This marks the first true sequel in the series. There are little to no references between movies one and four. Yes, a character or two comes back, but the events of the films don’t. Not until Ghost Protocol returns Michelle Monaghan as Julia who Ethan must stay away from bringing continuity between movies three and four. Ghost Protocol is often considered the reboot of the franchise and marks the first time the movies get a subtitle. Before it was just Mission: Impossible, MI: 2, then MI:3. Rogue Nation picks up with the aftermath of the events of Ghost Protocol, but doesn’t really count as a sequel in that the binding story and events of that film do not carry over. Fallout breaks that in that the actual events of Rogue Nation are the catalyst and driving force behind the events of Fallout. Too nerdy or convoluted? Yeah it kinda is, but after 6 movies over 22 years with little continuity between them beyond Tom Cruise and Ving Rhames? This is also the first time that the movies share a director and principle screenwriter.
Done with the movie trivia? Ok good. I have more, but I will hold it off.
The question of course is should you choose to accept Fallout?
As stated above, this is the return of Christopher McQuarrie to the directors chair, it also marks his return to the script; this time as a solo act. That’s right, Writer Director combo. Sometimes dangerous, sometimes good. Since McQuarrie and Cruise have a good working relationship for about a decade it makes sense that Cruise would want him back on the chair. They worked the first time with Christopher as the writer and producer of 2008’s Valkyrie, then again in 2012 for the underrated Jack Reacher with CM in the directors chair. Then yet again in 2014 with CM scripting the criminally underviewed Edge of Tomorrow, and of course 2015’s Rogue Nation. McQuarrie also has a writing credit on last years The Mummy, but they can’t all be good. Based on my viewing of that particular abomination I think some of the high points might be his work.
Now that we have a feel for McQuarrie I can confidently say that his direction is solid as it gets. He isn’t what one would call a visionary director, he isn’t a Speilberg but they all shouldn’t be. He’s leaps and bounds above a dozen other directors this year and they should take notes from him. He has very interesting camera control and knows how to frame shots to their fullest advantage. In a movie with three women only one truly gets a “sexy” shot and its while she’s drawing a butterfly knife and is about to use it effectively. He draws out solid performances from his actors, no one is going home with an Oscar here but that isn’t what a Mission: Impossible movie is about. Ok, maybe Cavill should get one for giving us a thousand times more range with his character than we’ve seen of him as Superman. Also worth noting, the Mustache should be nominated for an award as well.
The downside here of course is in the last movie I called out some pacing issues and a bit of formulaic elements to the structure and the villains. The villains of the piece were passable, but there was a lot of tell not show vs. say …Phillip Seymour Hoffman in MI: 3; who just exuded menace. Michael Nyqvist in Ghost Protocol was also formidable, but we just don’t get that here. That isn’t to say the Villain is MCU bland, – yes I will continue to jab at the majority of MCU villains – just that we don’t feel their weight on screen the way we could. I don’t fault Sean Harris for that in his reprise of Solomon Lane, He’s “fine”. They actually give him more to do in this one and I don’t mind him, yet he is still lacking something.
The plot remains very spy vs spy vs spy; which if you aren’t fully engaged could leave you scratching your head at some of the twists, turns, crosses, and loop de loops the movie puts you through. How could someone not be engaged though? Well that’s that pacing problem again. The movie runs a full two hours and twenty minutes when the credits begin to roll and it absolutely feels it. Nearly every scene lasts about a minute longer than it needs, but they do give you the much required moments to breathe and let a beat go on long enough too. It’s just a bit too long sometimes.
The real crime is the action beats. They are fun until they are boring. Look, we get it. Tom Cruise likes to run on screen. Tom Cruise likes to ride motorcycles on screen. Nearly every action set piece the movie has goes too long without any real tension to them, and most of them are chase sequences involving, Cars, Motorcycles, or Helicopters. You could trim a solid 15 minutes of the movie from these action scenes and it wouldn’t be detrimental to the movie. It is that noticable, it can be forgivable depending on your tolerances and attention to the length of the scenes; but it is a real problem for the film.
The Bathroom fight though? Yes. yes please. The physicality of Cruise and his stunts? Absolutely.
There are also points in the positive that this movie has such amazing continuity within itself. While there are some logical failings if you squint, it does hold true to itself and gives some decent audience misdirects that I am assuming are intentional ones. There are details however that are given their due course and hold up to any scrutiny given.
If you’ve enjoyed the franchise so far, this is a must see. Tom Cruise is in good form and Rebecca Ferguson shines when she’s on screen. Ving and Simon are perfect and you can feel the camaraderie between the characters and I believe the cast at this point. Cavill could use some work, but he is leaps and bounds above most things we’ve gotten with him in he past few years. Also, please give an award to the ‘Stache. They had to CGI that sucker for Justice League.
I think that Fallout is a very solid, good movie. It hearkens back more to traditional spy thrillers than a Mission: Impossible movie; but still is able to keep its tongue planted in its cheek for the moments it needs to where you have no choice but to go “really?”
So should I see it?
I think so. It does have some serious and unignorable pacing issues, but overall its a good ride. I don’t think you’ll regret full price, but XD or DBox would be wasted on this one.
Would you see it again?
You taking me?
Absolutely. I realized my collection is missing some of the others, which I plan to fix soon, but this one will be on my shelf.
Of my two companions tonight, one pretty much didn’t like it. The other thought it was ok. Neither are big on the spy thrillers of yore so I can’t ignore that call out that I made above. It was a servicable action piece in an otherwise mediocre year for those.
So what’s next?
Next week no review. Travelling for work, but the week after….The Meg! Don’t forget to sign up if you want to see it with me.