Darke Reviews | Moana (2016)


So what does Queen Elsa, the Vampire Princess, the nocturnal frozen being that she is think of Moana? It really shouldn’t come as a surprise that I do like Disney animation. I grew up at the tail end of the ‘dark ages’ of Disney animation when the Golden Age was touted as what we had and the Silver Age was…special. I still think The Black Cauldron is underrated, but then again what kid doesn’t like a Gaelic myth of bringing back an undead army? Ok so maybe just me.  That’s fair. You might be asking but Queen Elsa, how will you judge this fairly against your own film, Frozen? Well if you check the link there even as hyped as I am on my own song (Let it Go,…duh) I found the movie to be a mixed bag. Even before knowing how many 11th hour changes there were it was clear there were some choices made that didn’t make a seamless film.

What does that spell out for Moana? Does it have the same issues?

You’d think so as it not only violates my rule of three, it goes beyond double. Yep, 7 writers on the credits. Story by…and  I am going to bullet this since there are so many

  • Jordan Kandell –  No other credits, twin brother to Aaron
  • Aaron Kandell  – No other credits, twin (duh) both raised in Hawaii
  • Pamela Ribon – writer on Mind of Mencia
  • Don Hall – Emperors New Groove, Tarzan
  • Chris Williams – Mulan, Bolt
  • John Musker – Treasure Planet (highly underrated), The Little Mermaid, Hercules, Aladdin, Princess and the Frog, and oh hey the Black Cauldron
  • Ron Clements – same credits as Mr. Musker.

The final screenplay credit goes to Jared Bush, who has a “Creative Leadership Walt Disney Animation Studios” – which I am not sure what that means. Clements, Musker, Hall, and Williams have dual director and co-director credits for the movie. So 7 writers, 4 directors chairs – with a lot of overlap. This should be a mess.

It isn’t.

Now as near as I can tell, this is an original story inspired by native Hawaiian and Pacific Island mythology. Yes, not based on any particular myth, previously told story, but instead apparently original. This is awesome. What it also gives us is a cohesive narrative that doesn’t feel like something has to be shoe horned together to make it palatable to both adults and children. It gives us a story of bravery, heart, and finding yourself that we’ve seen many a time since the Disney Renaissance in 1989 (started by Musker & Clements); but it does it better somehow. There are more than a few times the movie tugged on heartstrings in either well written emotional ways or the big hero moments that bring the whole thing together.  This movie should be all over the place tonally, but it isn’t. It should be a wreck that looks like it’s been edited to the ends of the earth then back again but it isn’t. Somehow, this was the right combination of leadership, intent, and will made this movie work against it’s own odds.

Is it perfect in the writing and directing department? Maybe. I mean that. Maybe. No beats felt out of place, except maybe one.

All of the performances were on their A-Game; especially Auli’i Cravalho who voices and sings Moana. She has a set of lungs that rival people twice her age (she’s 16 today – no lie November 22, 2000). She poured her heart into this and as her first role I hope to see she has many more to come.  Dwayne ‘The Rock’ Johnson was also in top form as Maui, with all his natural charisma brought to bear with the power of his voice and good animation. He holds the serious and somber moments down like the professional he is, but also charms you with the comedic beats he is given. The other performances are solid, but suitably minor, such as Nicole Sherzinger, Jermaine Clement, Temuera Morrison, and Rachel House.

It’s worth noting that with the exception of Alan Tudyk every performer I can find a bio on is either of Maori, Samoan, Hawaiian, or other Oceanic/Polynesian descent. With as much time as I spend not seeing movies for inappropriate diversity or casting, I need to make note of this. This is special. This is right. This is good. We need more of this. Thank you Disney for getting it right this time. Please Hollywood follow in their footsteps and learn something here. Please.

Ok, so how is the animation? The best they’ve done. Period. Full stop. Look I have only been to Hawaii once and it was last April, but if they didn’t capture how alive it was, how beautiful it was; then I don’t know what I watched. The colours were so vibrant and magnificent. Then lets talk water. Perfection. Yes, it’s clearly meant to be animated, but I think if they wanted to, they could have made it real. The day was lovely, but the night shots were absolutely magnificent. There is so much awesome in the animation here I could go on, but instead…

Music!

I just bought the soundtrack. Need more? Ok. I can do that. The same attention to detail that was given to the story, the acting, the animation was given to the songs. All of them felt right. All of them were good, even the one that was a touch out of place with the others still felt thematically ok with the movie. Unlike Frozen, they remembered the entirety of the movie that it was a musical and let the songs carry along the bridges of scenes and acts and it served them well. The music maintains the themes, language, and style of the incredible people who the movie is about. Yes. Language. There are a few songs that they don’t sing in English and it doesn’t matter. That’s how effective the music is.

Full disclosure, Moana’s theme song also speaks to me – it’s not spoiler to share the lyrics (Song by Lin-Manuel Miranda)

But I come back to the water, no matter how hard I try

Every turn I take, every trail I track
Every path I make, every road leads back
To the place I know, where I can not go
Though I long to be

See the line where the sky meets the sea? It calls me
And no one knows, how far it goes
If the wind in my sail on the sea stays behind me
One day I’ll know, if I go there’s just no telling how far I’ll go

One thing my friends know about me is you can’t get me away from the water if I am near it. There’s a reason I spend hours at Torrey Pines park just watching the waves. Does it beat out Let it Go? No, but it’s definitely in the top 3 of my “I want”/”Who I am” Disney songs.

TL;DR

Just see it already. I don’t need to say more. It’s fantastic. Absolutely fantastic. Music, Animation, Acting, its fantastic. This is one of Disneys best and it gives representation in a time where there is so little. Support this movie. It’s a great movie for adults, kids of all ages.

Yeah that’s it.

Go. Go now. It’s ok to see movies on Wednesday night. It’s ok to hide from the hordes on Black Friday and see this instead.

So should I see it?

*shakes you* did you not read? YES! Seriously. Go see it

Will you buy it on BluRay?

Without question. I mean I just bought the soundtrack

How about 3D?

I saw the film with two people who are unable to watch 3-D, but having watched it. Yes, I think the 3-D will enhance the experience. If you can’t afford 3-D, then standard will be fine.

Anything else?

Yes. The toddler Moana is the most adorable thing I have ever witnessed on screen with my own two eyes.

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One thought on “Darke Reviews | Moana (2016)

  1. Pingback: Darke Reviews – Best and Worst of 2016 | Amused in the Dark

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