover.

There is one major flaw to the movie aside from it’s pacing. Missed opportunity. Three powerful badass women. Hemsworth’s constant mugging. You had an opportunity boys behind the pen and the camera and you missed it. You didn’t take the chance to let the girls be as powerful as the boys. They were badass, but the boy wins the day. You had an opportunity to do something new. That is ultimately what sums up the movie is a missed opportunity. The one major fight sequence where Chastain is alone and you don’t do anything with it and can’t prove it’s her. Then after that she barely does anything other than look badass and “never miss”.  *sigh* I won’t forgive the movie for it and it does need to be held accountable, but at least there are three powerful women a girl can look to and go “I wanna be her.” So that is a win…maybe?

 

Trailers in the Darke – Mad Max: Fury Road (2015)

George Miller, the man who created Max has returned to what he does best. Seriously, look at his IMDB credits, he does this best.

He has promised us a near 90 minute long car chase with every feasible and possible effect that can be done Practical as Practical. Almost every car stunt you see is done with real cars and real explosions. I don’t think I even care what the story is here other than we have Tom Hardy as Max (Aussie as an Aussie, this is good). Charlize Theron with a cybernetic/steampunkish arm – looking awesome and bad ass.

Thank you. Thank you. Thank you George Miller.