Darke Reviews | Robin Hood (2018)


So last year in May we got the King Arthur: Legend of the Sword movie; which was rightfully trounced for being a near unwatchable mess of a film. I mean that literally as in the editing and camera work and the cutting made it nearly unwatchable. It was the start and end of what was supposed to be a “universe” of King Arthur movies. We also received The Mummy last year, another attempt to start a universe with an old property that the studio had rights to. It was buried very quickly as it should have been for well mostly being an unlikable mess. When the first trailer for yet another Robin Hood movie dropped my eyes rolled hard. The last time we had a good Robin Hood movie was roughly 1991 with Robin Hood Prince of Thieves, but lets face it the last Robin Hood movie that most everyone universally loves was in 1973 with the Disney animated classic. Ooh de lally!

 

So does this remake miss the bulls eye?

The story here opens with “This isn’t the history you know” and I am thankful for it as it sets me in the right tone for the rest of the movie. The story is an…original…take on the Robin Hood legend, written by Ben Chandler, who has absolutely no credits I can find. Chandler, and another newcomer David James Kelly, took the story and made a screenplay. Now a more doubting person may think these could be pseudonyms for other people, a version of an Alan Smithee perhaps; or perhaps they are real people. Regardless the script doesn’t have a movie it didn’t like. The best way I can set expectations properly is this is what happens if you put A Knights Tale and the Mask of Zorro (that’s the good one), put them in a Martini shaker and poured out the mixture with a dose of social commentary over a chilled glass with scenes and dialogue from a half dozen other movies. To do all of this successfully in and of itself is a work of art and original – and I love them for it.

Now the director, Otto Bathurst, does exist as I watched an interview with him about the production of this movie. He has won some BAFTA’s in the past for a show called Criminal Justice, he did an episode of Black Mirror, and the pilot episodes of Peaky Blinders; and Translation – he is very British. In making this picture I feel that he just out Guy Ritchie’d Guy Ritchie. This is the most Guy Ritchie movie I’ve seen in years, and I saw King Arthur. Elements that were attempted and failed horribly in that movie are done here and with near ecstatic success. The shots look good, even if there’s some dodgy CG on some of them, there’s also enough practical that the movie is elevated for it. Lars Andersen was brought in to consult to give Taron Egerton the real skills needed to fire a bow and at those speeds with accuracy.

The acting is fine. Taron Egerton is as charming as ever in the title role. He was born for roles like this and Kingsman and he is the action star we need. Jamie Foxx is well Jamie Foxx and looks to be having a good time himself as he delivers probably the most serious role in the movie. That isn’t to say the movie is a comedy or anyone else isn’t taking their roles seriously, but that everyone is so much larger than life, including Foxx, but he delivers the most grounded dialogue of them all. Ben Mendelsohn (Rogue One, Ready Player One) knows exactly who he is emulating in his performance as the Sheriff of Nottingham and doesn’t even try to hide it and again I love him for it. The other standout who has to help carry the film is Irish actress, Eve Hewson (Blood Ties, Bridge of Spies) as Marian. In what is becoming common place (yay) she is a character with her own agency and plans and choices to make and Hewson does it all with flawless eyeliner.

Yes, eyeliner. This movie makes no real attempts to hide its costuming influences or to even be remotely historically accurate. The costumes are as bold as the personalities within them. There are leather jackets everywhere. At least one scene with stiletto heels and I am going to tell you it doesn’t matter. The movie made no attempt to try and I am ok with it. Again here is knows what it is and what it is trying to do and be and decided that if it couldn’t be 100% historically accurate it would go to 11 on not. The action scenes are easy to follow and look good on the camera, even if again the CG is a bit dodgy at times. The camera work is also quite intentionally giving close ups, inverted shots, and distorted fish eyes when needed, if you want to poke it may have been a bit on the nose there, but the movie once again is unapologetic for what it does.

TL;DR?

I love this movie so much. It is absolutely popcorn fare and wants you to know that it is too. The earlier reference of A Knights Tale and Mask of Zorro is accurate and really sets the tone for the entire film. Everyone knows the movie they are making and while taking it seriously and putting the effort in also remember to take every aspect of their performances up just that extra notch and we all benefit from it. Robin Hood doesn’t bother putting some of its elements as Subtext, it goes for it and is unapologetic in doing so. It is anachronistic as hell at times, knows it, but doesn’t stop to wink at the audience doing so. It merely asks that you get on the ride and enjoy.

I gotta tell you I did and so did both my companions tonight. I don’t think we’ve giggled like that coming out of a movie in a long time and truly enjoyed it for what it was. Quite honestly this is one of the best Robin Hood movies ever. It knows it’s a legend. It knows it is mythology. It’s a comic book movie without ever being based on a comic book and this movie succeeds where all the others failed and deserves your money and consideration for a sequel.

So should I see it?

Yes. Take your friends. Go to a theatre with a liquor license, get some popcorn and enjoy! Hell it’s even family friendly and pretty PG by 80’s standards.

Would you see it again?

When do you wanna go? That’s a yes by the way.

Will you buy it?

No doubt in my mind.

Anything else on this one?

I thought tonight was just a standard early screener trying to get some money before Wreck it Ralph wrecks the box office the next six days. Nope, we got a free large popcorn and swag in the form of a really nice tumbler glass with the Robin Hood silhouette on it.

Look guys, this movie isn’t a Good Bad movie. This is a Good Good movie that went for the ridiculous and succeeded. Critics will likely rip it a new one, but I think they are missing the mark. Go in with the frame of mind hopefully this review put you in for it and have a good time.

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