Darke Reviews | Fate of the Furious (2017)

I can do my usual lead in paragraph if you want? I mean I said it with my Furious 7 review – you’ve already made up your mind to watch this one or not. You are invested in the series or not. This series which started out at least somewhat serious in tone (it has a flippin drive by) has become the beer and pretzels franchise. It doesn’t claim to be more than that – it stopped trying to be more than that a very long time ago. So I suppose the real question is should you see yet another film in this franchise after you thought they had nothing more to tell? Should you see a Fast movie without Paul Walker? Should you get behind the wheel to go see this?

or more importantly – should they have? 

The 8th…yes…8th installment of the series is directed by F. Gary Gary who has in his career since 1995 given us Friday, Set it Off, The Negotiator, and recently Straight Outta Compton. He worked with Deisel in A Man Apart (2003); which has some of that mans best acting. He is reuniting with Theron and Statham from when he ddirected them both in The Italian Job (also 2003); which had some pretty decent car stunts as well. It seems he is a perfect choice for this film series – and you’d be right mostly. The problem is the series has fully devolved into its beer and pretzels and cannot decide what tonal quality it wants to go for.

Will I be a serious film with real intensity and some brutality – well when Vin Deisel is the main focus? Yes.

Will I be a 7 layers of cheese dip with all the corny lines to go with it – well when Vin isn’t on screeen? Yes

Will I be somewhere in the middle, even briefly, when the group as a whole is on screen with him? Of course.

Yes he directs them all fine. I honestly think these guys could do a movie without a director at this point. ….I might even pay to see that. Yes the action scenes are fun and new (more later); but the character pieces never linger long enough to care about the stakes beyond your initial investment in the characters, which likely has been dwindling alongside the franchises respect for the laws of physics.

I think I have to blame someone I praised previously though. Chris Morgan has been on the franchise since Tokyo Drift. I think he is chained in a cage somewhere with nothing but a word processor and a printer being forced to write these at this point.  It is entirely possible he is using one of these to come up with the concept, plot, and events of the movie:

Admit it – you’re now thinking you should try it!

 

Nothing in the movie lasts long enough to care. The motivations are as foggy as a San Francisco morning (with one exception). The dialogue is just lazy. They didn’t even bother with having the two cyber specialists try to talk Hacker at the camera. A few vague words, lots of typing without actually see them doing anything. I kind applaud them for that one. Overall though its phoned in to the nth degree.

And it doesn’t actually matter.

You are paying to watch the actors do things with cars (usually). So how are they? Let’s bullet it as there are a lot of them.

  • Vin Diesel looks stern, talks about family, is generally bad ass. I honestly don’t know how much different the actor and character are at this point.
  • Jason Statham has some of the most fun I have seen from him since Crank?
  • Dwayne Johnson mugs for the camera. He flexes for us who go that way. He chews scenery. We love him for it.
  • Michelle Rodriguez is underused.
  • Tyrese earns that paycheck (credit CinemaSins) and mostly tries to be funny and fails – which I think is the joke. Humor and I don’t speak to each other often.
  • Charlize Theron is actually pretty solid when she wants to do a villain in a film like this. Nicely done.
  • Kurt Russell in this mode needs to be in all the things. There is a real possibility he ad libbed every line and I am 100% ok with that.
  • Scott Eastwood shows unlike in Suicide Squad he does have a personality.

Ok – so thats that.

How are the stunts and effects you ask? 

This gif is my answer.

Shark Jumping Duh

If you know this image – you are old. You also very clearly get the message.

 

Most of the stunts with the cars are fantastic. The others are  “fantastic”. When they go practical you will wince, when they go CG you will probably wince for other reasons. It’s pretty typical for this franchise, but they do take it to 11 this time. Its true the series jumped the shark long long ago – but now they have forgone any pretense.  What absolutely kills me is the shaky cam in the non-car fights. You have quick, powerful, or agile actors – we don’t need the camera looking like its sitting on the San Andreas during  an earthquake to add ‘dynamism’ to the fight. If you need that to add energy – rechoreograph the fight. Please. No more shaky cam especially when you have talent.

TL;DR?

