Hey everyone, it’s been a few weeks since there’s been a review. I’ve had a lot of real space issues recently, from the AC going out in my house in Arizona on the night I saw Hobbs and Shaw, to the death of a family member the night I saw Scary Stories to tell in the Dark. Short reviews on both of them right now. Hobbs and Shaw was ridiculous in concept, execution, acting and was everything the trailer said it would be. If you saw the trailer and went ‘thats my kinda movie’ then you should have seen it by now. For Scary Stories, it too delivered what it promised, a teenager (no younger) appropriate horror film directed by the man who did Autopsy of Jane Doe and produced by Guillermo Del Toro. Again if this wasn’t enough to get you there it may not be for you, but I enjoyed it for what it is. That of course brings us to Ready or Not.
NOTE: This is the R Rated trailer, its NSFW.
Ready or Not? Should you come?
This is a Fox Searchlight picture, which is 20th Century Foxes indy arm of production, but also the one that gave us most of their award winners such as The Shape of Water, Three Billboards Outside Ebbing Missouri, Black Swan, 12 Years a Slave, and Birdman. This is not those movies. This is one where a director and writer with an idea went “can you fund us please?” and someone in this arm went “yeah ok sure”. Writers Ryan Murphy and Guy Busick (Urge – not the Purge), put their past experiences together and delivered the story of a young woman marrying into a ultra rich family with strange rituals and a penchant for taking a game a bit too far. This is a movie that if it did not take inspiration from the great You’re Next I would be surprised, but easily will sit on the shelf next to it. Giving us an ultra rich family, psychopathic tendencies, and a final girl who is all too human. In the production notes for the movie I found this bit pleasing
Screenwriter R. Christopher Murphy muses that “with Grace we are turning on its head the horror genre trope of the ‘final girl;’ where in many horror films, you have a cast of innocents stalked by one psycho and one final girl remaining to challenge the killer. But in READY OR NOT Grace is the only intended victim, one whom several people are hunting.”
Directors Matt Bettinelli-Olpin (Southbound, Devil’s Due) and Tyler Gillett (Southbound, Devil’s Due) despite being relatively new to the game show some good decision making behind the camera. They effectively take some very very horrible people and bring out the charm in them so that while yes, you want them to die its not because you just want them off camera. Many slasher films of the late 80s to today have forgotten that where yes, you look forward to horribly people dying, but usually its just to get them to shut up. Here the near buffoonery of the performances keeps the wretchedness of the people from being completely overwhelming to the point of distraction. The humor that punctuates the movie is entirely within character and keeps the tone light enough to breathe between some of the more intense scenes. The directors also brilliantly remember that unlike many horror and action movies injuries matter and simply putting a bandage on it does not stop the pain.
Granted they may give the direction, but the actors need to sell it. Samara Weaving (The Babysitter, Mayhem), niece to the incredible Hugo Weaving, is a heavy weight in the film and can deliver. Every reaction felt naturalistic and held its continuity to the story, the experience and her character Grace. You might be saying “Yeah that’s acting”. To that I point you at the last abomination they called a Die Hard movie and compare it to the original. What is expected of Weaving here is not exactly a small feat to pull off for 96 minutes but she does it. Not only that she had a voice and made sure the directors were true to the character.
Co-director Matt Bettinelli-Olpin remarks, “Sam made it important to herself, and to all of us, that the movie not get repetitive and that there be an arc for Grace. We were so grateful for her attention to detail from moment to moment.”
Adam Brody (The OC, Shazam!), as the brother in law Daniel takes what otherwise what would be a one note character and gives it a few layers; mostly through alcohol and dry wit, that keeps you watching him when he’s on the screen. The rest of the cast, which is the rest of the family is absolutely fine. Every last one of them has a distinct personality; but is more than their personality trait – another lost lesson in film-making within the genre. I have to believe Melanie Scrofano (Wynonna Earp) made her character Emilie’s weapon of choice the pistol for pure humor value, or the directors did and she ran with it.
From a technical perspective, there’s some nice use of camera techniques that help tell you what is going on as much as whats within the frame; though some of the musical cues are a bit too on the nose for my tastes. This may be been a de-constructive attempt by filmmakers, but it didn’t quite stick as well as everything else did. There’s a lovely mix of practical and CG gore through the movie, but the practical as expected reigns supreme. With the previously mentioned 96 minute running time, including credits, the movie moves are a brisk but not a wasted pace that keeps advancing the plot without the need for anyone to have their IQ drop to do so.
I enjoyed this movie. Like a lot. I am hard pressed to tell you its a horror movie, but I am jaded in that space. There’s gore, there’s the hunting of a person, but this is more like the cool aunt to the action movie genre. Slightly less action, but willing to go the extra on the violence, the language, but not sacrificing story to do so. I mean sure there’s other horror elements to the movie, but to me horror is something intended to scare – and this just doesn’t have it. It has a good plot, decent tension, great acting and solid directing.
I mentioned You’re Next earlier and it would fit well there, or perhaps with something like No One Lives or Even Lambs Have Teeth. Not quite scary enough for me to call Horror nor actiony enough to fit in that genre, its solidly between the two and it belongs there as the directors and writers knew what they wanted, released a trailer promising that thing, and finally delivered on it and even had a bit of restraint in doing so.
Should I see it though?
Like I said, I enjoyed this. My Dark Court enjoyed it and neither of them are into the genre – so that’s saying something. If the trailer looked remotely entertaining to you throw the dice and play the game
Would you see it again?
Yeah. You buying?
Uh…no, but will you buy it?
Oh totally. This will get played a few times a year when I am in the mood for a solid Final Girl type movie.
Parting thoughts on this one?
Go to a theatre with an alcohol license, while you don’t need it to have a good time – it somehow fits. Or maybe a nice glass of Chianti.
Was that a spoiler?
No; but if I hate myself enough I will watch Angel has Fallen later this week and write a review on that. Though if it’s as bad as London has Fallen it probably won’t be worth a review.
You didn’t write a review for London has Fallen because it was so dull.
You understand my point then.
For now, I leave you with the fact that THIS despite it’s midweek release in August is one of the more fun movies I’ve had this year and definitely one of the more entertaining in the genre, and a note from Costume Designer Avery Plewes
When making a genre movie, “Don’t send things to dry cleaners. It never goes over well; they will get freaked out, no matter how well you know them.”
Someone olde, someone red; someone hunted, someone dead. 💀
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