Darke Reviews – Lucy


Two films, two reviews, one night. Sleep is for the weak. Both reviews will have diametrically opposed commentary on one topic. Yet there are similarities in them as well. Let me get to a bit of color commentary on Lucy, I want to be able to get both reviews out before it gets too terribly late, even if most of you won’t read this for another 5 hours now.

Trailers. I promise one day I will get so mad at the trailers for movies I will do a Rant in the Darke. Today is not that day, but it’s oh so tempting. I would say easily 80% of the most intense scenes of Lucy are shown in the trailer. POssibly as low as 60 but thats pushing it. This annoys me. The movie offers no surprises in that regard. Hollywood fail folks. Trailers are designed to entice. Get you going “Oh I think I want to see what this is all about”, perhaps “That looks interesting, what happens in it.” It shouldn’t be after seeing the film going “I saw this why? The trailer showed so much.”

The trailer, however, did not show everything. For that I am partially thankful. I wish they had been more careful, but the question is what didn’t they show?

Luc Besson, you beautiful, sick fiend. Will you ever be satisfied? You directorial style is eternally refreshing and paced well for audiences across the globe. You waste no time in the movies 1:28 running time. The movie is absolutely as lean as it can be. Even with your oddly bizarre inserts during scenes which were jarring at first, but acceptable with the story you’re telling. When you introduced the world in 1990 to La Femme Nikita, then in 94 to Leon The Professional, and in 97 to the 5th Element you continued to push boundaries of action, women, and science fiction. Those are but some of the highlights of your directing career. They also inform your audience that not everything you see is what you get.

You also of course are a writer, with a tendency to be the sole writer upon a film. Thank you. You gave us Nikita, Leelu, and Leon. You brought Jet Li to Paris for Kiss of the Dragon and gave us Jason Statham’s driver in The Transporter. You gave us an introduction to David Belle in District B13. You gave us a man who has a special set of skills. Skills he’s honed over a long career and he does things when people are Taken. So many icons of modern action are at your hands.

The way you treat women is a fascinating study as well. They tend to be victim and powerful. They tend to, in your own habits of writing, start from the bottom and become something more. Something better. You do that with a belief in humanity that it can be more. That it can be good, even with the cynicism and pessimism of the worlds you create. For that, I thank you. You aren’t perfect and your initial treatment is…a bit uncomfortable at times, but your empowerment is to be commended.

Did you nail it again with Lucy?

Well. Yes, yes you did. The movie runs sickeningly lean. Too lean I think. There are scenes that could have used more meat to them. More depth, but I don’t think it what was what you were intending. The pacing is amazingly quick and yet easy to follow at the same time. Your casting is certainly not white washed and again I blame your brilliant european sensibilities for that. It wasn’t as xenophobic as I thought. It just was.

I think thats the secret to Lucy. It is. If you will pardon a bit of sacrilege, I am that I am. Not far off the mark. Everyone is who they are without apology or explanation. Bad guys are bad. Good guys are good. Scientists are scientists (that actually seem to want to do science). Lucy is Lucy.

What about that cast though is there anything to it? Well Scarlett Johansson actually carries the film. Her reaction to the events and how she passes through the world helps a lot. Is it a bit emotionless? Yes. Thats to her credit. If you watch her other films, even Widow has emotion as she does her thing. There’s something minimalist here that needs to be appreciated. Especially within the context of the story. The rest of the cast is good in what they do, but really the weight falls on Johansson and she doesn’t let it hold her down.

She did what I hoped and became a strong female character that carried a film on her own.

The movie does one other successful thing. If you remember my Transcendence review, it annoyed me to the point of rage on how it treated the advancement of the mind. This one? Not only embraces the possibility of that kind of enhancement. It takes that possibility on a date, gets drunk with it, and lets itself be taken advantage of by the possibilities it offers. I think they are in a deeply committed relationship now; or just committed. Hard to say.

TL;DR?

If you were interested in Lucy at all? SEE it. Please.
If you weren’t but now are curious – sound off below AFTER you see it with your thoughts for a chance to win tickets to another film.
If you like the game Mage the Ascension – SEE IT. You’ll be saying “‘fraking ‘genitors” the entire time.

If you don’t dig good sci fi or sci fi in general. Give it a pass.
If you don’t like or can’t accept quasi science in your sci fi – pass.
If your kids want to see it…I am …uncertain. Maybe 13+.

Lucy, much like Snowpiercer is the kind of movie we need. Yes, it needs more meat to its story, but it took risks. Good ones. They paid off for me.

I really enjoyed this and the thoughts the movie left me with. It had a message and a good one at that. Whats the message?

See it and find out. You tell me! I know what I got from it.

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