Ok, so yesterday I talked about a new classic, Scream. I advise you now do not read this review if you have not watched the first, by the nature of being a sequel in a slasher franchise, this does contain some spoilers. Consider yourself warned, I will keep them to a minimum, but it’s unavoidable. The 90’s were starting to turn around for horror after the year prior. We got The Craft, From Dusk til Dawn, I Know What You Did Last Summer, Wishmaster, and Mimic. Sure there was still some crap, but we were getting some decent things now. We also have a quickly rushed to production Scream 2. Scream was made on a budget of $14 million and made just over $100 million; seven times profit is nothing to sneeze at. Let’s try it again with more money right? How does $24 million sound. Not a bad start. People were still talking about the first, this is good. Did the trailer intrigue us though?
Actually, yeah it does. It takes the trend, that also started in the 90s, to rapidly exploit true stories into film and yet again puts a lampshade on it. The movie even starts with a movie in a movie, about the movie. It talks about books made just to profit from these stories, but more importantly talks about how the victims deal with it. Can they move on. What happens to them and those around them. On top of all this beautiful satire and storytelling the movie also brings back the rules of horror movies. It tells us the rules of the sequels to the films and reminds us of all the sequels to our franchises we’ve endured. Let’s face it , the word here is endured in so many respects. At this point we have had 7 Nightmares, 5 Halloweens , and 8 Friday the 13th’s. We have had…Leprechaun in Space.
So, even though we are but a calendar year away from film to film, within the story it is a little bit longer. We’ve moved from high school to college and the survivors of the first have largely gone their separate ways, but they are pulled together when a new serial killer starts the real life killings over. You actually feel as if these were real people and that many are still friends; and the survivors of the Dixie Boy are still survivors. Sidney (Neve) remains our protagonist and has evolved as much as the movie has. It keeps aware of modern technology and how it can change the old tropes, you know like caller ID? It still makes fun of stereotypes in interesting and brilliant ways. It adds additional intelligent and aware characters, especially of film industry, and lets that awareness help inform the movie. We have both Craven and Williamson behind this, working together again.
Of course, again the right actors help. Returning, Neve Campbell, Courtney Cox, David Arquette, Liev Schreiber, and Jamie Kennedy. We also have yet more career starters with Timothy Olyphant (Justified, Hitman), Joshua Jackson (Dawson’s Creek), and (a pre Buffy) Sarah Michelle Gellar. Jerry O’ Connell tries to keep his career alive after My Secret Identity and being fresh off of Jerry Maguire. The interactions between the characters work, some telegraphed more than others, but they do work. The movie tries to write some elements like the first and it’s up to you to decide if they are real or imagined. They even have good call back jokes to the original, with Tori Spelling playing Sidney.
Again the technicals on this work out. It’s a slasher film, which are surprisingly easy in many respects. If you can get good blood and a good blade you are in decent shape. I also had a realization watching this one as well. It plays equally well on the trope of the unstoppable killer. Here, and in the first, the killer isn’t perfect. They get hit. They fall. They trip. This adds to the human realism and makes it work. The fight scenes and escapes are well planned. The biggest problem this one has over the first is there are some deaths that rely on too much coincidence to make work. That leads me to the…
The movie is good. It isn’t quite as good as the first. The first film has some levels of coincidence to be executed properly within the story. This one relies on it too much. Timing of some events are too reliant on chance to be real and to be functional for a decent plot.
I still feel comfortable recommending this one to watch as part of a marathon. Just don’t expect the same level of play as the first, and thus this one is not quite a classic, but not nearly as bad as so many sequels to horror movies. I should note, that among the things this one pokes at is how bad sequels are typically. There are very very few sequels that are as good or better than the original. This one almost hits the bell, but missed it by that much.