Darke Reviews | Terminator Genisys (2015)

31 years. It has been 31 years since the line “Come with me if you want to live” was first uttered on the silver screen. Sadly, I was too young to see the original on the big screen, but have watched it dozens upon dozens of times since. Terminator 2 came while I had one of my best summers ever, living in Virginia, and I had the joy of watching it 5 times in the theatre. Watched dozens of times since then. One of my best friends and I planned a judgement day party for August 29, 1997. I even made labels to put on sunblock labeled SPF 2,000,000 – you know so we didn’t have a bad day. I think you can safely assume I am a fan of the mythology and first two movies. I didn’t even hate Edward Furlong.

Then Judgement Day came and went. The party didn’t happen as we had all moved away. Then 2003 came with a promise to give us the Rise of the Machines and it lied to us. It lied so badly. If I thought Furlong was bad, then Nick Stahl was a walking abomination. Then they tried 6 years after with Terminator Salvation, trying to apologize for how bad 3 was…but I fell asleep from boredom through the apology. I couldn’t tell who was more machine the T-800’s or Sam Worthington and Christian Bale. So

6 years after that, what do we get?

Let’s start with a two writer script, though obvious credits are given to Gale Anne Hurd and James Cameron for the characters themselves. Laeta Kalogridis, who gave us screenplays for NightWatch (Timur Bembekov’s supernatural thriller) and Shutter Island.  Patrick Lussier, he who gave us Dracula 2000 and Drive Angry. Both of these individuals, while having western films under their belt, also lean towards lower budget European films designed for international audiences. I don’t know that I would have picked them to try to reboot and reinvigorate this franchise considering their previous works; which, while I enjoy, are mostly low end popcorn fare or weak on the script but high on atmosphere. Much of these traits can be found here, the script is kinda weak and some of the dialogue is down right painful.

Sarah is fine, the Terminator is fine, John is fine, Kyle is a walking travesty. Part of that goes to the casting director, Ronna Kress who needs a smack upside the head. I have no idea how a person who could cast Mad Max: Fury Road so perfectly could so screw up here. I have to assume studio interference. It is the only logical choice. The other part goes to the studio and director, Alan Taylor (who is best known for his season 2 Game of Thrones episodes).  A better director may have gotten a better performance, but I doubt it; but perhaps he could have argued to have a better Kyle Reese.

There is no reason to cast Jai Courtney. I recently commented that he needs to find the tree he was carved from, no one is buying him as a real boy. He is without any charm or charisma in Divergent, Die Hard, Jack Reacher, and gives me less hope as Captain Boomerang in Suicide Squad. Hollywood STOP TRYING TO FORCE HIM DOWN OUR THROAT. Please. Stop. Aside from being a terrible actor he is horrifically miscast as Kyle. Michael Biehn created the role and despite not being the prettiest belle at the ball had a charm and handsomeness to him that lead us to like him. He was so damn earnest and believable  that I cared that he served in the 132nd under Perry from 21 to 27. When he said, “I came across time for you, Sarah. I love you; I always have…” it is the most romantic thing ever. Courtney and this script can’t pull any of this off. He is positively the worst thing about this film. Every line he uttered comes from a place where I wanted to throat punch him. Aside from being unable to make me care, and in fact look forward to his demise, he just looks bad. He is too damn handsome. Too full. I blame that on the director and casting again. Beihn, and even Anton Yelchin in T4, looked thin, looked worn, and looked like they grew up in a wasteland after Judgement Day. They were lean, he is cut. His physique makes no sense in a world where humans are scrambling to get by like little more than cockroaches in the ruins of the world. He’s just too pretty. You want someone who looks like he could be Kyle? Try this image:

Yes. I am Guy Pearce. You are welcome.

Yes. I am Guy Pearce. You are welcome.

At least we had Jason Clarke and Emilia Clarke – no relation. While Jason Clarke doesn’t quite carry the beat to hell, hardened military commander that Michael Edwards did in T2 (his stare is bloody iconic). He does a good job at least making me believe he is Connor, a boy who knows the future to a certain point. I like Clarke as an actor with excellent performances in Zero Dark Thirty,  Dawn of the Planet of the Apes, and even The Great Gatsby.

John_Connor_T2

My stare can kill a terminator at 1000 yards.

John_Connor_T5

I at least wear the scars better than Christian Bale.

 

Emilia has probably the toughest role to play of all the cast. Going from the mother of Dragons to the Mother of the Resistance. She has to fill shoes left by the epic Linda Hamilton who gave us two startlingly amazing performances of a character at two different times in her life. Now, having just watched Terminator (1984), just now while writing this she clearly paid attention to Hamilton and her performance. She hit enunciation, body language, and even lip motions from the first film. While there are moments she over reacts and hits too much emotion for someone who is raised the way she is, overall I buy it. I know other reviewers are having trouble with her, but to be honest I think she did well. She didn’t have an easy job or good script, but did very well with what she did. While the writers clearly didn’t get Kyle, they did get Sarah and some of her reactions were spot on.

I can’t finish talking about the cast without talking about Arnie. The role is like an old glove that he slipped into. He was on the mark 100%. He also could tell this film wasn’t great, but makes sure to let you know HE is enjoying himself. Honestly, this is the Arnie I miss. Even as a bloody cyborg he overshadowed almost everyone on screen with the weight and charisma of his performance.