It is absolutely fun. It is absolutely stakeless on an emotional level.  Yes it has stakes and a threat, but I couldn’t care less. In other movies I would probably rip them a new one for such behavior, but Fast and the Furious has earned its stripes and there is real effort and love in the movie.  In an era of unnecessary grit and hyper realistic action Fate of the Furious is a glass of cool lemonade on a hot summer day.

Should you see it?

I have no regrets. I doubt you will.

Would you see it again?

At home with a few beers, pizza, and friends? Yes

So you buying it?

No question about it. Yes.

The magic 8 ball is leaving me confused did you like it or not?

Yes, I liked it. It gave me everything I wanted it to be and didn’t disappoint on any of the facets I cared about for a Fast and Furious movie. This is the 8th movie in a franchise not based on anything but itself. That doesn’t happen in Hollywood anymore – maybe ever. I am happy to celebrate that.

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Darke Reviews | Furious 7 (2015)

Furious 7.  As I have said in previous reviews when you are this invested in a franchise it is already a forgone conclusion that you are seeing this film. So how do I review it? Do I review it? Well of course I do. It’s worth mentioning as I open this that there was a clip in the pre movie commercials of Vin Diesel being asked if he thinks this is the best of the franchise. His response brought a tear to my eye.

“Whenever we went to a movie premier, I would turn to Paul and ask was it the best? He would look to me and tell me the best is still in the can. I am hoping to hear from him, somehow that he thinks this one is the best.” These men were brothers in real life as much as they were in the films. Even Paul’s mother knew it and is quoted by Diesel as saying “I thought they needed my strength but realized when I got there and broke down before his family, that it was I who needed theirs.”His mother hugged me and said I am so sorry … I said sorry? You’re the mother who lost a son? … She said yes, but you lost your other half.”

So how was the movie?

The writer on the franchise since Tokyo Drift , Chris Morgan, returns to give us what will likely be the last of the series. If Fast 5 was a love letter to Oceans 11 with cars and Furious 6 was a love letter to shark jumping everywhere, then this film is the love letter to Mission Impossible, while it jumps a shark with friggin lasers on their heads. It is gloriously over the top and embraces it with a smile and a Corona. The natural charm and chemistry of the returning cast members makes every ridiculous scene work. Morgan is also wise enough to give us slow moments where the characters can interact and show why we have stuck with them for the six previous movies. It’s not just long looks, but comes down to the performances and delivery which means Morgan needs some help from the cast

I won’t go too long here. Vin Diesel returns as Dominic Toretto who continues to stubborn and street prophet his way through the movies. Walker’s role is probably more reduced than originally intended, but the moments he gets with Mia (Jordana Brewster) sell every single time. Michelle Rodriguez continues as Letty and is both beautiful and one of the baddest women we have on screen. The meme of keep your pop icons, we have our own should equally apply to this woman. Tyrese keeps earning that paycheck as CinemaSins says and sadly continues to be the weakest part of the family. Chris ‘Ludacris’ Bridges is once again epic as Tej and a highlight for the film. Dwayne Johnson was born to be in this franchise and clearly has a blast with every single scene chewing line.

Joining this film is Statham as Lee Christmas, er the Driver, er …Deckard Shaw. Oh heck with it. Jason Statham is Jason Statham. Djimon Hounsou comes in as a secondary villain along with Tony Jaa and a brief but wicked appearance of Ronda Rousey. Kurt Russell makes his own appearance as Nobody taking a page from the Rock and looking to chew scenery. In my private fiction I think he was secretly Jack Burton 20 years later. Our movies McGuffin is a person this time, Nathalie Emmanuel, better known as Missandei from Game of Thrones. It was nice to hear her in her own speaking voice rather than her clipped precise tones from the show.

James Wan, best known for Saw, The Conjuring, and Insidious is replacing Justin Lin at the helm. I think that might be where the seams begin to show. He just doesn’t have what Lin did. This isn’t to say he was horrible, but he isn’t as gifted with the camera or ensemble as Lin. There’s some weird camera tricks used that detract from the film and there just is not enough love for certain characters that I think comes down to the director more than anything else. Granted, he still directed the heck out of the film while the shark continued to do it’s double half back flip with a triple twist. He does run this far more as an over the top Mission Impossible action film than a car movie, but that comes across as an observation than a complaint.

