MovieReview

Darke Reviews | Kiss of the Damned (2013)

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If you know me – at all – you know Vampires are what I live, breathe and bleed. So when I hear of two indy vampire films being made and released in the early part of this year that take the subject matter seriously I get interested. Neil Jordan’s Byzantium and Xan Cassavetes Kiss of the Damned, two films barely released within the US market. Why? They weren’t marketable to what american audiences are asking for. While I have not gotten my hands on a copy of Byzantium; I was lucky enough to find Kiss of the Damned on Netflix.

Writer/Director Xan (Alexandra) Cassavetes, clearly has a similar passion to mine on the subject of vampires. While I am loathe to admit it, I can see some inspiration in her work from the Twilight films; however where the vampires there were fangless, bloodless and nearly sexless, Xan’s vampires are the complete opposite. They are erotic in a way we have not seen since the late sixties and early seventies vampire films now plied with modern sensibilities. Though I did say she may have taken some inspiration from Twilight, as there appears to be a nod or two in the direction of Forks in some of the dialogue, it is also evident she loves the pulpy, sexy, Vampire films that all but ended after The Hunger.

Kiss of the Damned brings those 70’s erotic horror styles and melds them with strong european (mostly french) film styles of the current era. The Vampires here are sexy, they are vulnerable and they do love their blood. These stylistic choices are definitely not for all audiences, which can and do often slow the pacing to a crawl and bring imagery that goes too heavily into the abstract art than clear visual film presentations.

The story you ask? It’s a love story (of course) in which succesful screen writer Paolo (Heroes Milo Ventigmilia) encounters the enigmatic beauty Djuna (Joséphine de La Baume – you’ve never seen her in anything, I promise). It’s love at first sight, followed by first bite as the movie waste little time in having the lovely Djuna turn her paramour. The rest of the film deals with his entry into the world of vampires and the appearance of Mimi, Djuna’s gothic lolita sister. Mimi’s presence seeks to turn Djuna and Paolo’s, much less the local vampire communities world upside down.

The acting was everything I expected from a foreign film, subdued, nuanced and elegant. Stylistically it’s a world I think I would like to escape to given the opportunity and I rank it up there with the great gothic vampire films mentioned earlier. There are also some interesting sound choices for the music that some audiophiles will be intrigued by. Cinematically, however, as I mentioned the film veers into art more than story telling a few times and while sometimes appropriate it can be distracting. It does not skip on the gore and the make up work is above par for what we get these days.

So for the TL;DR crowd, the part you’ve been waiting for.

If you are a vampire phile like me , this one is not to be missed.
If you like erotic and or romantic horror, check it out.

Otherwise, sadly, the studios were right, this one is not for the mass market. A shame that as I truly did enjoy the first real vampire film I’ve seen in quite some time.
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Hint for tomorrows review – Is that gasoline I smell?

Darke Reviews | Paranoia (2013)

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I am reasonably certain most people have not heard about this little film, even with its star packed cast. What a lot of folks don’t know is that August is often considered a death slot for the summer season. This is where studios send movies to die that they have little faith in. Schools are coming back in session, last minute summer vacations and just the dog days of summer keep people away from the theatres by comparison to the  May, June and July releases. Studios will spend less time marketing, with rare exceptions, anything in August and if something sells its a blessing to them more than anything else.

Why do I tell you all this? Because it’s clear to me this is how the studio felt about this movie. A director (Robert Luketic) best known for his mostly unsuccessful comedy work such as Legally Blonde, the Ugly Truth and Killers was given what should be a high tension corporate espionage thriller. Odd match right? The movie shows it as well with a definite lack of finesse and technique through and through.

Nearly every twist and turn is telegraphed a mile away by anyone paying the closest bit of attention. Because of that moments that should have you wondering what will happen next you already have the answer. Ultimately the movies greatest sin is a lack of consequences for actions. Sure the big bad pays, but there are other elements to the film that should not be tied up as neatly like a christmas present.

That isn’t to say this is a bad movie folks. It sounds it, but it’s not bad. Bad is reserved for the equally uninspired World War Z. This film has the benefit of a relatively strong and motivated cast that I didn’t feel was going through the motions. It’s a testament to the actors natural ability that they could do what they did with what they had to work with.

