First thing out of the gate, there is absolutely no reason to see The Equalizer before seeing this. I had to go deep into the tomb to find that review, it’s one of my earlier ones. That aside, the first film is ultimately still very watchable and my feelings for Mr. Washington really haven’t changed in the four years since. The first movie introduces us to the character, his ticks, and his friends; yet you do not need it for this one. It trusts the audience from the cold open to follow along and be smart enough to figure out between the trailers and the opening that he is a former assassin turned maker of wrong things right – an Equalizer. Shocking I know.
Did we really need the sequel though?
Richard Wenk, who in the years since the first provided us the screenplay for The Magnificent Seven and Jack Reacher: Never Go Back, returns to his script duties. At this point, I have literally seen almost every movie he has ever written. I still love Vamp despite the hardcore 80’s cheese, I found 16 Blocks boring, the 2011 remake of the Mechanic was uninspired, The Expendables 2 was…a movie that can’t be argued. The Equalizer has been covered, as have the other two films mentioned. Suffice to say I can see his style now, understand his writing to a point, and know his quirks. He really is just an OK writer that Antoine Fuqua likes working with. Wenk has both pacing issues and a sense of being overwrought in every single script. He wants to be writing deep, cerebral, emotionally centered movies with men beyond their prime going for one last job, regardless of the job; but then he also likes damn near schlocky action against it. He is trying but he never quite rings the bell and the scripts fall apart with any real scrutiny. If you don’t think too hard here, it all works; there is a combination of intelligence to the story, but it then requires the dumbest of actions from some characters to survive. It doesn’t follow through on some components that you realize (again if you think) should have impact.
Wenk is saved though by Fuqua at the helm. In his first feature film since 2016 Fuqua remains true to form in providing us clean action beats along with knowing how to film the more emotional and tense beats provided by the script elevating them as much as they can be in the process. The problem I think here is that he was not as thoroughly invested as he was in other projects. The first movie was just shy of doubling it’s estimated $55 million production budget barely topping over $100 at the domestic box office. While this sequel feels like something Wenk, Fuqua, and Washington wanted to do, I keep thinking (dangerous here) that they also wanted to do something else. There’s an attention to detail strangely missing from multiple components of the movie and an emotional weight that is never fully realized.
Washington is actually better in this film than he was the first; giving a far more nuanced performance with the slower pace of the film and less action beats to break up those cerebral moments I mentioned before. He avoids many of his usual ticks in acting which certainly improve the movie; but it is still Denzel. Game of Thrones Pedro Pascal is nearly unrecognizable without a facial hair and serves up a solid character for the movie. The rest of the cast is sufficient but not worth calling out.
On the technical side of things, the movie is paced slowly and methodically allowing the momentum of events to build along with the backdrop. I liked that the pacing was slower and the action beats less frequent here as it let us get to understand McCall as a character more. Act I is entirely set establishing his routine and world; while still advancing the plot because the world moves with or without you. I’ve criminalized movies for doing this poorly before, but even if Fuqua was asleep at the wheel it still is better than some directors fully coherent.
What I can’t forgive though is bad effects and a lack of attention to detail from someone like Fuqua. The digital effects in the third act of the film are nothing short of awful; while many of the practical ones stand out because of how bad the digital touch ups are. It is impossible to NOT notice. My partner tonight noticed and they don’t hyper analyze films like I do – so it’s kinda obvious. That makes this even more sinful as the movie has $7 million more to the budget than the first; yet feels as if it was made for half that. If Blumhouse productions look better, you are in trouble guys. Do better next time.
The Equalizer 2 was the sequel no one really was clamoring for, but is utterly harmless in its final execution. I may have beaten it up a bit in the top half of the review, but that is strictly because I expect better of the cast and crew of this movie. It was overall a fun little film, even got me emotional a few times; and wincing a few others. Running just over the two hour mark it just barely keeps you from checking your watch while sitting in the theatre. Had it been too much longer with it’s pace then it would have been more problematic.
This is a harmless, good ride of an action film. Take that for what you will.
Should I see it?
Well if you like the first one; sure. If you were curious or like Denzel, you will have a good time. As I said before you don’t need to see the first to watch and understand this, which is interesting. I do not think you need DBox, XD, or anything fancy. I wouldn’t go above matinee pricing unless you are a die hard Denzel or Fuqua fan.
Would you see it again?
In theatre’s its highly unlikely. It’s an Ok action film; but it lacks the fun of last weeks Skyscraper or the rawness of something like Sicario.
How about buying it?
I won’t mind owning it. It was passable. It wasn’t a “Meh”. I had reactions and did enjoy it. I just shouldn’t think too hard on it.
Any final thoughts on the movie?
It does hit a point where I think it is too smart for it’s own good. I just shy of accused the movie of being kind of basic before with aspirations to be more. During one of those reaching for the gold ring moments it could fail for, again, anyone who pauses a moment to think about it. It isn’t *bad* per se, but it might leave some heads scratching. The bad guys of the movie make some terrible decisions as well that in combination with the reach which leaves you asking questions that the answer is not kind to.
I’m torn on how much to penalize the movie for it though. I often write about how movies tell more than show or how they dumb down and explain everything to the audience. This doesn’t quite do that, but it also kind of goes the other way and doesn’t make sense as a result. So yay for not dumbing down, but boo for trying to be too clever.
MISSION IMPOSSIBLE FALL OUT!!! Yes, I am an unapologetic fan of everything in the Mission Impossible franchise, except the second one. The last films have been amazing and I look forward to seeing how this literal sequel to the Rogue Nation goes.
Also, I will be posting an Event on the Facebook page for my local readers to come see The Meg with me on August 9th!