Darke Reviews | A Simple Favor (2018)


I happened upon this trailer only a few weeks ago and I was immediately curious about what the unfolding of the story would look like. Kendrick is always solid in anything she does, usually giving a stand out performance above and beyond her co stars; while Lively won me over in Age of Adeline and The Shalllows. I know Kendrick and Lively have been doing the rounds and marketing the film, but I’ve missed all of it; somewhat intentionally so I could enjoy the movie for what it wanted to do and bring me along on the journey of uncovering the mystery of what the simple favor might be and its results.

Was it worth the anticipation?

First we need to understand it was based on a book by Darcey Bell that I shall never likely read. It was adapted for the screen by Jessica Sharzer, who was a writer on a handful of episodes of American Horror Story and the 2016 movie Nerve that had some interesting ideas going for it. While I will never know what the material covered, I can say with confidence that Sharzer did an excellent job writing a screenplay for a suspense mystery that has an air of comedy to it that shouldn’t be possible with the directions it takes, but rides the line so deftly I cannot fault it. I often critique movies on tonal issues and had this one not been so intentional in its scripting it would have received the same such complaint. The script here is tight, and no I am not getting into the story beyond the trailer – Spoilers duh, but I don’t think there’s a single scene worth putting on the cutting room floor or a moment of dialogue I really found cringeworthy.

Surprisingly, some of the credit here goes to 2016 Ghostbusters director Paul Feig. Interesting and unrelated note, it is now getting the subheading of “Ghostbusters: Answer the Call”.  This makes Feigs first movie without Melissa McCarthy (The Heat, Spy, and Ghostbusters) since  2011, also while being his 4th film since then too. *sigh* He is not what I would call and inspired director, as the movie is largely shot as you would a rom-com or his usual fair within the cinema with static camera shots and a film almost entirely filmed from a medium shot, or close ups in a standard 180 back and forth. There were some hints of growth with a POV tracking shot or a slight sideways camera move, but not enough to call the movie thrilling in that aspect. What he can do, and proved in the only other film of his I’ve seen, is still get layered and nuanced performances from his cast. He brought the humor to the edge of too much a few times, but reeled it in at the last second all the while still giving us something to figure out and displaying the changes in our characters as the movie and mystery unfolds.

Kendrick and Lively are perfect together. Their scenes are endearing as you watch these polar opposite characters engage with each other and the evolution of Kendricks character Stephanie through the film. Watching that was truly a joy and so much beyond script and direction comes down to the levels that Anna Kendrick can bring to the screen. Also worth mentioning this is not a Blake Lively performance I have ever seen before and it is absolutely knocked out of the park. No one else in the film comes close, though Henry Golding (Crazy Rich Asians) does his best. He is given more to do here than he was in that film, and the range is there. I would love to see him with a stronger director and different style of film to really understand what he can do. Granted I might be biased as his accent is to die for.

The movie does have its flaws though. As I said the camera work is uninspired and quite honestly, there’s a few things I would have loved to see them have the boldness to do. The pacing is brisk, but the editing is solid. One of the other highlights of the film in the technical aspect is the costuming, when you go see this pay attention to both our main female leads and watch what they wear as there’s very intentional craftsmanship in their costuming and make up through the film.

TL;DR?

This movie is the quiet dark horse of the weekend. It doesn’t cross the line The Predator did by going full comedy-action (in that priority order) and isn’t a historical mob drama, but I think it is quite likely one of the best releases we are going to get this September. This is not a mediocre film by any stretch, its both enjoyable and engaging; while still drawing you into the mystery and the lives of the charactrers. It has intent and effort that should be rewarded.

Should I see it?

Yes. No questions. Yes.

Would you see it again?

Absolutely.

Buying it then? 

No doubts.

You haven’t been this excited in a month; whats up?

The movie does a lot of things that speak to my interests across the board. It tells a story that just grabs me and takes me to the dark places I want to see characters go; even if it keeps on the guard rails. That’s the big flaw, it still is safe; beyond that it had me. I liked it.

Also special thanks to the unofficial girls night that lead to this and the friend who organized it and the other who joined us for the first time. I look forward to future engagements.

4 thoughts on “Darke Reviews | A Simple Favor (2018)

  1. 100% accurate there.
    My first words coming out of this was “This is a lighter version of Gone Girl.” I didn’t include it in the review as I considered that a bit spoilerish in comparison as people will invariably begin to put together the twists when they compare the two.

    Like

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