Liam Hemsworth (Thors little brother, yes he is as cute) plays Adam Cassidy a young technician for a multi million dollar cellular company. He is up to his eyes in bills paying for his sick father (Richard Dreyfuss). He is offered the proverbial golden goose  by his boss played by the eternally awesome Gary Oldman; who per normal puts all his passion, his accents and his ability to blend into any role he does into the part. All Adam has to do for his boss is fake being a successful executive in a rival company to steal ideas from them. The owner of the other company is played by an oddly shorn Harrison Ford who felt that he needed to go toe to toe with Oldman in the acting department. Thankfully he is more than capable of keeping up, though once or twice I wanted him to yell Get off my plane. The supporting cast is surprisingly talent and believable in their roles. Amber Heard as the love interest, Lucas Till as the geekier best friend, Julian McMahon as the wanna be heavy (the weakest of the supporting) and Losts Josh Holloway as an FBI agent.

There are some twists, but as I said before most if not all of them are telegraphed long in advance. The pacing is off the entire film however keeping you just off balance enough that it is awkward more than tension building.

TL;DR

Paranoia isn’t going to be a summer sleeper, but you may fall asleep watching it. Save this one for the DVD or TV you aren’t missing anything.

Darke Reviews | Kick Ass 2 (2013)

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Ah the comic book movie genre, how I both love and hate thee. In the same year that you give me Iron Man 3 and it’s attempt to personalize the Hero and look at what it means to be a man in a mask you also give me Kick Ass. Within a few months of DC comics trying to give us a Super-hero in the “Real world” we are again given Kick Ass.

I would like to believe that Kick Ass 2 performs the task better than both Man of Steel and Iron Man 3. While not as humorous as the first, it certainly is more satiric of the comic film these days. DC Comics after the success of the first Nolan Batman movie felt the horrific need to make their next few movies hyper realistic; which is to say removing much of the fantastical and “four color” elements of comic books and replace that with darkness and grittiness of the late 70s and early 80’s cop movies. Changing them from being things to aspire to and be wondered by into something hollow and even a bit shallow.

Kick Ass 2 does not necessarily fix these things but it does call attention to them. The first film introduces us to a world that quite frankly is ours. Then it gives us Aaron Taylor Johnson as the title character who decides to try to make it a slightly better place by being a superhero. His decisions come with a price and some level of pain. We are introduced to Big Daddy (Nicholas Cage) and Hit Girl (Chloë Grace Moretz) who have also decided to put masks on and try to end crime in their city. It brings a sharp focus to the child sidekick and the concept of being behind a mask and what lessons we teach those around us. Also what sacrifice must be made of your real life to be a hero.

The sequel extends that particular narrative and explores the concept of what it means to be a Hero in the real world. It picks up a few years after the first and ends appropriately as a movie like this should.

It is completely and totally over the top and does a far better job of calling attention to what masked superheroes in the real world would deal with than anything DC has put out this decade. Ultimately what it does that DC has failed to do is remain fun while doing it. To have a plot and characters you actually care about and moments that carry weight because they earned it.

TL;DR

If you are a comic book fan and a fan of the first movie. Go see this.

If you haven’t seen the first one, while not entirely necessary it really does help. Then see this one.

It is looking to be one of the more enjoyable movies in the August death slot this year and there isn’t much else coming out soon that could rival it for sheer violence and fun.

So put on your mask, pull up your big girl pants and go enjoy Kick Ass 2

Darke Reviews | Elysium (2013)

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I apologize for the delay on this, I watched this film Thursday night and it took me this long to settle on what I needed to say about it. If you are worried about the girl who won’t shut up about movies having to figure out what to say about this one; you should be.

This is Writer and Director Neill Blomkamp’s sophomore effort in the US. Most people remember the Peter Jackson produced (that means he was the money) District 9. A not so subtle story about the effects of racism in his native country of South Africa using aliens and humans as the opposing races. While many Americans that I know of derided the movie for it’s obvious themes and what appeared to be a “why now?” mindset. What those individuals forget is that while the laws against segregation were enacted within the US in 1964 it wasn’t for another 30 years until they were put into place in his country until 1994. Thats right, everyone reading this review was alive then. It was only 19 years ago (15 when District 9 came out); so it was fresh in his memory and his countries memory not something told in history books and hundreds of movies since.