From the technicals CG is CG. Physics is bound, gagged, slapped around, and hung up in an oubliette – and we don’t care! Seriously we don’t. You shouldn’t. The movie is absolutely ridiculous and makes no sense from a biologic, architectural, or engineering standpoint. Gravity? HA! Injuries? Don’t make me laugh. Actually the movie did more than a few times and I was thankful for it.

TL;DR?

The final film in the Fast franchise is so beautifully over the top any flaws it has, which there are a few, don’t seem to matter. This is one of the first movies this year I can feel comfortable saying “Go See it

– If you are invested already – you didn’t need my review.

– If you weren’t invested – you also didn’t need it. You weren’t going to see it anyway. Seeing it before the others is a disservice to the series.

The movie is good. It is beefcake. It is cheesecake. It is ridiculous and I love it for all of it. 14 years of these movies and the series can rest now. It earned it and got a good send off.

 

PS

Rollover spoiler –

I did cry at the end from the reshoots they added to address Paul Walkers death. Diesels send off for him was as much to the character of Brian as it was to Paul himself. It was moving and heartfelt. I am not sure what the original ending was, nor does it matter. This was good and I am glad they did it the way they did.

– end spoiler

Darke Reviews | Fast and Furious 6 (2013)

You would be hard pressed to think of a franchise, any franchise, that by its sixth outing is actually remaining as entertaining and providing the same quality as its previous films. Its arguably getting better the longer it goes on.

This film takes Dom and Brian taking on another crew of equally skilled drivers who are far more ruthless and with less morality. The goal? Doesn’t really matter. There is a McGuffin, there always is. The real goal here is the return of Michelle Rodriguez as Letty Ortiz.

You want to know how they did it after the fourth movie? You know me – spoiler free. You will need to see the movie; though I will say I did not roll my eyes at the reveal or reasons. I lay that squarely on the hands of script writer Chris Morgan, who has been writing for the Fast series since Tokyo Drift. He has successfully interwoven all six movies and gives the appropriate callbacks, ties and links the stories in a manner that lesser writers would have been heavy handed with. Instead we get one line deliveries and a minimal amount of exposition, the barest of what’s needed.

Director Justin Lin, also with the franchise since Tokyo Drift has a feel for the stories and characters that make the movie series successful as it is. He knows how to shoot the action just as much as the quiet moments, with limited exceptions. He brings the best out of his cast and their natural chemistry and charisma.

You hear me mention charisma in some of my reviews and in my humble opinion it makes and breaks a “group” movie. This team has charisma, it shines like baby oil off of every single actor and their interactions with each other. Five of six movies together has made this cast the family they claim to be. Am I saying they are great actors? No. What I am saying is they play well off of each other and have a natural comfort and charm that carries through the screen effortlessly.

Despite all this excellence, the director needs to move on. Four movies and he’s starting to lose some of the cinematic vision that made the others so watchable. A Bay-esque rotating cam during a romantic moment was nearly nauseating at times. combined with a series of quick cuts you were wrenched from a moment that was reminiscent of Mel Gibson and Rene Russo’s seduction scene from Lethal Weapon 3. Sadly, and I don’t know if this is the director, the Director of photography or cinematographers fault, but the shaky cam has made its way into the film. Its not as bad as it could have been (I am looking at you Paul “Bourne” Greengrass) but it’s a noticeable and unfortunate change.

Why so bad? So…imagine the awesomeness that is Michelle Rodriguez vs Gina Carrano? This should be the meanest, brutalist street fight we’ve seen in the films. It almost was, for what you could make out from it. Other sequences fell victim to this as they did to the quick cut and angles. This is the one flaw of the film. Ok there is also the minimum of 20 mile long runway….but…its an action sequence in a Fast film. I’ll forgive it.

TL;DR ?

If you like the franchise, see it.
If you are curious about any element – see it

Ah hell just see the thing. It is a fast and the furious movie so you get out of it only what you should expect. It’s not high cinema, but its 2 hours of raw entertainment and characters we’ve been watching for 12 years now ((seriously..12 ))

I think that youll feel successfully transported into the film.