From a technicals standpoint? It suffers as so many movies do these days. It is too clean. Too polished. Their post-apocalypse is all shiny and chrome, with beautiful body armor and fashion models for soldiers.  Even the current timeline they give us has the same problem. There’s no grit, no weight, and no atmosphere to this. Ultimately a  lot of movies in the past decade suffer from this, where there is no atmospheric heart to help sell the movie and the world. It is just meh and you don’t care. The CG work on the Terminators has not improved since 1991. Thats right 24 years later and not only has it not improved – it got worse. The computer effects are just down right awful. Nothing is redeeming about them. Not a thing. There’s also not enough practical effects in the future scenes to make me buy it. Both Terminator and Terminator 2 had just the right amount of practical to let me believe there was an HK rolling into position to kill Kyle. That a flying HK was moving overhead chasing our heroes was there. The only technical effect that works is the de-aged Arnie for the 1984 T-800. I liked it. I looked for flaws and nothing screamed at me, even as the reproduced the original shot from 1984.

TL;DR?

I want to hate this film. I really want to hate it. I can’t. I almost feel like I owe them an apology for lambasting them so badly before the film. It isn’t great. It doesn’t redeem the franchise in any way shape or form, but it is better than the last two laughable attempts at a movie with the Terminator name attached. I did laugh and enjoy all the callbacks to the original two movies, there’s plenty of lines there that will bring out the nostalgia factor, which did make me look more favorably on it. It felt like they were at least trying – even if they failed. I did care about Sarah at least.

  • If you were curious – go in with low expectations. You will probably be entertained.
  • If you need MST3k bait, it’s there if you need it.
  • If you hate that it’s PG13 – you should. It doesn’t have any real power due to the MPAA.

I will say that the 3D is pointless and even the XD sound system was wasted without the original theme playing at epic levels of volume.

All in all – if you don’t want to see Jurassic World again this weekend and aren’t saving up for Ant-Man – go ahead. You probably will find yourself enjoying the nostalgia factor at least. It is at least fun.


 

The movie schedule for July is looking pretty good with such films as

  • Minions
  • Self/Less
  • Ant-Man
  • Mission Impossible – Rogue Nation

Pixels is also coming out, but I am debating this…will probably boycott to avoid giving Adam Sandler and his problematic productions money.

Darke Reviews | Near Dark (1987)

No, this is not the film hinted at yesterday. That film requires and deserves more effort and attention than I can provide tonight. Instead I review a slightly lighter fare that resides within the same vein. As I go into this review I need to make it clear that not once in this film is the word Vampire used. Also much like a movie I reviewed the other day it falls into the Vampire Western genre; of which there are more films than you would think.

The year is 1987, it has been one year since James Cameron released Aliens with surprising success as he turned the gothic / sci-fi / horror of Alien into a shoot-em up actioner with only the barest moments of horror. He recommends some of the stars of his cast to friend and eventual wife (and even more eventual ex-wife) Kathryn Bigelow for her new Western/Horror movie. She’s a rookie director with only one film under her belt and a far cry from the woman who would give us Point Break, Strange Days, The Hurt Locker and Zero Dark Thirty. Yes that Kathryn Bigelow, the only female director to win a Best Director Academy award.

Not only did she direct the film, she wrote this one with Eric Red another novice but who had written The Hitcher, a rather creepy cautionary tale. They had a solid idea on the story they wanted to tell – Sex, Blood and Cowboys. They picked great locations and used music that had the right western beats and the edgier tone of 80s synth music. I should mention on the “Great locations” much of it was filmed not too far from me in Coolidge and Casa Grande – and it shows for those who have driven through there. You’ll recognize some of the landmarks.

The story is that of Caleb (Adrian Pasdar) a young farm hand who encounters the mysterious Mae (Jenny Wright). His attempts to woo the western beauty land him square with fangs in his neck and sunlight rising. Mae’s family Jesse (Lance Henrikson), Diamondback (Jenette Goldstein), Severen (Bill Paxton), and Homer (Joshua Miller) kidnap Caleb before the helpless eyes of his father and sister. The movie centers around Caleb trying to fight what he is, his romance with Mae and despite it all Mae’s family trying to adopt the unfortunate Caleb as one of their own.

The movie is deeply atmospheric using natural shadows and elements of the desert night to enhance the mood. There is a barren lonely quality that one can really only experience in the middle of nowhere that comes cross in how the movie is shot. Bigelow, even this early knew how to shoot and bring you in. Even though, ostensibly, the vampires are the antagonists, the “hunt” draws you in with its ingenuity and you find yourself cheering for them. When the climax comes you are torn between the needs of the stories final resolution and wanting the Vampires to win. It’s light on the gore and the FX are simple but effective through out.

While it was not successful in the box office due the bankruptcy of the studio that produced it the movie remains a cult hit amongst vampire aficionados. The original box art stood out for years as original and memorable to those who came across it. Sadly the current rights holders decided to “Twilightize” the cover art and so much of what made it interesting was lost.
TL;DR

For vampire and horror fans this is a must see film. It is an iconic movie in the vampire genre not to be missed for all of its elements which at the time were relatively new and original. It is a bit dated, so watch the eye rolls.
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Tomorrows review knows that it’s tradition.