This may seem like a long diatribe on history and this director without point, but I swear I have one. It’s that he has gone back to what the best of Science Fiction used to do; which is focus on social or current issues framing it in an alternate world that provokes thought and with a bit of luck awareness. So while films like District 9 and comics like X- men (originally) focused on racism, Elysium and other films in the sci fi and horror genre are beginning to focus on a new *ism*, class-ism.

But do they do it well?

That’s the question that kept me silent and wondering on this one. The answer I am afraid is *No*. While Elysium sets up a dystopian future with clear lines between the haves and the have nots, it doesn’t really do anything with it in a meaningful way. No one learns anything, no one evolves. While the plot lines introduced in the movie are resolved in a nice tidy bow, the only lessons the film teaches us:

If you are amoral – you will die If you are a have not – you will suffer first, then die. The only way the Have Nots can achieve what the Haves have (sounds weird), is through violence, treachery and few Haves wanting more and making a well timed mistake.

From a storytelling perspective, the movie does nothing new. If you saw the recent Total Recall remake (it is not as bad as people say), you have watched Elysium. Don’t believe me? While I normally remain spoiler free I feel that I must provide some synopsis that may contain spoilers.

Try this: A blue collar man who works on the robotic line that makes the robot police that keep him and the rest of the low class oppressed rises up and through violence and criminal amoral acts with the inspirational help a woman who loves him and reaches the other side of the world, while being hunted by a terminator esque force, where the Rich live and brings down the threat of oppression allowing his people, the poor working class to be free and live happily.

Another one? Johnny Mnemonic. Don’t boo, it has nostalgia value and is highly entertaining in the cyberpunk genre.

A man with a dubious and somewhat criminal history has data that can save the world implanted in his head. Rather than wanting to save the world, he wants nothing but to save himself. The people who like the world just the way it is dispatch a terminator esque creature to stop him from reaching a resistance that he is being guided to by a woman who cares for him. In the end to save his own life and those of the people around him he goes for broke and manages to use whats in his head to save the underclass citizens of the world.

Both of these synopsis just describe Elysium. WHile there are different effects, different characters, filming styles, etc Elysium adds nothing truly new other than a medical McGuffin that everyone wants. The acting is fine, the actors themselves are fine even if they are playing two dimensional stereotypes we have seen before.

STOP. WITH. THE. SHAKY. CAM.

I wanted to watch the fights and I couldn’t because the camera man was clearly involved in a 7.0 earthquake at the time of filming. I want to hunt the inventor of shaky cam to the ends of the earth for it.

TL;DR

WHile Elysium isn’t bad, I wasn’t really entertained except for a few moments of the film. Matt Damon and Sharlto COpley are all that save this from being a bad movie.

Matinée it if you must, skip it entirely if you mustn’t.

This movie doesn’t have a chance of overriding the system.

Darke Reviews | Percy Jackson: Sea of Monsters (2013)

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There are days I don’t get Hollywood. These are days that end in Y.

Why would you make a sequel to a critically and financially maligned movie? Why would you cast a 23 year old as a *young teen*? Why would you wait three years between films. These are the questions I had when I saw the first trailer to Percy Jackson SoM awhile back. Now that I have seen the film I can say with all honesty I still don’t know the answers to any of those questions.

Perhaps it’s because I am not the right age. This movie is clearly targeted at a significantly younger demographic than sat in the theatre last night. Appropriate considering the directors (Thor Freudenthal) other known work is also based on a childrens book series (Diary of a Wimpy Kid). Lets not get into the fact that a man named Thor is directing a movie about greek gods.

The writing never quite delivers on any of the promises it wants to make, again showing its target. When I was a lovely ten year old girl I would have been quite ok with the superficial story telling, plots so thin they are transparent and intrapersonal conflicts that seem to be resolved at the drop of the hat. This my friends is the work of Marc Guggenheim, one of the 4 men in the writing credits of that gem “Green Lantern”.  Same writer and it shows.

But Jess! It’s based on a book. That is true. I happened to be in a showing with half a dozen fan girls of the book. When asked what they thought in comparison to the source material it was a universal “well they fixed this from the first and still got alll this wrong.”

