Another from the request vault for this month. Has it really been three years since this came out? I kind of wish I had seen this one in the theatres, but sadly I didn’t. Overall most modern horror disappoints me, even Joss Whedon’s name on it and the fan reaction to the film. There are few names that will put my butt in a seat in the movies on name alone, Joss is not one of those names. He does so much well, but there are flaws that are getting harder to overlook. All of that being said the question remains:
Should you visit the Cabin in the Woods?
Let’s look at the writers first. Joss Whedon, generally referred to as a geek god, self proclaimed feminist, creator of Buffy, Dollhouse, Firefly, and of course director of Avengers. In addition we have Drew Goddard, who also directs, best known for Cloverfield and recently, The Martian. It’s clear from the filmography that the two men are friends and what the movie makes clear is that they work well together and have an ability to share a vision.
The story, interestingly to me, is both a solid horror film in it’s own right while bordering on parody of the genre as well. It is a near perfect deconstruction of the teen horror genre that quite brilliantly subverts it at the same time. The idea that much of what you see in films for the past forty or fifty years is a test that most fail, save The Final Girl. That every archetype is typically represented in these films, the jock, the scholar, the slut, the virgin, and the fool. Sincerely yours, the Breakfast club.
Each role is taken seriously, and it’s important to note none are shamed. Point in fact the antagonists craft the people to their role where it may not have existed before. I would commend the acting but when you are literally playing an archetype it is difficult to stray. This isn’t to say that Kristen Connolly (Zoo, The Happening), Chris Hemsworth (Thor), Anna Hutchinson (Power Rangers 2008), Jesse Williams (Grey’s Anatomy), and Fran Kranz (Dollhouse) don’t do well as our protagonists; it’s just they don’t have to do much. Kranz actually has the most work as the stoner who plays every movie audience ever. He is the audience voice in the film and nearly every line is something we have thought or said watching movies such as this.
Let’s talk effects for a moment. The movies does a lot of work practically. If you are tired of hearing this, sorry not sorry. Practical always looks better. A good make up effect enhanced lightly by computers works, but the underlying practical make up and prosthetic will always win in my mind until the day I can no longer tell I am looking at a computer enhanced image. I absolutely adore the creature designs that I saw through the film. So lots of kudos to the art department, make up department, prosthetic, and wigs at AFX. When the movies does have to go into the realm of CG it isn’t the greatest 100% of the time, but overall is really solid. The imaginations of the artists were allowed to go full bore and we should thank them all for it.
If you have not seen Cabin in the Wood by now and are a lover of the horror genre – see it! Honestly, most audiences can take it as it doesn’t tend to go full bore gorefest too much or show too much when it goes into that realm. Part of the easing of that is Whedon’s need to insert humor and sarcasm into particularly tense scenes and serious moments into the moments of levity.
While I would still not let children see it (I would have), teens and higher could absolutely watch it. There are some really great concepts here and a near paint by numbers format that could help people who want to write stories or scripts to take notes from.
I don’t know about you, but I am for another trip to the Cabin. I mean after all what harm can come from reading a book.