I am a fan of the Rambo franchise overall. I think First Blood was overlooked for a very long time as just an early 80’s action film and while it checks a lot of those boxes there is a surprising depth to it. In the past decade with the rise of the Blog and Vlog more and more film critics and film fans have gone back to some of those films and have commented and opined at length about the gravitas that the film holds within it. That isn’t even getting into the once “secret” ending that the movie had which ended in the death of John Rambo. The studio couldn’t have that of course and the ending was altered to what we know today. Then in 1985 we get Rambo First Blood Part II, where in an attempt to capitalize on the character, the Missing in Action franchise and the rise of the action superstar John Rambo goes back to Vietnam to save lost soldiers. This one *is* 80’s action schlock, but not nearly as much as Rambo III in 1988 where he goes to fight our cold war enemies the evil evil Russians with the aid of the *checks notes* Mujahideen Afghani Rebels who would later have a faction become the Taliban.
The franchise remained dormant for 20 years until 2008 with the release of Rambo (or John Rambo in other locales), where we find John having remained in Southeast Asia arguably more home to him than anywhere else in his life at this point. This movie deserves a review of it’s own I may get to at another point, but it is a bit bleak and opens with some intense not for everyone *real* footage of actions being taken in the genocides in Burma/Myanmar. This film, despite its outright darkness, goes back to the roots of Rambo of a man haunted by his past and trying to avoid it even if it keeps pulling him back in. The action is intense, the psychology of the character is explored, and the violence is almost in it’s own genre and rarely seen outside of Horror films.
At this point I have spent 360 words discussing the entire franchise until 2019. Why haven’t I posed my question yet? Why haven’t I talked about the film yet?
Fine. Here you go.
Should John Rambo have stayed in retirement?
This is a movie that has been in development since 2009 with the success of the fourth Rambo film. I have to tell you the wiki on this one took me on an unexpected rollercoaster, including one plot that looks like they forgot how Predator came to be. The Mexican Cartel story has been and out of the plot since that time, with Stallone himself in and out of making the movie since then as well. He even went back to the well as it were with the creator David Morrell to try to bring it back to an emotionally powerful story to capstone the series. The other producers disagreed and we got ..this. Now Morrell has his own opinions on this movie which I haven’t read but will share here for you. All sources indicate it is not flattering.
They aren’t wrong. The story by Stallone himself, as well as Dan Gordon (Wyatt Earp, Passenger 57) and screenplay by Stallone and Matthew Cirulnick (Absentia), is a dark thing devoid of any real humanity. It is racist, xenophobic, and dated. It is little more than Taken with John Rambo instead of Liam Neeson with a touch of Saw levels of gore for…flavor? Seriously this movie plays on the worst stereotypes of living on the border and what Mexico is like in a way I haven’t seen in some time – and for good reason. Tell me if you’ve heard this one before – girl goes across the border, is kidnapped, drugged, forced into prostitution, big strong white man comes and saves her from the evil brown people? There is nothing redeemable about this movies story. There is nothing of merit to it. Sure it tries to insert a bit of flashbacks at the beginning and some voice over here and there – but it feels tacked on by Stallone more than being designed for the movie itself.
Now the last one is a modern visceral action film right? This one…that energy and kinetcism are gone. Sure 73 year old Stallone can’t be expected to do things he did fourty years ago. Even if you want to say it tries to parallel the type of action from First Blood you’d be wrong because in that there is still a sense of motion and tension in the hunt. There’s nothing here. Nothing. Not even good CG. Oh oh the CG work is awful. Now I get you can’t dig a quarter mile of tunnels beneath some property, then detonate them …oh wait, you can. Its why some action movies look better than others. This …this did not. Also the movie was so cheap they had to CG the laser pointers on some of the rifles,….but they don’t line up. Like with the gun. Yes. its that bad.
Adrian Grunbergs directing here is nothing short of hamfisted. Granted this is his first major film since Get the Gringo in 2012 as director, but having worked on films like Traffic, Collateral Damage, Man On Fire, and Narcos you’d think he’d have a better idea. Wait…what were those films again. Mexican Cartel. Mexican Cartel. Mexican Cartel. Mexican Cartel. I had this realization as I was typing the movies, so I share it with you now. This is clearly the man Hollywood goes to for pick up shots on Cartel movies and thought we can give him a full movie. They were wrong.
This is a hateful, spiteful movie. There is no joy in it. There is no philosophy to it. There’s no depth to it. It’s just a two hour train of plodding misery, suffering, and racism without a single redeeming quality. This is the movie certain parties would trot out and go “see this is why we need a wall.” I want to actively hate this movie, but that would take more energy than it’s worth.
This review has already gone on longer than this movie is worth.
Should I watch it though?
No. It shouldn’t have been made or released with this story.
Would you watch it again?
Win a significant sized lottery. Give me half tax free. I will consider it.
So thats a no on buying it?
If arson wasn’t a crime I’d destroy the prints before it made it to home and digital release.
Ok, thats a bit intense.
So was this movie and without point. Who was it for? Which audience? Who was asking for this in the public? When First Blood came out in 82 the war in Vietnam hadn’t even been over a decade. By the time the last of that set came out, the Cold War wasn’t over. What was happening in Burma was nightmarish to say the least, but the country is it’s own now and the character had a solid ending. All of the psychology and depth to him, the soul searching and trauma? Who is that for now?
This movie was made for one reason to line someone’s pocket books. Not for any sense of creativity or good story to entertain. Sure big studio movies are always made to line someone’s pocket, but usually there’s something entertaining intended.
When I get to the best and worst, this one is inching close to the top of that list.
I am hoping after the PRIDE parade tomorrow Ad Astra is worth something.