Acting and Casting! That can save even a badly written movie. Alas, we have a 27 year old playing a character in her teens that is nearly as wooden as the acting in Avatar the Last Airbender. Alexandra Daddario’s performance as Annabeth the daughter of Athena fails nearly as much as it did the first time. I really want the writer to go back to basic college mythology and look up Athena. Do it. Really. She emulates nothing. Logan Lerman who actually can act does well enough as the titular character. They all needed to look at the imminent Stanley Tucci who phones in a performance as Mr D; even as uninspired and seemingly bored he still has more talent and charisma than nearly the entire cast combined. Nearly. Nathan Fillion. He plays Hermes also known as Nathan Fillion. Love him. He even was able to get a Castle AND Firefly joke into the movie.

The rest of the film seems to exist. The effects are Made for TV movie level; still better than a SyFy original, but only just. The camera work is there, nothing special other than no shaky cam – so thank you there.

TL;DR?

The movie is a resounding meh. It had entertaining moments, eye rolling moments, thankfully no true groaner or why is this in the film moments. It *is* in fact slightly better than the original, which I have to confess own and enjoy. Unless you are somewhere between 8 and 12, then you might really like it. Unless you’ve read the book.

Overall I enjoyed it but I wouldn’t have missed much waiting til DVD and neither will you. Once again I think Percy will be second best around.

Darke Reviews | 2 Guns (2013)

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I find myself often amazed by the number of movies coming out based on graphic novels these days. Now for those who are not as well versed in the comic industry there is a bit of a difference between a graphic novel and a comic book. Some years ago it was the level of writing, where these prints would have an amazingly well developed arc that no comic book would dare print. V for Vendetta and Watchmen are two of the most prominent, with Dark Knight Returns being one of the ones to cross, perhaps blur the line between the two. These days the primary difference between a Graphic Novel and a Comic Book is Rating and that graphic novels are a closed arc where comics are continual arcs.

I bring this up because I was surprised to learn that 2 Guns had it’s basis in the graphic novel industry. This puts it in the same league as The Losers, 30 Days of Night, Road to Perdition and A History of Violence. Did that conjure some images for you? If no, it’s ok barely anyone saw the movies I mentioned and for the most part they missed out. 2 GUns is in the right company with this material and comparison. Ultimately it is a filler movie that *may* have far more interesting source material than the movie was able to deliver.

I did laugh more than a few times and the action scenes when they happened were well executed and shot well enough that I could follow it. Icelandic Director Baltasar Kormákur (Contraband with Mark Wahlberg is his only US theatrical release) manages to eek out just above average performances from what is otherwise a cast of actors that are familiar to most. I think that Blake Masters screenplay (one writer!!) may be largely at fault, though I am unfamiliar with the source, the writing is overall cliche and uninspired.

The saving grace of course is when Mark Wahlberg and Denzel Washington are on screen together. While I am deeply concerned that Marky Mark is teaching Denzel how to be charming and charismatic, the two do have chemistry. The movie suffers when others are on screen or at times when the two are not together which happens too often. Together however, the pair is charming, engaging and downright funny. Mark brings his usual brand of earnest goofy humor that has served him well. Denzel is playing Denzel, sadly, while he is more charming than the wooden prop named Bruce Willis these days, it’s really feeling like the same character.

The side actors are numerous with Edward James Olmos (so say we all!), Bill Paxton, a surprise cameo by Fred Ward, James Marsden, and Paula Patton (Mission Impossible: Ghost Protocol). Each delivers a performance of their own and for the most part seem to be there to chew up scenery; which is done in abundance. I am disappointed from a storytelling perspective that they saw fit to have Patton topless for two scenes, but so be it, the guys will like it.

TL;DR?

From a cinematic point of view, I compared the movie to cotton candy. It’s sweet, fun and ultimately hollow and forgettable once you are done. It just didn’t know what it wanted to be and didn’t go far enough in any direction to truly embrace it’s multiple facets.

It’s a matinee at best folks.

Not the worst thing this summer by far. I laughed more in this and was entertained more than in many of the other summer releases.

If you are a Denzel completist or just can’t get enough of the Funky Bunch give it a go; I don’t think you will be disappointed. The movie lives and breathes on the chemistry and charisma of the main actors. Get what I am saying?

Darke Reviews | The Wolverine (2013)

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First, I need to say this is better than X-Men Origins: Wolverine. Second, I have to say that comparison is like saying a tonsillectomy is less invasive than a heart and lung transplant. The Wolverine does largely wash away the horrible memories of the first outing and its leaked work print. I think that Fox has learned from last time and stopped interfering as much (IE – redecorating a set over a weekend without telling the director) and hired a competent director (someone not named Gavin Hood).

This time our director is James Mangold, who in his previous outings such as Identity, Walk the Line and the fantastic remake of 3:10 to Yuma, shows us he understands how to tell a movie about characters and sell it. He grasps the concept of drama and melodrama and even how to have fun in a movie, like he shows in Knight and Day. While not necessarily a visionary director, he is an experienced one that still isn’t a “safe” choice. That said, his direction isn’t perfect and the movie suffers slightly in the pacing and editorial departments with a running time just over 2 hours that you do feel.

The writing is solid through the film, though it does bear the three writers issue. Many elements are telegraphed and the romance, while somewhat accurate to the comics for a change, feels far more forced than it should. Between an uncomfortable romance and something I can almost say looks like a love triangle between the living it feels awkward at times. I am not sure who should be into who. Then there is the actual love triangle between a man, a woman and a nightmare. No, I am not kidding. Yes, I am embellishing, but only a bit. The nightmare sequences while interesting at first become overwrought and unwanted the longer the film goes and you are hoping for resolution of them much sooner than we get. While the dialogue is solid, the plot comes across clunky and forced more often than it should.

What of our actors? Well, I am glad you asked. Hugh Jackman is back in shape and the movie loves to show that off. I am glad the movie loved to show it off. Oh he played Wolverine well again, but with I think his 6th performance and a 7th on the way, I think he has this role down. I am a little bothered by his lack of knowing Japanese, which is an aspect to Logan I enjoyed in the comics, but this Wolverines timeline is different so I move on. He does play the tortured soul and Ronin without going totally Nolan with it and it makes me happy. I don’t need my superheroes to be completely mopey and depressed all the time, I really would prefer them to be superhuman, not human.

The movie also introduces us to several new talents to the American scene with Tao Okamoto as Mariko who has, according to IMDB, never acted before. It doesn’t show much and she performs better than the entire cast of X-Men Origins- Wolverine. Another new comer to film Rila Fukushima, playing the candy apple red haired Yukio. Her character definitely helps to drive the plot forward and is generally interesting to watch on screen. Her performance, though at times feeling awkward, does add more life to the film than X-men 3 had in its entirety.

FX? Well, they are hit and miss. Some look far better than others. The sets are
gorgeous and minus the train sequence authentic looking. The camera work is nearly solid, there’s at least one fight sequence where I believed the camera man was in the middle of a grand mal seizure and the director wanted the shot so bad he didn’t call cut. Beyond that, not much on the shaky cam. The healing/blade effects are hundreds of times better than the last film and the cuts, with one or two exceptions are not painful to watch.

So where does that leave us? TL;DR!

Overall the movie is solid, not the best thing this summer, not the worst this summer. It is at the moment the best of the comic book movies to come out so far since May, but Kick Ass 2 is coming so it may lose the crown quick. It’s slightly better than a meh, but I can’t bring myself to say it’s great. It is…”Good enough.”

Matinee it if you weren’t sure but are curious.
If you were a fan and dying to see it, full price and I don’t think you will be disappointed.

Fox has apparently also taken the Marvel route and decided to use this movie to launch the next film through the end credits sequence. I promise spoiler free as always, but the two cameos in the credits are a joy to behold.

Darke Reviews | Red 2 (2013)

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Judging by the fact that the original movie RED released in 2010 only made 21 million in it’s opening weekend with a total of 90 million earned domestic most of you never saw it. That is a shame. RED is actually an original film that brings together a number of actors that many people love and tells a story we haven’t quite seen before. It has a chemistry all it’s own and embraces the quirkiness that it contains like a lover. I do highly recommend the original film for everyone and generally speaking it’s family friendly.

Now that brings us to two years later and RED 2. New director, same cast and then some and the same writers (only 2!). The movie made me laugh hard more than a few times, the acting overall was solid, the action was as intense and over the top as the original. So what’s the problem?

Lightning in a bottle.

With the first RED the writers, who also delivered us Battleship; the only movie to possibly come to close to bringing Catwoman down as the worst film ever, may have had their one moment of pure genius or luck. It had near perfect pacing, beautiful dialogue and actual character moments that let you have a moment to breathe between action beats. That’s actually where RED 2 falls flat, which isn’t quite a fail but more of that hard stumble after too many shots of vodka and you start to wonder where you are and why the stars are overhead.

The chemistry seems to have also dwindled between films between the three principles played by Bruce Willis, Malkovich and Mary Louise-Parker. I consider it a flaw that Malkovichs Marvin has a better understanding, relationship and on screen chemistry with MLP’s Sarah than her on screen beau Frank (Willis). The returning characters played by Brian Cox and Helen Mirren all but rescue the movie along with the addition of Byung Hung Lee. Sir Anthony Hopkins turns in one of his more colorful performances of late as the largely insane Bailey (that’s not a spoiler it’s in the trailer). Catherine Zeta Jones on the other hand largley has no point and the movie would have performed better without her.

The lack of chemistry and overall whirlwind plot timing issues surprise me since this is the same Director (Dean Parisot) who gave us the epically funny Galaxy Quest in ’99. Again perhaps lightning in a bottle?

Of course there is one problem that maybe deserves a rant all it’s own. Bruce Willis. He needs to retire. Not his character Frank Moses, I mean Willis himself. Of his last 13 films only one of which has him showing a semblance of something like charm. He’s flat as a pancake hit by optimus prime. It’s the same bald, dry, beady eyed, raspy voice performance that he has given in everything he’s done after Over the Hedge back in 2006. Every single performance I have seen from him since then is completely interchangeable and downright dull. It actually brings down the performances of those around him. I ask this as a personal plea to Bruce Willis and his agent – Retire. Retire while people can still remember John McClane the hero of Nakatomi, while they can still remember Jimmy the Tulip Tudeski, Korben Dallas and Harry Stamper. Retire before you go into production of Die Hardest (I AM NOT JOKING PEOPLE, It’s coming!). Please take the Sean Connery route and look at your recent films and retire while you are still loved by many.

So forgive my little rant and I shall now give you the TL;DR you’ve been waiting for.

Despite everything above, I still enjoyed the film and do recommend it if you have seen the first. It’s matinee only.

If you haven’t seen the first, go. hunt. Find it and watch it. You can probably skip this one unless you get curious and then of course I want you to come back here and tell me your opinion on it.

Overall folks, it was 2 hours that was far better spent this weekend than it was on RIPD, but that of course is like saying having your hand slammed in a door is better than your head slammed in a door (something I wish happened after RIPD).

It is entertaining even though it has some serious flaws. Helen Mirren, Malkovich, Cox, Lee make the film. So Grasshopper, decide now do you see it or not.

My choice – I’d still see it, but only matinee.

Darke Reviews | R.I.P.D. (2013)

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Rest In Peace Department. Oh where do I begin? Do I start with the camera work that nearly made me nauseous? No, I don’t think so. How about the characters? Detestable but no. Writing? Meh. How about the Visual Effects? They were cutting edge right? ..Hmmm alright, lets start with direction then.

Robert Schwentke. Who? 8 titles to his credit, one of which is the cult favorite and generally successful film: RED (the one with Bruce Willis). He wasn’t brought back to direct the sequel that also comes out this weekend. In that movie, there is a sense of comedic timing, charisma and chemistry between the actors, well paced action and an understanding of how to do over the top. I believe there is very real chance he has been secretly lobotomized between films. None of the direction from RED survived into this film. None of it.

Ok so writing? Three of them. Yep, the magic number for fail so far this summer. Two of them work together regularly and have given us such written gems as Aeon Flux, The Tuxedo and Clash of the Titans. The third gave us such humorously memorable films like The Wedding Crashers, The Change Up and Fred Claus. Remember how people flocked to those and praised the genius comedy? But Jess you say – “It’s based on a comic book.” That may be true, well it is true. I’ve done a quick glance at the source material and it doesn’t look all bad and at the end of the day had me more interested in three pages than this movie did in an hour and fifty one minutes. The writers clearly had no clue and were painfully disdainful to the material (that I’ve seen anyway).

Right visuals then! They can save this movie. Good FX and solid visuals can cover a movies flaws from time to time. The Special effects in this were excellent back in 1997 when Men in Black did it better in every respect. Sixteen years later, they don’t hold up and quite frankly look like they went to the same FX house that SyFy channel used for Sharknado. There was only one effect in the movie that looked clean and you’ve already seen it in the trailer where Ryan Reynolds walks through a still frame of his death. One effect. That’s it.

Acting! Acting can …No I can’t even write that with a straight face. Ryan Reynolds is the only thing that saves this from being as repugnant as a Garbage Pail Kid left to rot in sewer waste in the Arizona sun. He has such natural charisma and charm it almost overshadows the horrifically obnoxious, loathsome and detestable persona played by Bridges. The ridiculous accent and talking don’t stop. Ever. Seriously he never shuts up. He has no redeeming qualities and is one mustache twirl away from just being a bully. Does the villain help? Nope. It’s telegraphed the first moment they walk on screen.

So TL;DR –

When asked if I would watch this or World War Z again, it took me half a second to say WWZ. That first half was choking down the bile of thinking of the festering boil of the summer slate that is RIPD.

For those unsure of the short form of my opinion on this repugnant piece of film.

Do not see it. You will never get that two hour block of time back in your life. There are so many other films in the theatre now that deserve your time and money. If…If however you want to see this – see Dylan Dog: Dead of Night. This is another film based on a comic, couched in the supernatural that gets everything right that this film got wrong.

Now I am going to go bleach my brain before watching RED 2 this weekend. I want to go in without the hate.

Darke Reviews | Pacific Rim (2013)

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Hold on to your butts and fasten your seat belts. Pacific Rim has arrived. All summer I have been saying this movie or that movie will be the one to beat until PR shows up. I was absolutely right. At the edge of our hope for a truly great summer blockbuster we Are given this gift. This weekend we are cancelling the slate of mediocre and rehashed summer films. While there have been fun movies and good movies this is a great movie that puts them all to shame.

Guillermo Del Toro (Geek god, Hellboy, Blade II) directs a story written by Travis Beacham who only has the lack luster clash of the Titans to his credits. Please note this movie meets the rules – One Writer, One Screenplay by. Together the two have given us a story of men, monsters and giant flipping robots. They do it well and they did it epic. They spared no expense and it shows.

So what actually makes it epic? Well you have Idris Elba playing a soldier and a leader who will be the last man standing so his people don’t lose hope. He is the stereotype and plays it as if he isn’t. Scenery is his diet and he chews with raw abandon. When he yells you want to apologize to him, when he gives a speech you want to cheer. You also have Charlie Hunnam, from SOns of Anarchy, playing the reluctant hero who isn’t all that reluctant which is a beautiful breath of fresh air. It could be Rinko Kikuchi, new comer to americans, and her twist on the female lead stereotypes. She does play into a few of them but what makes it epic is the fact they don’t linger on those moments too long. There’s also Ron Perlman playing a Ron Perlman character in a GDT movie. Just know he is awesome and move on. It’s Always Sunny In Philadelphia’s Charlie Day does an amazing JJ Abrams impression but also adds much needed humor and moments to breath in what is otherwise an amazing rollercoaster ride of a film.

All of the above are part of what makes it epic. So what else does? Geek Love. Geek Respect. Del Toro gives his nod to the sci fi that has come before. Star Wars reference? Check. Independence Day references? All over the damn place. Godzilla (old and newer) references, yep. The casting of the voice of GLaDOS as the computer voice, awesome. The one that floored me?  DR. WHO! There is a character who spends the entire second and third act dressed like Eleven! Del Toro loves movies. He loves fantasy and Sci fi and horror and dammit if he doesn’t put all the love for the genre into his work here and it shows. All of his passion and vision and drive to make movies is right here in two hours of film. He even gives credit to other directors in the special thanks! These people weren’t even attached to the film but that doesn’t matter he gives them a nod.

Ok so what about the Giant Robots and Giant Monsters? Also, epic. Now, here is where I have to give a warning, one of the few this movie deserves. Do not expect solid science. The story said we built giant robots and thus we have giant robots. They each have their unique design from each country they are from. They all have their own tricks but if you expect them to obey all the laws of physics, conservation of energy, force and mass equations – just stop. Stop now and turn that part of your brain off and eat some more popcorn. This movie isn’t about the science and because of that I can forgive the lack there of.

So here it is, at the end of the day – aka TL;DR

Pacific Rim is absolutely the must see film of the summer if you want your blockbuster and popcorn. It’s not for everyone and if you aren’t an fan you may not find it as epic, but then again you may.

Please if you are or were only somewhat interested, go see this film. Support it. Support the Genre and hopefully we can get more movies like this and less like so much else of what we have gotten this year.

Summer apocalypse cancelled. We have a winner folks and nothing else this summer has been or will be as awesome in the genre.